|
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumba Dance Pattern
The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th century, before the rise of mambo, pachanga and salsa. "Rumba" entered the English lexicon in the early 20th century, at least as early as 1919, and by 1932 it was used a verb to denote the ballro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boleros
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Machín
Antonio Abad Lugo Machín (11 February 1903, in Sagua la Grande, Cuba – 4 August 1977, in Madrid, Spain) was a Spanish-Cuban singer and musician. His version of ''El Manisero'', recorded in New York, 1930, with Don Azpiazú's orchestra, was the first million record seller for a Cuban artist. Although this was labelled a rhumba, it was in reality a son pregón, namely, a song based on a street-seller's cry. Biography Machín was a mixed-race son of a Cuban woman, Leoncia Machín, and a Spanish father, José Lugo Padrón, who emigrated to Cuba from Galicia, Spain. Machín was one of sixteen children. His early years were difficult: he was forced to work at the age of eight to help pay some of his father's numerous debts. One day, he was in the street by his house singing quietly. A priest that walked by heard him and immediately encouraged him to sing at a party. He sang '' Ave María'' by Schubert. From that day on Machín was determined to become a singer. Machín's ambition was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moisés Simons
Moisés Simons (born Moisés Simón Rodríguez; 24 August 1889 in Havana, Cuba – 28 June 1945 in Madrid, Spain),''Toi, c'est moi'' ''L'Encyclopédie multimedia de la comédie musicale théâtrale en France'' was a leading , , and . He was the composer of ''El Manisero'' ('' |
Enric Madriguera
Enric R. Madriguera (17 February 1902 – 7 September 1973) was a violinist of Catalan origin who was playing concerts as a child before he studied at the Barcelona Conservatory. (The Castilian form of his name is Enrique, which he sometimes used on records.) Biography He was born in Barcelona, Spain, and whilst still in his twenties he was lead violinist at Boston's and Symphony orchestras, before becoming the conductor of the Cuban Philharmonic. In the late 1920s, Madriguera played in 's studio orchestra at Columbia Records in New York, and served briefly as that company's director of Latin mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xavier Cugat
Xavier Cugat (; 1 January 1900 – 27 October 1990) was a Spanish musician and bandleader who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music. In New York City he was the leader of the resident orchestra at the Waldorf–Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Life and career Cugat was born Francisco de Asís Javier Cugat Mingall de Bru y DeulofeuXavier Cugat official webpage xaviercugat.com; accessed 8 November 2015. in , |
Amapola (song)
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. Recordings "Amapola" was first recorded instrumentally by Cuban Orquesta Francesa de A. Moreno for Columbia in February 1923. Spanish tenor Miguel Fleta made the first vocal recording in 1925. In 1935, the Lecuona Cuban Boys released their rendition of the song as a single, recorded in 1935 in Paris. Japanese singer Noriko Awaya released her version of the song in 1937. A popular recorded version was made later by the Jimmy Dorsey Orchestra with vocalists Helen O'Connell and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Say "Si Si"
"Para Vigo me voy", known in English as "Say Si Si", is a popular song written in 1935 by Cuban composer Ernesto Lecuona with lyrics by Francia Luban (original Spanish version) and Al Stillman (translated English version). Early bands to record the song include Xavier Cugat's orchestra (1935) and Lecuona Cuban Boys (1937). The song was copyrighted in the United States in 1940. It became a hit in the US when it was recorded by The Andrews Sisters and Glenn Miller in 1940, and The Mills Brothers in 1953. Style Releases including "Para Vigo me voy" often label the song as a "conga", or occasionally a "rumba". Thus, it is considered an early example of a "salon conga" or "ballroom conga", in the same vein as the famous " ballroom rumbas" such as "The Peanut Vendor" ("El manisero"). According to musicologist Alberto Pérez Perazzo, "Para Vigo me voy" is one of the first popular songs with a true conga rhythm. Recordings One of the earliest recordings of "Para Vigo me voy" was made by Xav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pregón
Pregón, a Spanish word meaning ''announcement'' or ''street-seller's cry'', has a particular meaning in both Cuban music and Latin American music in general. It can be translated as ''a song based on a street-seller's cry'' or ''a street-seller's song'' ("canto de los vendedores ambulantes"). Background Oral proclamations made in the street were an important form of mass communication throughout Europe and the Americas until the late 19th-century when other forms of communication emerged to replace the town criers. In Spain and Latin-America, those who read these proclamations were known as ''pregoneros'' and their speech as a ''pregón''. Over time, the official town crier, who read public announcements sanctioned by governments, disappeared, but the street cries associated with itinerant vendors continued into the 20th-century, and can still be heard in commercial marketplaces and fairs. Street vendors and their cries were known in medieval Europe. The numbers of street vendo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
