Dar Jamai Museum
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Dar Jamai Museum
The Dar Jamai Museum (also spelled Dar Jamaï or Dar Jama'i) is a museum in Meknes, Morocco. It displays a number of artifacts and art objects from the city and other regions in Morocco. It is housed in a late 19th-century palace built by the Jama'i family who also built the Jamai Palace in Fes. History The palace was built in 1882 by Mokhtar ben Arbi el Jama'i, who, along with his brother, served as Grand Vizier under Sultan Moulay Hassan (ruled 1873–1894). His family also built the Jamai Palace in Fes. When Moulay Hassan died in 1894, his younger son Moulay Abdelaziz was installed on the throne with the help of Ba Ahmed, one of the Jama'i family's rivals. The family thus fell out of favour and saw much of their assests, including the palace, confiscated. The palace was then given to the Glaoui family. In 1912, upon the advent of French colonial rule over Morocco, it was taken over by the French and turned first into a military hospital, then a military court, and finall ...
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Dar or DAR may refer to: Settlements * Dar es Salaam, the largest city of Tanzania and East Africa * Dar, Azerbaijan, a village * Dar, Iran, a village People * Dar (tribe), a Kashmiri tribe in India and Pakistan * Aleem Dar, Pakistani cricketer and international umpire * Ami Dar, Israeli-American nonprofit leader * Asif Dar, Pakistani-Canadian boxer * Abdul Majeed Dar, commander of Hizbul Mujahideen * Igal Dar (1936–1977), Israeli basketball player * Mukhtar Dar, Pakistani-born artist and activist * Noam Dar, Israeli-Scottish professional wrestler * William Dar (born 1953), Filipino horticulturist and government administrator * Dar Lyon, an English first-class cricketer * Dar Robinson, American stunt performer and actor * Dar Williams, folk-pop artist Fictional characters * Dar, the main character in the 1982 fantasy film ''The Beastmaster'' and the 1999–2002 Canadian ''Beastmaster '' TV series * Dar Adal, one of the main characters in the TV series ''Homeland'' Acron ...
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Zellij
''Zellij'' ( ar, الزليج, translit=zillīj; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus (in the Iberian Peninsula). From the 14th century onwards, ''zellij'' became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors. After the 15th century the traditional mosaic ''zellij'' fell out of fashion in most countries except for Morocco, where it continues to be produced today. ''Zellij'' is found in ...
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Buildings And Structures In Meknes
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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19th-century Establishments In Africa
The 19th (nineteenth) century began on 1 January 1801 (Roman numerals, MDCCCI), and ended on 31 December 1900 (Roman numerals, MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolitionism, abolished in much of Europe and the Americas. The Industrial Revolution, First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Gunpowder empires, Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost ...
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Lalla Aouda Mosque
The Lalla Aouda Mosque or Mosque of Lalla 'Awda (; ) is a large historic mosque in Meknes, Morocco. It was originally the mosque of the Marinid kasbah (citadel) of the city, built in 1276, but was subsequently remodeled into the royal mosque of the Alaouite sultan Moulay Isma'il's imperial palace in the late 17th century. History The mosque was originally founded in 1276 CE by the Marinid sultan Abu Yusuf Ya'qub as the main mosque of the kasbah (citadel) which the sultan built that same year.El Khammar, Abdeltif (2005). "Mosquées et oratoires de Meknès (IXe-XVIIIe siècle) : géographie religieuse, architecture et problème de la Qibla". PhD Thesis. Université Lumière-Lyon 2. p. 210. It was thus originally known as the Mosque of the Kasbah (''Jama' al-Qasba''), whereas its current name (Mosque of Lalla Aouda) dates from the Saadian or Alaouite period (16th century or later). The name "Lalla Aouda" refers to Lalla Masuda, a ''waliya'' (saint) and the mother of the Saadi ...
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Maqsurah
''Maqsurah'' ( ar, مقصورة, literally "closed-off space") is an enclosure, box, or wooden screen near the ''mihrab'' or the center of the ''qibla'' wall in a mosque. It was typically reserved for a Muslim ruler and his entourage, and was originally designed to shield him from potential assassins during prayer. The imam officiating inside the maqsurah typically belonged to the same school of law to which the ruler belonged. There also may have been some spiritual connotation similar to the chancel screen in Christian churches. They were often wooden screens decorated with carvings or interlocking turned pieces of wood (similar to a ''mashrabiya''). Sometimes, Muslim saints are buried behind a maqsurah in a similar way to a ''zarih''. History The first maqsura is believed to have been created by Caliph Uthman (caliph between 644 and 656 CE) at the Mosque of Medina to protect himself from possible assassins after his predecessor, Umar, was assassinated inside the mosque. ...
