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Dancing With The Stars (Australian Season 7)
The seventh season of ''Dancing with the Stars'' was the last to be hosted by Daryl Somers. It was also the last season to be aired on a Tuesday night and have a panel consisting of four judges, until season 13. This season commenced on 25 September 2007 and concluded on 27 November 2007. Bridie Carter and her professional partner Craig Monley were named the eventual winners, defeating Anh Do and his partner. The season featured the following celebrities. Couples Scoring Chart : indicate the couples with the lowest score for each week. : indicate the couples with the highest score for each week. : indicates the couple (or couples) eliminated that week. : indicates the returning couple that finished in the bottom two. : indicates the couple that would have been eliminated had an elimination taken place. : indicates the winning couple. : indicates the runner-up couple. : indicates the third-place couple. Dance Schedule The celebrities and professional partners danced one of ...
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Bridie Carter
Bridie Carter (born 18 December 1970) is an Australian actress best known for her role as the main character of Tess Silverman McLeod on the television drama series ''McLeod's Daughters''. Early life Bridie was born and raised in Melbourne, Australia, the eldest of three children. She has two younger brothers. Her mother, Kiffy Rubbo, was a gallery director. Career Carter has been acting since the age of six and started her first classes at the Bouverie Street Theatre in Carlton, Melbourne. She graduated from the National Institute of Dramatic Art in 1994. She is perhaps best known for her starring role as Tess Silverman McLeod in the hit Nine Network television series ''McLeod's Daughters''; she appeared on the show for its first six seasons. She was nominated for many Silver and Gold Logies for her performance as Tess McLeod, including the industry-voted Most Outstanding Actress in 2004. Her other television credits include '' G.P.'', '' Water Rats'', '' All Saints'', ''Mu ...
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Jive (dance)
The jive is a dance style that originated in the United States from the African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing. History To the players of swing music in the 1930s and 1940s, "jive" was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop/jitterbug to Europe around 1940, where this dance swiftly found a following among the young. In the United States, "swing" became the most common word for the dance, and the term "jive" was adopted in the UK. Variations in technique led to styles such as boogie-woogie and swing boogie, with "jive" gradually emerging as the generic term in the UK.Pa ...
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Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, locking, house dance, waacking etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African American and Latino people who created the style were generally not accepted into dance studios because of their race. A significant feature of street dan ...
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Samba (ballroom)
The international ballroom version of samba is a lively, rhythmical dance with elements from Brazilian samba. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique As a ballroom dance, the samba is a partner dance. Ballroom samba, even more than other ballroom dances, is very disconnected from the origins and evolution of the music and dance that gives it its name. Most steps are danced with a slight downward bouncing or dropping action. This action is created through the bending and straightening of the knees, with bending occurring on the beats of 1 and 2, and the straightening occurring between. However, unlike the bouncing of, e.g., Polka, there is no considerable bobbing. Also, Samba has a specific hip action, different from that in other ballroom Latin dances (Rumba and Cha-Cha-Cha). The ballroom samba is danced to music in or time. It uses several differe ...
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Tango (dance)
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries as the result of a combination of Rioplatense Candombe celebrations, Spanish-Cuban Habanera, and Argentine Milonga. The tango was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. The tango then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in lower-class districts of Buenos Aires and Montev ...
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Argentine Tango
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a or rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by '' nostalgia'', sadness, and laments for lost love. The typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, and Ástor Piazzolla. History of tango The origins of tango are unclear because little historical documentation from that era exists. However, in recent years, a few tango aficionados have undertaken a thorough research of that history and so it is less mysteriou ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Bollywood
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi film ...
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Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ...
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Paso Doble
Pasodoble (Spanish language, Spanish: ''double step'') is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute (double the average of a regular unit, hence its name). This military march gave rise recently to a modern Spanish dance, a musical genre including both voice and instruments, and a genre of instrumental music often played during Bullfighting, bullfight. Both the dance and the non martial compositions are also called pasodoble. Structure All pasodobles have binary rhythm. Its musical structure consists of an introduction based on the dominant chord of the piece, followed by a first fragment based on the main tone and a second part, called "the trío", based on the sub-dominant note, based yet again on the dominant chord. Each change is preceded by a brieph. The last segment of the pasodoble is usually "the trío" strongly played. The different types of pasodoble- popular, taurino, militar- can vary in rhy ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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