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Mockumentary
A mockumentary (a blend of ''mock'' and ''documentary''), fake documentary or docu-comedy is a type of film or television show depicting fictional events but presented as a documentary. These productions are often used to analyze or comment on current events and issues by using a fictional setting, or to parody the documentary form itself. While mockumentaries are usually comedic, pseudo-documentaries are their dramatic equivalents. However, pseudo-documentary should not be confused with docudrama, a fictional genre in which dramatic techniques are combined with documentary elements to depict real events. Also, docudrama is different from docufiction, a genre in which documentaries are contaminated with fictional elements. Mockumentaries are often presented as historical documentaries, with B roll and talking heads discussing past events, or as '' cinéma vérité'' pieces following people as they go through various events. Examples emerged during the 1950s when archival film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Clowns
''I clowns'' (also known as ''The Clowns'') is a 1970 mockumentary film by Federico Fellini about the human fascination with clowns and circuses. Plot summary Cast Main * Riccardo Billi as Himself – Italian Clown (credited as Billi) * Federico Fellini as Himself * Gigi Reder as Himself – Italian Clown (credited as Reder) * Tino Scotti as Himself – Italian Clown (credited as Scotti) * Valentini as Himself – Italian Clown * Fanfulla as Himself – Italian Clown * Merli as Himself – Italian Clown * Carlo Rizzo as Himself – Italian Clown (credited as Rizzo) * Colombaioni as Themselves – Italian Clowns (credited as I 4 Colombaioni) * Pistoni as Himself – Italian Clown * Martana as Themselves – Italian Clowns (credited as I Martana) * Giacomo Furia as Himself – Italian Clown (credited as Furia) * Alvaro Vitali as Himself (The Troupe) * Dante Maggio as Himself – Italian Clown (credited as Maggio) * Galliano Sbarra as Himself – Italian Clown (credited as Sbarra) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spaghetti Tree
The spaghetti-tree hoax was a three-minute hoax report broadcast on April Fools' Day 1957 by the BBC current-affairs programme ''Panorama'', purportedly showing a family in southern Switzerland harvesting spaghetti from the family "spaghetti tree". At the time spaghetti was relatively unknown in the UK, so many British people were unaware that it is made from wheat flour and water; a number of viewers afterwards contacted the BBC for advice on growing their own spaghetti trees. Decades later, CNN called this broadcast "the biggest hoax that any reputable news establishment ever pulled". Broadcast The news report was produced as an April Fools' Day joke in 1957, and presented a family in the canton of Ticino in southern Switzerland gathering a bumper spaghetti harvest after a mild winter and "virtual disappearance of the spaghetti weevil". Footage of a traditional "Harvest Festival" was aired along with a discussion of the breeding necessary to develop a strain to produce the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The War Of The Worlds (radio)
"The War of the Worlds" was a Halloween episode of the radio series ''The Mercury Theatre on the Air'' directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel ''The War of the Worlds'' (1898). It was performed and broadcast live at 8 pm ET on October 30, 1938 over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based closely on the opening of the original novel, after which the program takes on the format of an evening of typical radio programming being periodically interrupted by news bulletins. The first few bulletins interrupt a program of live music and are relatively calm reports of unusual explosions on Mars followed by a seemingly unrelated report of an unknown object falling on a farm in Grover's Mill, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Cinéma và ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docudrama
Docudrama (or documentary drama) is a genre of television and film, which features dramatized re-enactments of actual events. It is described as a hybrid of documentary and drama and "a fact-based representation of real event". Docudramas typically strive to adhere to known historical facts, while allowing some degree of dramatic license in peripheral details, such as when there are gaps in the historical record. Dialogue may, or may not, include the actual words of real-life people, as recorded in historical documents. Docudrama producers sometimes choose to film their reconstructed events in the actual locations in which the historical events occurred. A docudrama, in which historical fidelity is the keynote, is generally distinguished from a film merely " based on true events", a term which implies a greater degree of dramatic license; and from the concept of "historical drama", a broader category which may also encompass entirely fictionalized action taking place in histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-documentary