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Minbar
A minbar (; sometimes romanized as ''mimber'') is a pulpit in a mosque where the imam (leader of prayers) stands to deliver sermons (, ''khutbah''). It is also used in other similar contexts, such as in a Hussainiya where the speaker sits and lectures the congregation. Etymology The word is a derivative of the Arabic root ''n-b-r'' ("to raise, elevate"); the Arabic plural is ''manābir'' ( ar, مَنابِر). Function and form The minbar is symbolically the seat of the imam who leads prayers in the mosque and delivers sermons. In the early years of Islam, this seat was reserved for the Islamic prophet Muhammad and later for the caliphs who followed him, each of whom was officially the imam of the whole Muslim community, but it eventually became standard for all Friday mosques and was used by the local imam. Nonetheless, the minbar retained its significance as a symbol of authority. While minbars are roughly similar to church pulpits, they have a function and position mor ...
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Ismail Ibn Sharif
Moulay Ismail Ibn Sharif ( ar, مولاي إسماعيل بن الشريف), born around 1645 in Sijilmassa and died on 22 March 1727 at Meknes, was a Sultan of Morocco from 1672–1727, as the second ruler of the Alaouite dynasty. He was the seventh son of Moulay Sharif and was governor of the province of Fez and the north of Morocco from 1667 until the death of his half-brother, Sultan Moulay Rashid in 1672. He was proclaimed sultan at Fez, but spent several years in conflict with his nephew Moulay Ahmed ben Mehrez, who also claimed the throne, until the latter's death in 1687. Moulay Ismail's 55-year reign is the longest of any sultan of Morocco. The reign of Moulay Ismail marked a high watermark for Moroccan power. His military successes are explained by the creation of a strong army, originally relying on the 'Guichs' (especially the Udaya) and on the Black Guard (or Abid al-Bukhari), black slaves who were totally devoted to him. As a result, the central power could be le ...
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Moroccan Rugs
Moroccan rugs are the weaves, carpets, and textiles that have been traditionally hand-woven in Morocco. Rugs have been woven by the Indigenous peoples, indigenous people of Morocco since the Paleolithic Era. Traditionally, Moroccan rugs have been woven by tribal peoples for their utility rather than for decorative purposes. Twentieth-century Moroccan rugs are widely collected in the West, and are almost always woven by tribes people who do not seek nor possess formal artistic training. History In the historic area encompassing the modern nation of Morocco, the tradition of rug-making is just about as old as it is anywhere in the world. The early adoption of rug-making by native Moroccans is certainly due in large part to the distinctive climate of the region: Moroccan rugs may be very thick with a heavy pile, making them useful for the snow-capped Atlas Mountains; or they may be flat woven and light as to suit the hot climate of the Sahara desert.''Moroccan Carpets'' by Brooke Pick ...
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Embroidery
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. Some of the basic techniques or stitches of the earliest embroidery are chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Those stitches remain the fundamental techniques of hand embroidery today. History Origins The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. Indeed, the remarkable stability of basic embroidery stitches has been noted: The art of embroidery has been found worldwide and ...
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Ceramic
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "'' ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest kno ...
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Turkish Bath
A hammam ( ar, حمّام, translit=ḥammām, tr, hamam) or Turkish bath is a type of steam bath or a place of public bathing associated with the Islamic world. It is a prominent feature in the culture of the Muslim world and was inherited from the model of the Roman ''thermae.'' Muslim bathhouses or hammams were historically found across the Middle East, North Africa, al-Andalus (Islamic Spain and Portugal), Central Asia, the Indian subcontinent, and in Southeastern Europe under Ottoman rule. A variation on the Muslim bathhouse, the Victorian Turkish bath, became popular as a form of therapy, a method of cleansing, and a place for relaxation during the Victorian era, rapidly spreading through the British Empire, the United States of America, and Western Europe. In Islamic cultures the significance of the hammam was both religious and civic: it provided for the needs of ritual ablutions but also provided for general hygiene in an era before private plumbing and served other ...
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