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Clifford Odets
Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize-winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash. From January 1935, Odets's socially relevant dramas were extremely influential, particularly for the remainder of the Great Depression. His works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, and David Mamet. After the production of his play ''Clash by Night (play), Clash by Night'' in the 1941–42 season, Odets focused his energies primarily on film projects, remaining in Hollywood for the next seven years. He returned to New York in 1948 for five and a half years, during which time he produced three more Broadway plays, only one of which was a success. His prominence was eventually eclipsed by Miller, Ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and one of world's largest metropolitan regions, with 6.245 million residents . The city's population at the 2020 census was 1,603,797, and over 56 million people live within of Philadelphia. Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's inde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Inge
William Motter Inge (; May 3, 1913 – June 10, 1973) was an American playwright and novelist, whose works typically feature solitary protagonists encumbered with strained sexual relations. In the early 1950s he had a string of memorable Broadway productions, including ''Picnic'', which earned him a Pulitzer Prize. With his portraits of small-town life and settings rooted in the American heartland, Inge became known as the "Playwright of the Midwest". Early years Inge was born in Independence, Kansas, the fifth child of Maude Sarah Gibson-Inge and Luther Clay Inge. William attended Independence Community College and graduated from the University of Kansas in 1935 with a Bachelor of Arts degree in Speech and Drama. At the University of Kansas he was a member of the Nu chapter of Sigma Nu. Offered a scholarship to work on a Master of Arts degree, Inge moved to Nashville, Tennessee, to attend the George Peabody College for Teachers, but later dropped out. Back in Kansas, he work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Howard Lawson
John Howard Lawson (September 25, 1894 – August 11, 1977) was an American writer, specializing in plays and screenplays. After starting with plays for theaters in New York City, he worked in Hollywood on writing for films. He was the first president of the Writers Guild of America, West after the Screen Writers Guild divided into two regional organizations. Lawson was one of the Hollywood Ten, the first group of American film industry professionals to be blacklisted by Congress during the 1950s McCarthy era's investigation of communist influence in Hollywood. He and his colleagues refused to testify; he was convicted of contempt of Congress and served a year in prison. He moved to Mexico, where he wrote some books about theater. After returning to the US, he taught at some universities in California. Using a pseudonym, he wrote the screenplay for ''Cry, the Beloved Country'' (1951), an adaptation of Alan Paton's novel about South Africa that was critical of apartheid. Life an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Method Acting
Method acting, informally known as The Method, is a range of training and rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian actor and director Konstantin Stanislavski and captured in his books '' An Actor Prepares'', ''Building a Character'', and ''Creating a Role''. Among those who have contributed to the development of the Method*, three teachers are associated with "having set the standard of its success", each emphasizing different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).Krasner (2000b, 129). The approach was first developed when they worked together at the Group Theatre in New York and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and opene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group Theatre (New York City)
The Group Theatre was a theater collective based in New York City and formed in 1931 by Harold Clurman, Cheryl Crawford and Lee Strasberg. It was intended as a base for the kind of theatre they and their colleagues believed in— a forceful, naturalistic and highly disciplined artistry. They were pioneers of what would become an "American acting technique", derived from the teachings of Konstantin Stanislavski, but pushed beyond them as well. The company included actors, directors, playwrights, and producers. The name "Group" came from the idea of the actors as a pure ensemble; a reference to the company as "our group" led them to "accept the inevitable and call their company The Group Theatre."Clurman, p. 51 The New York-based Group Theatre had no connection with the identically named Group Theatre based in London and founded in 1932. In the ten years of its existence, the Group Theatre produced works by many important American playwrights, including Clifford Odets, Sidney K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Strasberg
