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Church Of San Román, Toledo
The Iglesia de San Román is a church in Toledo, Spain, Toledo (Castile-La Mancha, Spain). The church was built in the Mudéjar style in the 13th century. On this site there was an old Visigothic architecture, Visigothic structure and probably an Ancient Roman architecture, ancient Roman building. The building is protected by a heritage listing. It currently houses a Visigothic museum, the "Museum of the Councils and Visigothic Culture" (the councils in question are the Councils of Toledo, the earliest of which assembled in 400). History and description It is located in one of the highest places of the city, on the second of the twelve hills that form it. There is already news of the parish in the 12th century and the Church (building), church would be consecrated in 1221 by the archbishop Rodrigo Jiménez de Rada, Rodrigo Ximénez de Rada. Tradition indicates that in it Alfonso VIII of Castile, Alfonso VIII was crowned king of Castile on 26 August 1166. The church present ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plateresque
Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.Bozal, Valeriano; ''Art history in Spain: From the origins to the Enlightenment'', pp. 157, 165. Ed Akal (1978). . Examples of this syncretism are the inclusion of shields and pinnacles on facades, columns built in the Renaissance neoclassical manner, and facades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor,Arellano, Fernando; ''The Hispanic American Art'', pp. 13–14. Ed. Universidad Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alonso De Covarrubias
Alonso de Covarrubias ( Torrijos, Toledo 1488–1570) was a Spanish architect and sculptor of the Renaissance, active mainly in Toledo. Works Covarrubias' works include: His first work was associated with Antón Egas and Juan Guas, in a style the transition between late gothic and Plateresque. In the first years of his career he worked principally as a sculptor. First works as architect: *At Sigüenza Cathedral, he is credited with designing the retables of Saint Librada and Fadrique de Portugal, influenced by Francisco de Baeza (1515). * In the Hospital de Santa Cruz (Toledo): the courtyard and the plateresque stairway. * In 1532 worked in the sacristy of Sigüenza Cathedral. In Toledo: *In 1534 he was named superintendent of the building program at Toledo Cathedral where he planned the New Kings chapel. *In 1537 Covarrubias and Luis de Vega were named architects of the Alcázar. Covarrubias built the main façade and the courtyard. * (1541- ) Designed and built the T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Final Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Of Rome
Saint Lawrence or Laurence ( la, Laurentius, lit. " laurelled"; 31 December AD 225 – 10 August 258) was one of the seven deacons of the city of Rome under Pope Sixtus II who were martyred in the persecution of the Christians that the Roman Emperor Valerian ordered in 258. Life St. Lawrence is thought to have been born on 31 December AD 225, in Valencia (or less probably, in Huesca), the town from which his parents came in the later region of Aragon that was then part of the Roman province of Hispania Tarraconensis. The martyrs Orentius (Modern Spanish: ) and Patientia (Modern Spanish: ) are traditionally held to have been his parents.Sts. Orentius and Patientia Catholic Online Lawrence encountered the future |
Saint Stephen
Stephen ( grc-gre, Στέφανος ''Stéphanos'', meaning "wreath, crown" and by extension "reward, honor, renown, fame", often given as a title rather than as a name; c. 5 – c. 34 AD) is traditionally venerated as the protomartyr or first martyr of Christianity."St. Stephen the Deacon" , St. Stephen Diaconal Community Association, Roman Catholic Diocese of Rochester. According to the Acts of the Apostles, he was a in the early Church at who angered members of various [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetramorph
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek ''tetra'', meaning four, and ''morph'', shape. In Christian art, the tetramorph is the union of the symbols of the Four Evangelists, derived from the four living creatures in the Book of Ezekiel, into a single figure or, more commonly, a group of four figures. Each of the four Evangelists is associated with one of the living creatures, usually shown with wings. The most common association, but not the original or only, is: Matthew the man, Mark the lion, Luke the ox, and John the eagle. In Christian art and iconography, Evangelist portraits are often accompanied by tetramorphs, or the symbols alone used to represent them. Evangelist portraits that depict them in their human forms are often accompanied by their symbolic creatures, and Christ in Majesty is often shown surrounded by the four symbols. The word comes from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Painting
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mural
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche departmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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