Creature Features (WNEW)
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Creature Features (WNEW)
''Creature Features'' a classic horror film show broadcast in the New York Metropolitan Area, on WNEW, Channel 5 ( Metromedia Broadcasting). It was hosted by Lou Steele (The Creep), who became familiar to Channel 5 viewers for starting off the ''10 o'clock News'' by asking: "It's 10 p.m.; do you know where your children are?" History ''Creature Features'' first aired from July to August 1969 on a test run, and was found to be a hit. The movies broadcast were taken from the classic horror movies of the 1930s and 1940s, the horror and science-fiction films of the 1950s, British horror films of the 1960s, and the Japanese "giant monster" movies of the 1960s, and early 1970s. It was continued on the air from November 1969 to August 1973, but was cancelled due to poor ratings and competition from WPIX's ''Chiller Theatre''. The movies ''Creature Features'' normally showed classic Universal Horror, like ''Dracula'', ''Frankenstein'', ''Bride of Frankenstein'', ''The Mummy'', plus man ...
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WNYW
WNYW (channel 5) is a television station in New York City, serving as the flagship of the Fox network. It is owned and operated by the network's Fox Television Stations division alongside Secaucus, New Jersey–licensed MyNetworkTV flagship WWOR-TV (channel 9). Both stations share studios at the Fox Television Center on East 67th Street in Manhattan's Lenox Hill neighborhood, while WNYW's transmitter is located at One World Trade Center. History DuMont origins (1944–1956) The station traces its history to 1938, when television set and equipment manufacturer Allen B. DuMont founded experimental station W2XVT in Passaic, New Jersey. That station's call sign was changed to W2XWV when it moved to Manhattan in 1940. On May 2, 1944, the station received its commercial license, the third in New York City. It began broadcasting on VHF channel 4 as WABD with its call sign made up of DuMont's initials. It was one of the few television stations that continued to broadcast during Wor ...
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Roger Corman
Roger William Corman (born April 5, 1926) is an American film director, producer, and actor. He has been called "The Pope of Pop Cinema" and is known as a trailblazer in the world of independent film. Many of Corman's films are based on works that have an already-established critical reputation, such as his cycle of low-budget cult films adapted from the tales of Edgar Allan Poe. In 1964, Corman—admired by members of the French New Wave and '' Cahiers du Cinéma''—became the youngest filmmaker to have a retrospective at the Cinémathèque Française, as well as in the British Film Institute and the Museum of Modern Art. He was the co-founder of New World Pictures, the founder of New Concorde and is a longtime member of the Academy of Motion Picture Arts and Sciences. In 2009, he was awarded an Honorary Academy Award "for his rich engendering of films and filmmakers". Corman is also famous for distributing in the U.S. many foreign directors, such as Federico Fellini (Ital ...
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The Phantom Of The Opera (1962 Film)
''The Phantom of the Opera'' is a 1962 British horror film directed by Terence Fisher, a loose adaptation of the 1910 novel '' Le Fantôme de l'Opéra'' by Gaston Leroux. The film was made by Hammer Film Productions but performed unsuccessfully at the box office. Plot In 1900, it is the first night of the season at the London Opera House. It is also the opening of a new opera by Lord Ambrose D'Arcy, a wealthy and pompous man who is annoyed and scornful when the manager Lattimer informs him the theatre has not been completely sold out. No one will sit in a certain box, Box #5, because it is haunted. Backstage, despite the soothing efforts of the producer, Harry Hunter, everyone, including the show's star, Maria, is nervous and upset as if a sinister force was at work. When the body of a murdered stagehand swings out of the wings during Maria's first aria, pandemonium ensues. With the show postponed and Maria refusing to perform again, Harry frantically auditions new singers. He fi ...
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Prince Of Darkness
Prince of Darkness may refer to: Religion and mythology * Prince of Darkness (Manichaeism), the term used by Mani for the principle of evil * Prince of Darkness (Satan), a term used in John Milton's poem ''Paradise Lost'' referring to Satan as the embodiment of evil People * Jeremiah G. Hamilton (1806–1875), Broker & The first black millionaire in New York. * Miles Davis (1926–1991), jazz musician *William F. Galvin (born 1950), Secretary of the Commonwealth of Massachusetts since January 1, 1995 * General Sir Mike Jackson (British Army officer) (born 1944), Chief of British General Staff, commander of KFOR military administration of Kosovo * Warren Kinsella (born 1960), Canadian political consultant and former PMO staffer to Prime Minister Jean Chretien * Lord Mandelson (born 1953), former British Cabinet Minister and First Secretary of State * Robert Novak (1931–2009), American journalist and conservative commentator * Ozzy Osbourne (born 1948), British rock si ...