Lee Strasberg (born Israel Strassberg; November 17, 1901 – February 17, 1982) was an American theatre director, actor and acting teacher. He co-founded, with theatre directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931, which was hailed as "America's first true theatrical collective". In 1951, he became director of the nonprofit Actors Studio in New York City, considered "the nation's most prestigious acting school," and, in 1966, was involved in the creation of Actors Studio West in Los Angeles. Although other highly regarded teachers also developed versions of "The Method," Lee Strasberg is considered to be the "father of method acting in America," according to author Mel Gussow. From the 1920s until his death in 1982, "he revolutionized the art of acting by having a profound influence on performance in American theater and film." From his base in New York, Strasberg trained several generations of theatre and film notables, including Anne Bancroft, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Clurman
Harold Edgar Clurman (September 18, 1901 – September 9, 1980) was an American theatre director and drama critic. In 2003, he was named one of the most influential figures in U.S. theater by PBS."About Harold Clurman" ''American Masters'', PBS, 2 Dec 2003, accessed 15 Nov 2010 He was one of the three founders of New York City's Group Theatre (1931–1941). He directed more than 40 plays in his career and, during the 1950s, was nominated for a as director for several productions. In addition to his directing career, he was drama cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheryl Crawford
Cheryl Crawford (September 24, 1902 – October 7, 1986) was an American theatre producer and director. Biography Born in Akron, Ohio, Crawford majored in drama at Smith College. Following graduation in 1925, she moved to New York City and enrolled at the Theatre Guild's school. By then she knew that she did not want to pursue an acting career, but saw no other way to gain access to the organization producing the highest quality theatre of its time. Finishing her training in 1927, she was hired by Theresa Helburn, the Guild's Executive Director, as a casting secretary. She then worked her way through various backstage jobs, including assistant stage manager, to assistant to the “Board of Managers,” an importantant administrative job. While working at the Guild, she met Harold Clurman and Lee Strasberg who had also been working there as play reader and actor, respectively. She was impressed with these two young men and joined their animated discussions about the need for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Guild
The Theatre Guild is a theatrical society founded in New York City in 1918 by Lawrence Langner, Philip Moeller, Helen Westley and Theresa Helburn. Langner's wife, Armina Marshall, then served as a co-director. It evolved out of the work of the Washington Square Players. History Its original purpose was to produce non-commercial works by American and foreign playwrights. It differed from other theaters at the time in that its board of directors shared the responsibility of choosing plays, management, and production. The Theatre Guild contributed greatly to the success of Broadway from the 1920s throughout the 1970s. The Guild has produced a total of 228 plays on Broadway, including 18 by George Bernard Shaw and seven by Eugene O'Neill. Other major playwrights introduced to theatre-going Americans include Robert E. Sherwood, Maxwell Anderson, Sidney Howard, William Saroyan, and Philip Barry. In the field of musical theatre, the Guild has promoted works by Richard Rodgers, teame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juno And The Paycock
''Juno and the Paycock'' is a play by Seán O'Casey. Highly regarded and often performed in Ireland, it was first staged at the Abbey Theatre in Dublin in 1924. It is set in the working-class tenements of Dublin in the early 1920s, during the Irish Civil War period. The word "paycock" is the Irish pronunciation of "peacock", which is what Juno accuses her husband of being. It is the second of his "Dublin Trilogy" – the other two being ''The Shadow of a Gunman'' (1923) and ''The Plough and the Stars'' (1926). Plot Act I ''Juno and the Paycock'' takes place in the tenements of Dublin in 1922, just after the outbreak of the Irish Civil War, and revolves around the misfortunes of the dysfunctional Boyle family. The father, "Captain" Jack (so called because of his propensity for telling greatly exaggerated stories of his short career as a merchant seaman), is a loafer who claims to be unable to work because of pains in his legs, which mysteriously appear whenever someone mentions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seán O'Casey
Seán O'Casey ( ga, Seán Ó Cathasaigh ; born John Casey; 30 March 1880 – 18 September 1964) was an Irish dramatist and memoirist. A committed socialist, he was the first Irish playwright of note to write about the Dublin working classes. Early life O'Casey was born at 85 Upper Dorset Street, Dublin, as John Casey, the son of Michael Casey, a mercantile clerk (who worked for the Irish Church Missions), and Susan Archer. His parents were Protestants and he was a member of the Church of Ireland, baptised on 28 July 1880 in St. Mary's parish, confirmed at St John the Baptist Church in Clontarf, and an active member of St. Barnabas' Church on Sheriff Street until his mid-20s, when he drifted away from the church. There is a church called 'Saint Burnupus' in his play '' Red Roses For Me''. O'Casey's father died when Seán was just six years of age, leaving a family of thirteen. The family lived a peripatetic life thereafter, moving from house to house around north Dublin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
