Dakshayini
Sati (, sa, सती, , ), also known as Dakshayani (Sanskrit: दाक्षायणी, IAST: ''Dākṣāyaṇī'', lit. 'daughter of Daksha'), is the Hindu goddess of marital felicity and longevity, and is worshipped as an aspect of the mother goddess Adi Parashakti, Shakti. She is generally considered the first wife of Shiva, the other being Parvati, who was Sati's reincarnation after her death. The earliest mentions of Sati are found in the time of the Ramayana and the Mahabharata, but details of her story appear in the Puranas. Legends describe Sati as the favourite child of Daksha, who marries Shiva against her father's wishes. After Daksha humiliates her and her husband, Sati kills herself in the yajna (Fire-Sacrifice) to protest against him, and uphold the honour of her husband. In Hinduism, both Sati and Parvati, successively play the role of bringing Shiva away from ascetic isolation into creative participation with the world. Sati's story plays an important par ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kalighat Painting
Kalighat painting, Kalighat Patachitra, or Kalighat Pat (Bengali: '' কালীঘাট পটচিত্র'') originated as a distinct style or genre of Indian paintings in the 19th century, practiced and produced by a group of specialised scroll painters known as the patuas in the vicinity of the Kalighat Kali Temple in Kolkata (formerly Calcutta), in the present Indian state of West Bengal. Composed of bold outlines, vibrant colour tones, featuring minimal background details, these paintings and drawings, done on hand-made, or more usually, machine manufactured, paper, depicted mythological stories, figures of Hindu gods and goddesses, as well as scenes from everyday life and society, thereby recording a socio-cultural landscape which was undergoing a series of transitions during the 19th and early 20th century, when the Kalighat pat reached its pinnacle. Today the Victoria and Albert Museum in London hosts the single largest collection of Kalighat paintings in the wor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Asura
Asuras (Sanskrit: असुर) are a class of beings in Indian religions, Indic religions. They are described as power-seeking clans related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is sometimes translated "Titan (mythology), titan", "demigod", or "antigod". According to Hindu texts, Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are call ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kartikeya
Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha and a god whose legends have many versions in Hinduism. Kartikeya has been an important deity in the Indian subcontinent since ancient times, worshipped as Mahasena and Kumara in North India and is predominantly worshipped in the state of Tamil Nadu and other parts of South India, Sri Lanka, Singapore, and Malaysia as Murugan. Murugan is widely regarded as the "God of the Tamil people". It has been postulated that the Tamil deity of Murugan was syncretised with the Vedic deity of Subrahmanya following the Sangam era. Both Muruga and Subrahmanya refer to Kartikeya. The iconography of Kartikeya varies significantly; he is typically represented as an ever-youthful man, riding or near an Indian peafowl, called Paravani, bearing a vel and so ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Daksha Yajna
Dakṣayajña is an important event in Hindu mythology that is narrated in various Hindu scriptures. It refers to a yajna (ritual-sacrifice) organised by Daksha, where his daughter, Sati, immolates herself. The wrath of the god Shiva, Sati's husband, thereafter destroys the sacrificial ceremony. The tale is also called Daksha-Yajna-Nasha ("destruction of Daksha's sacrifice). The legend forms the liturgical basis of the establishment of the Shakti Pithas, the temples of Mahadevi, the supreme deity of Shaktism. It is also becomes a prelude to the legend of Parvati, Sati's reincarnation, who later marries Shiva. The tale is mainly told in the ''Vayu Purana''. It is also mentioned in the ''Kasi Kanda'' of the ''Skanda Purana'', the ''Kurma Purana'', ''Harivamsa Purana,'' and the ''Padma Purana''. The ''Linga Purana'', ''Shiva Purana'', and ''Matsya Purana'' also detail the incident. Variations of the legend may be observed in later Puranas, each text lending a superior account to the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Supreme Brahman
