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Church Of The Holy Apostles, Athens
The Church of the Holy Apostles, also known as Holy Apostles of Solaki ( el, Άγιοι Απόστολοι Σολάκη), is located in the Ancient Agora of Athens, Greece, next to the Stoa of Attalos, and can be dated to around the late 10th century. History "Solakis" may be the family name of those who sponsored a renovation of the church in the Ottoman Period, or from "Solaki" for the densely populated area around the church in the 19th century. The church is particularly significant as the only monument in the Agora, other than the Temple of Hephaestus, to survive intact since its foundation, and for its architecture: it was the first significant church of the Middle Byzantine period in Athens, and marks the beginning of the so-called "Athenian type", successfully combining the simple four-pier with the cross-in-square forms. The church was built partly over a 2nd-century '' nymphaion'', and was restored to its original form between 1954 and 1957. From evidence of various ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica 06-13 Athens 21 View From Acropolis Hill - Agia Apostoli
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland ('' mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th-century Churches In Greece
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Church Buildings In Athens
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kufic
Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. History Origin of the Kufic script Calligraphers in the early Islamic period used a variety of methods to transcribe Qur’an manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts. The name of the script derives from Kufa, a city in southern Iraq which was considere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or Dolomite (mineral), dolomite. Marble is typically not Foliation (geology), foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for Marble sculpture, sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; Robert S. P. Beekes, R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This Stem (linguistics), stem is also the ancestor of the English language, English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French language, French , most other European languages (with words like "marmoreal") more closely resemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narthex
The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or lobby area, located at the west end of the nave, opposite the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper. In early Christian churches the narthex was often divided into two distinct parts: an esonarthex (inner narthex) between the west wall and the body of the church proper, separated from the nave and aisles by a wall, arcade, colonnade, screen, or rail, and an external closed space, the exonarthex (outer narthex), a court in front of the church facade delimited on all sides by a colonnade as in the first St. Peter's Basilica in Rome or in the Basilica of Sant'Ambrogio in Milan. The exonarthex may have been either open or enclosed with a door leading to the outside, as in the Byzantine Chora Church. By extension, the narthex can also denote a covered porch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nymphaeum
A ''nymphaeum'' or ''nymphaion'' ( grc, νυμφαῖον), in ancient Greece and Rome, was a monument consecrated to the nymphs, especially those of springs. These monuments were originally natural grottoes, which tradition assigned as habitations to the local nymphs. They were sometimes so arranged as to furnish a supply of water, as at Pamphylian Side. A nymphaeum dedicated to a local water nymph, Coventina, was built along Hadrian's Wall, in the northernmost reach of the Roman Empire. Subsequently, artificial grottoes took the place of natural ones. Roman period The nymphaeum in Jerash, Jordan (''illustration, above right''), was constructed in 191 AD. The fountain was originally embellished with marble facing on the lower level, painted plaster on the upper level, and topped with a half-dome roof, forming a giant niche. Water cascaded through seven carved lion's heads into small basins on the sidewalk. The nymphaea of the Roman period, which extended the sacral use to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Agora Of Athens
The ancient Agora of Athens (also called the Classical Agora) is the best-known example of an ancient Greek agora, located to the northwest of the Acropolis and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market Hill. The Agora's initial use was for a commercial, assembly, or residential gathering place. Buildings and structures of the classical agora North side of the agora * Stoa Poikile (Painted stoa), a building built in the 4th century B.C. used purely for socialising unlike many other buildings in the agora. * Altar of the Twelve Gods * Stoa Basileios (Royal stoa) * Temple of Aphrodite Urania *The south end of what is believed to be a Basilica has been uncovered near Hadrian Street and is dated to the mid 100s CE East side of the agora * The Stoa of Attalos, a stoa lined with shops built in the 2nd century B.C. which has since been reconstructed for use as the Museum of The Ancient Agora. * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-in-square
A cross-in-square or crossed-dome floor plan, plan was the dominant architectural form of middle- and late-period Byzantine Empire, Byzantine church architecture, churches. It featured a square centre with an internal structure shaped like a cross, topped by a dome. The first cross-in-square churches were probably built in the late 8th century, and the form has remained in use throughout the Eastern Orthodox Church, Orthodox world unto the present day. In the West, Donato Bramante's first design (1506) for St. Peter's Basilica was a centrally planned cross-in-square under a dome and four subsidiary domes. In German, such a church is a , or ‘cross-dome church’. In French, it is an , ‘church with an inscribed figure, inscribed cross’. Architecture Architectural form A cross-in-square church is centered around a quadratic cella, naos (the ‘square’) which is divided by four columns or piers into nine bay (architecture), bays (divisions of space). The inner five divisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