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The Curse Of Frankenstein
''The Curse of Frankenstein'' is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel '' Frankenstein; or, The Modern Prometheus '' by Mary Shelley. It was Hammer's first colour horror film, and the first of their ''Frankenstein'' series. Its worldwide success led to several sequels, and it was also followed by new versions of ''Dracula'' (1958) and ''The Mummy'' (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.Sinclair McKay (2007)'' A Thing of Unspeakable Horror: The History of Hammer Films'' The film was directed by Terence Fisher and stars Peter Cushing as Victor Frankenstein and Christopher Lee as the Creature, with Hazel Court and Robert Urquhart. Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour". Plot In 19th century Switzerland, Baron Victor Frankenstein is awaiting execution for the murder of his maid Justine. He tells the story of his life to ...
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The Quatermass Xperiment
''The Quatermass Xperiment'' (a.k.a. ''The Creeping Unknown'' in the United States) is a 1955 British science fiction horror film from Hammer Film Productions, based on the 1953 BBC Television serial ''The Quatermass Experiment'' written by Nigel Kneale. The film was produced by Anthony Hinds, directed by Val Guest, and stars Brian Donlevy as the eponymous Professor Bernard Quatermass and Richard Wordsworth as the tormented Carroon. Jack Warner, David King-Wood, and Margia Dean appear in co-starring roles. The film concerns three astronauts who have been launched into space aboard a single-stage-to-orbit rocket designed by Professor Quatermass. It crashlands with only one of its original crew, Victor Carroon (Richard Wordsworth), still aboard. He begins mutating into an alien organism, which, if it spawns, will engulf the Earth and destroy humanity. After Carroon escapes from custody Quatermass and Inspector Lomax (Jack Warner) of Scotland Yard have just hours to track him/i ...
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Hammer Film Productions
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. This success was, in part, due to its distribution partnerships with American companies United Artists, Warner Bros., Universal Pictures, Columbia Pictures, Paramount Pictures, 20th Century Fox, Metro-Goldwyn-Mayer, American International Pictures and Seven Arts Productions as well as fellow European fi ...
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Gamera
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. Debuting in the 1965 film ''Gamera, the Giant Monster'', the character and the first film were intended to compete with the success of Toho's ''Godzilla'' film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later Kadokawa Daiei Studio, and various media. Gamera is depicted as a giant, fire-breathing, prehistoric turtle monster, mutated by exposure to nuclear weapons. In the first film, Gamera is portrayed as aggressive and destructive, though he also saves a child. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, and especially children, from extraterrestrial races and other giant monsters. To date, ''Gamera, the Giant Monster'' is the only film to be released theatrically in the United States; however, it was heavily localized and retitled ''Gammera the Invin ...
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Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ...
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Daiei Motion Picture Company
Daiei Film Co. Ltd. (Kyūjitai: Shinjitai: ''Daiei Eiga Kabushiki Kaisha'') was a Japanese film studio. Founded in 1942 as Dai Nippon Film Co., Ltd., it was one of the major studios during the postwar Golden Age of Japanese cinema, producing not only artistic masterpieces, such as Akira Kurosawa's ''Rashomon'' (1950) and Kenji Mizoguchi's ''Ugetsu'' (1953), but also launching several film series, such as ''Gamera'', ''Zatoichi'' and ''Yokai Monsters'', and making the three ''Daimajin'' films (1966). It declared bankruptcy in 1971 and was acquired by Kadokawa Pictures. History Origin Daiei Film was the product of government efforts to reorganize the film industry during World War II in order to rationalize use of resources and increase control over the medium. Against a government plan to combine all the film studios into two companies, Masaichi Nagata, an executive at Shinkō Kinema, pressed hard for an alternative plan to create three studios. His efforts won out and Shinkō ...
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Toho
is a Japanese film, theatre production and distribution company. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Outside of Japan, it is best known as the producer and distributor of many '' kaiju'' and ''tokusatsu'' films, the Chouseishin ''tokusatsu'' superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment and OLM, Inc. All nine of the highest-grossing Japanese films are released by Toho. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho. Toho's most famous creation is Godzilla, who is featured in 32 of the company's films. Godzilla, Rodan, Mothra, King Ghidorah and Mechagodzilla are described as Toho's Big Five because of the monsters' numerous appearances throughout the franchise, as well as spin-offs. Toho has also been involved in the pro ...
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Kaiju
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After ''sakoku'' had ended and Japan was opened to for ...
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