''Para Brahman'' ( sa, परब्रह्म, translit=parabrahma, translit-std=IAST) in Hindu philosophy is the "Supreme Brahman" that which is beyond all descriptions and conceptualisations. It is described as the formless (in the sense that it is devoid of Maya) that eternally pervades everything, everywhere in the universe and whatever is beyond. Param Brahma is conceptualised in diverse ways. In the Advaita Vedanta tradition, the Param Brahma is a synonym of ''nirguna brahman'', i.e., the attribute-less Absolute. Conversely, in Dvaita Vedanta and Vishistadvaita Vedanta traditions, the Param Brahma is defined as '' saguna brahman'', i.e., the Absolute with attributes. In Vaishnavism, Shaivism and Shaktism, Vishnu, Shiva and Adi Shakti respectively are Param Brahma. Mahaganapati is considered as Param Brahma by the Ganapatya sect. Kartikeya is considered as Param Brahma by the Kartikeya sect. Etymology ''Para'' is a Sanskrit word that means "higher" in some contexts, an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kena Upanishad
The Kena Upanishad () is a Vedic Sanskrit text classified as one of the primary or Mukhya Upanishads that is embedded inside the last section of the ''Talavakara Brahmanam'' of the Samaveda.Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 207-213 It is listed as number 2 in the Muktikā, the canon of the 108 Upanishads of Hinduism. The Kena Upanishad was probably composed sometime around the middle of the 1st millennium BCE. It has an unusual structure where the first 13 are verses composed as a metric poem, followed by 15 prose paragraphs of main text plus 6 prose paragraphs of epilogue. Paul Deussen suggests that the latter prose section of the main text is far more ancient than the poetic first section, and Kena Upanishad bridged the more ancient prose Upanishad era with the metric poetic era of Upanishads that followed. Kena Upanishad is notable in its discussion of Brahman with attributes and without attributes, and for being a treatise ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudrani
Rudrani is the consort of Rudra Or Shiva. Later many scholars started associating Rudrani with Parvati, consort of Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu .... References Vedic period Hindu goddesses Forms of Parvati {{hindu-myth-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudra
Rudra (; sa, रुद्र) is a Rigvedic deity associated with Shiva, the wind or storms, Vayu, medicine, and the hunt. One translation of the name is 'the roarer'. In the Rigveda, Rudra is praised as the 'mightiest of the mighty'. Rudra means "who eradicates problems from their roots". Depending upon the periodic situation, Rudra can mean 'the most severe roarer/howler' (could be a hurricane or tempest) or 'the most frightening one'. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The ''Shri Rudram'' hymn from the Yajurveda is dedicated to Rudra and is important in the Shaivism sect.For an overview of the Śatarudriya see: . In Prathama Anuvaka of Namakam (Taittiriya Samhita 4.5), Sri Rudram the 'mightiest of the mighty' Rudra, is revered as ''Sadasiva (meaning 'mighty Shiva')'' and Mahadeva. Sadashiva is the Supreme Being, Lord Paramashiva in the Mantra marga Siddhanta sect of Shaivism. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shakti Peethas
The Shakti Pitha or the Shakti Peethas ( sa, शक्ति पीठ, , ''seat of Shakti'') are significant shrines and pilgrimage destinations in Shaktism, the goddess-centric denomination in Hinduism. The shrines are dedicated to various forms of Adi Shakti. Various Puranas such as Srimad Devi Bhagavatam state the existence of varying number of 51, 64 and 108 Shakti peethas of which 18 are named as Astadasha ''Maha'' (major) in medieval Hindu texts. Various legends explain how the Shakti Peetha came into existence. The most popular is based on the story of the death of the goddess Sati. Out of grief and sorrow, Lord Shiva carried Sati's body, reminiscing about their moments as a couple, and roamed around the universe with it. Lord Vishnu had cut her body into 51 body parts, using his Sudarshana Chakra, which fell on Earth to become sacred sites where all the people can pay homage to the Goddess. To complete this massively long task, Lord Shiva took the form of Bhairava. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shaktism
Shaktism ( sa, शाक्त, , ) is one of several major Hindu denominations, wherein the metaphysical reality is considered metaphorically a woman and Shakti ( Mahadevi) is regarded as the supreme godhead. It includes many goddesses, all considered aspects of the same supreme goddess. Shaktism has different sub-traditions, ranging from those focused on most worshipped Durga, gracious Parvati to that of fierce Kali. The Sruti and Smriti texts of Hinduism are an important historical framework of the Shaktism tradition. In addition, it reveres the texts '' Devi Mahatmya'', the ''Devi-Bhagavata Purana'', '' Kalika Purana'' and Shakta Upanishads such as the Devi Upanishad. The ''Devi Mahatmya'' in particular, is considered in Shaktism to be as important as the '' Bhagavad Gita''. Shaktism is known for its various sub-traditions of tantra, as well as a galaxy of goddesses with respective systems. It consists of the Vidyapitha and Kulamārga. The pantheon of goddesses in S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |