Chinese Euphemisms
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Chinese Euphemisms
''Chengyu'' () are a type of traditional Chinese idiomatic expression, most of which consist of four characters. ''Chengyu'' were widely used in Classical Chinese and are still common in vernacular Chinese writing and in the spoken language today. According to the most stringent definition, there are about 5,000 ''chéngyǔ'' in the Chinese language, though some dictionaries list over 20,000. ''Chéngyǔ'' are considered the collected wisdom of the Chinese culture, and contain the experiences, moral concepts, and admonishments from previous generations of Chinese. Nowadays, ''chéngyǔ'' still play an important role in Chinese conversations and education. Chinese idioms are one of four types of formulaic expressions (熟语/熟語, ''shúyǔ''), which also include collocations (惯用语/慣用語 ''guànyòngyǔ''), two-part allegorical sayings (歇后语/歇後語 ''xiēhòuyǔ''), and proverbs (谚语/諺語 ''yànyǔ''). They are often referred to as Chinese idioms or fou ...
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:Category:Chinese Words And Phrases
This category is for articles on words and phrases of Chinese origin. For articles on words and phrases related to a specific area of China, or to a specific spoken variant, please refer to one of the subcategories. Words Words and phrases by language {{CatAutoTOC ...
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Analects
The ''Analects'' (; ; Old Chinese: '' ŋ(r)aʔ''; meaning "Selected Sayings"), also known as the ''Analects of Confucius'', the ''Sayings of Confucius'', or the ''Lun Yu'', is an ancient Chinese book composed of a large collection of sayings and ideas attributed to the Chinese philosopher Confucius and his contemporaries, traditionally believed to have been compiled and written by Confucius's followers. It is believed to have been written during the Warring States period (475–221 BC), and it achieved its final form during the mid-Han dynasty (206 BC–220 AD). By the early Han dynasty the ''Analects'' was considered merely a "commentary" on the Five Classics, but the status of the ''Analects'' grew to be one of the central texts of Confucianism by the end of that dynasty. During the late Song dynasty (960–1279 AD) the importance of the ''Analects'' as a Chinese philosophy work was raised above that of the older Five Classics, and it was recognized as one of the "Four Books" ...
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Three Men Make A Tiger
"Three men make a tiger" () is a Chinese proverb or ''chengyu'' (four-character idiom). "Three men make a tiger" refers to an individual's tendency to accept absurd information as long as it is repeated by enough people. It refers to the idea that if an unfounded premise or urban legend is mentioned and repeated by many individuals, the premise will be erroneously accepted as the truth. This concept is related to communal reinforcement or the fallacy of '' argumentum ad populum'' and ''argumentum ad nauseam''. Origin The proverb came from the story of an alleged speech by Pang Cong (), an official of the state of Wei in the Warring States period (475 BC – 221 BC) in Chinese History. According to the ''Warring States Records'', or ''Zhan Guo Ce'', before he left on a trip to the state of Zhao, Pang Cong asked the King of Wei whether he would hypothetically believe in one civilian's report that a tiger was roaming the markets in the capital city, to which the King replied no. ...
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Warring States Records
The ''Zhan Guo Ce'', ( W-G: Chan-kuo T'se) also known in English as the ''Strategies of the Warring States'' or ''Annals of the Warring States'', is an ancient Chinese text that contains anecdotes of political manipulation and warfare during the Warring States period (5th to 3rd centuriesBC). It is an important text of the Warring States Period as it describes the strategies and political views of the School of Diplomacy and reveals the historical and social characteristics of the period. History The author of ''Zhan Guo Ce'' has not yet been verified: it is generally deemed, after Zhang Xincheng, that the book was not written by a single author at one time. It is thought to have been composed by Su Qin and his peers before being obtained by Liu Xiang. Unlike many of the pre-Qin classics, the authenticity of ''Zhan Guo Ce'', along with the ''Shijing'', '' Mozi'', ''Yulingzi'' and ''Gongsun Longzi'' had never been questioned since the Western Han period. The earliest to assert t ...
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Han Feizi
The ''Han Feizi'' or ''Hanfeizi'' (" ritings ofMaster Han Fei") is an ancient Chinese text named for its attribution to the political philosopher Han Fei. It comprises a selection of essays in the Legalist tradition on theories of state power, synthesizing the methodologies of his predecessors. Its 55 chapters, most of which date to the Warring States period mid-3rd century, are the only such text to survive fully intact. Among the most important philosophical classics in ancient China, it touches on administration, diplomacy, war and economics, and is also valuable for its abundance of anecdotes about pre-Qin China. Though differing considerably in style, the coherency of the essays lend themselves to the possibility that they were written by Han Fei himself, and are generally considered more philosophically engaging than the ''Book of Lord Shang''. Zhuge Liang is said to have attached great importance to the Han Feizi, as well as to Han Fei's predecessor Shen Buhai. Introdu ...
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Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of nature ...
