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Chiptune
Chiptune, also known as chip music or 8-bit music, is a style of synthesized electronic music made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. The term is commonly used to refer to tracker format music which intentionally sounds similar to older PSG-created music (this is the original meaning of the term), as well as music that combines PSG sounds with modern musical styles. It has been described as "an interpretation of many genres" since any existing song can be arranged in a chiptune style defined more by choice of instrument and timbre than specific style elements. Technology A waveform generator is a fundamental module in a sound synthesis system. A waveform generator usually produces a basic geometrical waveform with a fixed or variable timbre and variable pitch. Common waveform generator configurations usually included two or three simple waveforms and often a single ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitpop
Bitpop is a type of electronic music and subgenre of chiptune music, where at least part of the music is made using the sound chips of old 8-bit (or 16-bit) computers and video game consoles. Characteristics Among systems used include the Atari 8-bit computer, Commodore 64, Nintendo Entertainment System and Amiga. The sounds produced from these systems can be combined to any degree with traditional instruments, such as guitar and drums, modern synthesizers and drum machines, or vocals and sound effects. History Bitpop uses a mixture of old and new equipment often resulting a sound which is unlike Chiptune although containing 8-bit sourced sounds. For example, a bitpop production may be composed almost entirely of 8-bit sounds but with a live vocal, or overlaid live guitars. Conversely, a bitpop production may be composed almost entirely of live vocals and instruments, but feature a bassline or lead melody provided by an 8-bit device. One of the pioneers of bitpop music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Chiptune Artists
This is a list of chiptune artists. Bands are listed alphabetically by the first letter in their name, and individuals are listed by first name. A * Anamanaguchi * Aivi & Surasshu C * Chipzel * Crying D * Dunderpatrullen * Decaying Tigers F * Toby Fox G * Goto80 H * Horse the Band I * I Fight Dragons K * Karate High School M * Math the Band S * she * Starship Amazing W * Watch Out For Snakes See also * List of Nintendocore bands This is a list of bands the play Nintendocore, a style of music that combines chiptune and video game music with various forms of hard rock, especially heavy metal and hardcore punk. A * The Advantage * An Albatross * Anamanaguchi C *Crysta ... References {{DEFAULTSORT:Chiptune artists, List of * * * Lists of musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Game Music
Video game music (or VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games. With technological advances, video game music has grown to include a wider range of sounds. Players can hear music in video games over a game's title screen, menus, and gameplay. Game soundtracks can also change depending on a player's actions or situation, such as indicating missed actions in rhythm games, informing the player they are in a dangerous situation, or rewarding them for specific achievements. Video game music can be one of two kinds: original or licensed. The popularity of video game music has created education and job opportunities, generated awards, and led video game soundtracks to be commercially sold and performed in concerts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nintendocore
Nintendocore is a broadly defined style of music that most commonly fuses chiptune and video game music with hardcore punk and/or heavy metal. The genre is sometimes considered a direct subgenre of post-hardcore and a fusion genre between metalcore and chiptune. The genre originated in the early 2000s and peaked around the late 2000s with bands like Horse the Band, An Albatross, The NESkimos and Minibosses pioneering the genre. Characteristics Nintendocore frequently features the use of electric guitars, drum kits, and typical rock instrumentation alongside synthesizers, chiptune, 8-bit sounds, and electronically produced beats. It originated primarily from various subgenres of hardcore punk and/or heavy metal, (such as post-hardcore, metalcore, deathcore, cybergrind, and screamo) but artists in the genre have also incorporated elements of electro, noise rock, hardcore techno, ambient, glitch, breakcore, and post-rock, among others. Nintendocore groups vary stylisticall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the " electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skweee
Skweee is a musical style, with origin in Sweden and Finland. Skweee combines simple synthpop, synth/chiptune leads and basslines with funk, Contemporary R&B, R&B or Soul music, soul-like rhythms, overall rendering a stripped-down funky sound. The tracks are predominantly instrumental, though there are exceptions. Origins The name "skweee" was coined by Daniel Savio, one of the originators of the emerging sound. The name refers to the use of analog synthesizers in the production process, where the aim is to "squeeze out" the most interesting sounds possible. Producers can vary from high-profile to new talent from the Scandinavian electronica environment. RecognitionSkweeelicious a blog dedicated to skweee, and community sites such as Myspace an Nation of Skweee have played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demoscene
The demoscene is an international computer art subculture focused on producing demos: self-contained, sometimes extremely small, computer programs that produce audiovisual presentations. The purpose of a demo is to show off programming, visual art, and musical skills. Demos and other demoscene productions (graphics, music, videos, games) are shared at festivals known as demoparties, voted on by those who attend and released online. The scene started with the home computer revolution of the early 1980s, and the subsequent advent of software cracking. Crackers altered the code of video games to remove copy protection, claiming credit by adding introduction screens of their own (" cracktros"). They soon started competing for the best visual presentation of these additions. Through the making of intros and stand-alone demos, a new community eventually evolved, independent of the gaming and software sharing scenes. Demoscene productions can be made with the latest consumer techno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperpop
Hyperpop is a loosely-defined music movement and microgenre that predominantly originated in the United Kingdom during the early-to-mid 2010s. It is characterized by a maximalist or exaggerated take on popular music, and artists within the genre typically integrate pop and avant-garde sensibilities while drawing on themes commonly found in electronic, hip hop, and dance music. Deriving influence from a varied range of sources, some origins of the hyperpop scene are commonly traced to the output of English musician A. G. Cook's record label and collective PC Music and its associated artists such as Sophie and Charli XCX. Music associated with this scene received wider attention in August 2019 when Spotify used the term "hyperpop" as the name of a playlist featuring artists such as Cook and 100 Gecs. The genre spread within younger audiences through social media platforms, especially TikTok. The movement is often linked to LGBTQ+ online communities, and many key figures i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complextro
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Bass
Future bass is a style of electronic dance music which developed in the 2010s that mixes elements of dubstep and trap with warmer, less abrasive rhythms. The genre was pioneered by producers such as Rustie, Hudson Mohawke, Lido, San Holo and Cashmere Cat, and it was popularised in the mid to late-2010s by artists such as Flume, Martin Garrix, Illenium, Louis the Child and Mura Masa. 2016 was seen as the breakout year for the genre. History The genre was pioneered by Scottish producers Rustie and Hudson Mohawke and American producer RL Grime, who began producing future bass tracks in 2010. One of the first popularity-fueling releases in the genre was Rustie's album '' Glass Swords'', released in 2011. Later, in 2013, the Flume remix of Disclosure's song " You & Me" brought the genre into the mainstream, and through the mid-2010s future bass became popular in the United Kingdom, United States, Japan, China, Korea and Australia. Characteristics The sound waves are of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In ''Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Music
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century. History Much of the work on computer music has drawn on the relationship between music and mathematics, a relationship which has been noted since the Ancient Greeks described the " harmony of the spheres". Musical melodies were first generated by the computer originally named the CSIR Mark 1 (later renamed CSIRAC) in Aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
