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Data Renaissance (album)
''Data Renaissance'' is the fifth studio album by French musical project the Algorithm. It was released on 3 June 2022 through FiXT. Critical reception Dom Lawson from Blabbermouth.net gave the album 7.5 out of 10 and said: "There are certainly moments of electronic purity here, but The Algorithm's intuitive subversive streak is always lurking in the background. Even the jittery, insistent beats of "Multithreading" are gradually undermined by thick, viscous bass ooze and flashes of ghostly humanity. An album full of intelligence and verve, ''Data Renaissance'' is eccentric, enthralling and more than heavy enough to hit the spot." ''Into the Void'' gave the album positive review, saying: "''Data Renaissance'' creates some creatively searing aggressive moments that cascade into gorgeous stabs of synth and digital bliss. Rémi Gallego is about as talented as they come when it comes to multi-genre forces in the electronic,synthwave, and metal genres. If the artist brings more atmosp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Algorithm
The Algorithm is the musical project of French musician Rémi Gallego (born 7 October 1989) from Perpignan. His style is characterised by an unusual combination of electronic dance music with progressive metal. Gallego chose the name The Algorithm to highlight the music's complex and electronic nature. History Early years (2009–2010) After the demise of his band Dying Breath, Rémi Gallego decided in 2009 to look for potential members for a band that focused on mathcore, which came as an inspiration from The Dillinger Escape Plan. After a futile search for new members, with the help of his guitar and a DAW, Gallego began to produce his own music. In December 2009 and July 2010, he published the two demos "The Doppler Effect" and "CRITICAL.ERROR", which were / released via his own website for free download. Towards the end of 2010, he announced that he was working on a new EP named "Identity" (it was never completed). Also, he was preparing for his first live appearances. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FiXT
FiXT (pronounced "fixed") is an American independent media company with several divisions including a record label, an online music store, and a film/TV/video game music licensing arm. FiXT was founded and is owned by Klayton, the sole member of the electronic rock project Celldweller. History FiXT started in 2006 as an outgrowth of Esion Media, the name under which Klayton published his earliest Celldweller material. After years of trouble with distributors over how to properly handle Celldweller's unique brand of music, Klayton decided to take the same approach to record labels as he did with his music and handle the matter himself. Some of the first releases on FiXT were remix compilations for Celldweller tracks that were called the Take It & Break It series. The remixes were solicited from fans who could download and remix the song files for free. Out of this series grew FiXT Remix, a separate site that regularly hosts remix contests for artists signed to FiXT or carried i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Algorithm
The Algorithm is the musical project of French musician Rémi Gallego (born 7 October 1989) from Perpignan. His style is characterised by an unusual combination of electronic dance music with progressive metal. Gallego chose the name The Algorithm to highlight the music's complex and electronic nature. History Early years (2009–2010) After the demise of his band Dying Breath, Rémi Gallego decided in 2009 to look for potential members for a band that focused on mathcore, which came as an inspiration from The Dillinger Escape Plan. After a futile search for new members, with the help of his guitar and a DAW, Gallego began to produce his own music. In December 2009 and July 2010, he published the two demos "The Doppler Effect" and "CRITICAL.ERROR", which were / released via his own website for free download. Towards the end of 2010, he announced that he was working on a new EP named "Identity" (it was never completed). Also, he was preparing for his first live appearances. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compiler Optimization Techniques (album)
''Compiler Optimization Techniques'' is the fourth studio album by French musical project the Algorithm. It was released on 1 January 2018 through FiXT. Track listing Personnel * Rémi Gallego — synthesizer, sequencer, guitar, programming, production Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of making products (goods and services) * Production as a stati ..., mixing, mastering * Adrien Bousson — artwork, layout References {{Authority control 2018 albums Albums produced by Rémi Gallego The Algorithm albums FiXT albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Storm (webzine)
Metal Storm (also known as MetalStorm.net, MetalStorm.ee, MetalStorm.eu or just MS) is a webzine specializing in various forms of heavy metal music. It is based in Tallinn, Estonia, but caters to an international audience, symbolically recognized by the acquisition of an EU domain in 2008. As of June 2013, the website hosts 7,812 band profiles, 7,800 reviews, 553 interviews and 16,753 news items. Community Members Metal Storm users can register for free and create a custom profile based on their specific preferences. The comprehensive profile format allows for users to display detailed information about their musical taste, activity on the site, and other miscellaneous information, including up to three photos. "Community Points" are awarded to users for contributing forum reports, band info, lyrics, news, events, reviews, and articles, with the number awarded depending on the value of the contribution. Users may also add albums to their "Collection," an interactive list of al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2022 Albums
For lists of 2022 albums, see: * List of 2022 albums (January–June) * List of 2022 albums (July–December) {{Short pages monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Algorithm Albums
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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