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Zhuangzi (book)
The ''Zhuangzi'' (Chinese: , historically romanized ''Chuang Tzŭ'') is an ancient Chinese text from the late Warring States period (476221) which contains stories and anecdotes that exemplify the carefree nature of the ideal Taoist sage. Named for its traditional author, "Master Zhuang" (Zhuangzi), the ''Zhuangzi'' is one of the two foundational texts of Taoism, along with the ''Tao Te Ching''. The ''Zhuangzi'' consists of a large collection of anecdotes, allegories, parables, and fables, which are often humorous or irreverent. Its main themes are of spontaneity in action and of freedom from the human world and its conventions. The fables and anecdotes in the text attempt to illustrate the falseness of human distinctions between good and bad, large and small, life and death, and human and nature. While other ancient Chinese philosophers focused on moral and personal duty, Zhuangzi promoted carefree wandering and becoming one with "the Way" (''Dào'' ) by following nature. T ...
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Liu Shan
Liu Shan () (207–271), courtesy name Gongsi, was the second and last emperor of the state of Shu Han during the Three Kingdoms period. As he ascended the throne at the age of 16, Liu Shan was entrusted to the care of the Chancellor Zhuge Liang and Imperial Secretariat Li Yan. His reign of 40 years was the longest of all in the Three Kingdoms era. During Liu Shan's reign, many campaigns were led against the rival state of Cao Wei, primarily by Zhuge Liang and his successor Jiang Wei, but to little avail. Liu Shan eventually surrendered to Wei in 263 after Deng Ai led a surprise attack on the Shu capital Chengdu. He was quickly relocated to Luoyang, capital of Wei, and enfeoffed as "Duke Anle". There he enjoyed his last years peacefully before dying, most probably of natural causes, in 271. Widely known by his infant name "Adou / Edou" (), Liu Shan was commonly perceived as an incapable ruler. He was also accused of indulging in pleasures while neglecting state affairs. Howev ...
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Zhao Gao
Zhao Gao (died 207 BC) was a Chinese politician and calligrapher. He was an official of the Qin dynasty of China. Allegedly a eunuch, he served as a close aide to all three rulers of the Qin dynasty – Qin Shi Huang, Qin Er Shi and Ziying – and was regarded as having played an instrumental role in the downfall of the dynasty. Zhao Gao started his career under Qin Shi Huang as Prefect of the Office for Imperial Carriages (中車府令), an official in charge of managing the palace horse-drawn carriages. During this period of time, he also served as an attendant to Huhai, Qin Shi Huang's youngest son, and tutored him in the laws of the Qin Empire. In 210 BC, after Qin Shi Huang died in Shaqiu (沙丘; south of present-day Dapingtai Village, Guangzong County, Hebei), Zhao Gao and Li Si, the Chancellor, secretly changed the emperor's final edict, which named Fusu, the crown prince, the heir to the throne. In the falsified edict, Fusu was ordered to commit suicide while Huhai was ...
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Battle Of Julu
The Battle of Julu (Chinese: 钜鹿之戰) was fought in Julu (in present-day Pingxiang County, Xingtai, Hebei, China) in 207 BC primarily between forces of the Qin dynasty and the insurgent state of Chu. The Qin commander was Zhang Han, while the Chu leader was Xiang Yu. The battle concluded with a decisive victory for the rebels over the larger Qin army. The battle marked the decline of Qin military power as the bulk of the Qin armies were destroyed in this battle. Background In the ninth lunar month of 208 BC, at the Battle of Dingtao, the Qin general Zhang Han defeated a force from the insurgent Chu state led by Xiang Liang. Zhang Han then led the Qin army north across the Yellow River to attack another rebel state, Zhao, and defeated the Zhao army. He then ordered his deputies Wang Li () and She Jian () to besiege Handan (Zhao's capital) while he garrisoned his army at the south to maintain a route for supplying the troops attacking Handan. Zhao's ruler Zhao Xie () ...
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History Of The Northern Dynasties
The ''History of the Northern Dynasties'' () is one of the official Chinese historical works in the ''Twenty-Four Histories'' canon. The text contains 100 volumes and covers the period from 386 to 618, the histories of Northern Wei, Western Wei, Eastern Wei, Northern Zhou, Northern Qi, and Sui dynasty. Like the ''History of the Southern Dynasties'', the book was started by Li Dashi and compiled from texts of the ''Book of Wei'' and ''Book of Zhou''. Following his death, Li Yanshou (李延寿), son of Li Dashi, completed the work on the book between 643 and 659. Unlike most of the rest of the Twenty-Four Histories, this work was not commissioned by the state. Content Volumes 1–5 contain the Wei annals including the Eastern Wei and Western Wei emperors. Volumes 6–8 contain the annals of the Northern Qi emperors, volumes 9–10 contain the annals of the Northern Zhou emperors, and volumes 11–12 contain the annals of the Sui emperors. Volumes 13–14 contain the biographie ...
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Four Great Classical Novels
Classic Chinese Novels () are the best-known novels of pre-modern Chinese literature. These are among the world's longest and oldest novels. They represented a new complexity in structure and sophistication in language that helped to establish the novel as a respected form among later popular audiences and sophisticated critics. They include the ''Romance of the Three Kingdoms'', ''Water Margin'', ''Journey to the West'', and ''The Plum in the Golden Vase'' of the Ming dynasty and ''Dream of the Red Chamber, Dream of the Red Chamber (Story of the Stone)'' and ''The Scholars (novel), The Scholars'' of the Qing dynasty. The scholar C. T. Hsia wrote that these six "remain the most beloved novels among the Chinese." Nomenclature and subgroupings The scholar Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's ''The Class ...
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