A pseudo-documentary or fake documentary is a film or video production that takes the form or style of a documentary film but does not portray real events. Rather, scripted and fictional elements are used to tell the story. The pseudo-documentary, unlike the related mockumentary, is not always intended as satire or humor. It may use documentary camera techniques but with fabricated sets, actors, or situations, and it may use digital effects to alter the filmed scene or even create a wholly synthetic scene. Film Orson Welles gained notoriety with his radio show and hoax ''War of the Worlds'' which fooled listeners into thinking the Earth was being invaded by Martians. Film critic Jonathan Rosenbaum says this is Welles' first pseudo-documentary. Pseudo-documentary elements were subsequently used in his feature films. For instance, Welles created a pseudo-documentary newsreel which appeared within his 1941 film ''Citizen Kane'', and he began his 1955 film, ''Mr. Arkadin'', with a pseu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish-Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. When Buñuel died at age 83, his obituary in ''The New York Times'' called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picture, ''Un Chien Andalou''—made in the silent era—is still viewed regularly throughout the world and retains its power to shock the viewer, and his last film, ''That Obscure Object of Desire''—made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work "the marriage of the film image to the poetic image, creating a new reality...scan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Paulsen For President
Patrick Layton Paulsen (July 6, 1927 – April 25, 1997) was an American comedian and satirist notable for his roles on several of the Smothers Brothers television shows, and for his satirical campaigns for President of the United States between 1968 and 1996. Early life and education Paulsen was born July 6, 1927, in South Bend, Washington, a small fishing town in Pacific County. He was the son of Beulah Inez (née Fadden) and Norman Inge Paulsen, a Norwegian immigrant who worked for the Coast Guard. The family moved to California when he was 10, where he graduated from Tamalpais High School in Mill Valley in May 1945. Paulsen joined the Marine Corps after high school, when World War II was still being waged, but it ended before he was shipped overseas. However, he did experience overseas duty, including guarding captured Japanese soldiers during their repatriation. He returned home after the war and worked as a posting clerk, a truck driver, a hod carrier, a Fuller Brush sales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Holzman's Diary
''David Holzman's Diary'' is a 1967 American mockumentary, or work of metacinema, directed by James McBride and starring L. M. Kit Carson. A feature-length film made on a tiny budget over several days, it is a work of experimental fiction presented as an autobiographical documentary. "A self-portrait by a fictional character in a real place—New York's Upper West Side," the film comments on the title character's personality and life as well as on documentary filmmaking and the medium of cinema more generally. In 1991, ''David Holzman's Diary'' was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Synopsis L. M. Kit Carson plays David, a young white man living alone in his modest studio apartment on Manhattan's West 71st Street during July 1967. The film begins without the conventional opening credits or mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Hard Day's Night (film)
''A Hard Day's Night'' is a 1964 musical comedy film directed by Richard Lester and starring the English rock band the Beatles—John Lennon, Paul McCartney, George Harrison, and Ringo Starr—during the height of Beatlemania. It was written by Alun Owen and originally released by United Artists. The film portrays 36 hours in the lives of the group as they prepare for a television performance. The film was a financial and critical success and was nominated for two Academy Awards including Best Original Screenplay. Forty years after its release, ''Time'' magazine rated it as one of the 100 all-time great films. In 1997, British critic Leslie Halliwell described it as a "comic fantasia with music; an enormous commercial success with the director trying every cinematic gag in the book" and awarded it a full four stars. The film is credited as being one of the most influential of all musical films, inspiring numerous spy films, the Monkees' television show and pop music videos, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The Money And Run
''Take the Money and Run'' is a 1969 American mockumentary comedy film directed by Woody Allen. Allen co-wrote the screenplay with Mickey Rose and stars alongside Janet Margolin. The film chronicles the life of Virgil Starkwell, an inept bank robber. Filmed in San Francisco and San Quentin State Prison, ''Take the Money and Run'' received Golden Laurel nominations for Male Comedy Performance (Woody Allen) and Male New Face (Woody Allen), and a Writers Guild of America Award nomination for Best Comedy Written Directly for the Screen (Woody Allen, Mickey Rose). Plot Virgil Starkwell's (Woody Allen) story is told in documentary style, using fake stock footage and 'interviews' with people who knew him. He begins a life of crime at a young age. As a child, Virgil is a frequent target of bullies, who take his glasses and stamp on them on the floor. As an adult, Virgil is clumsy and socially awkward, and both police and judges discipline him by stamping on Virgil's glasses. Virgil f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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