Charles Duncan (artist)
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Charles Duncan (artist)
Charles W. Duncan (1887–1970) was an American avant-garde painter in the circle of artists that gathered around the photographer and art promoter Alfred Stieglitz. He is now known primarily as the subject of one of Charles Demuth's famous poster portraits. Biography Born in New York City to Mary Dolan and William Henry Duncan, Charles Duncan was described in the July 1914 issue of Camera Work as being “a sign painter and painter.” His Social Security application in 1936 states that he was then employed by the General Outdoor Advertising Company in the Bronx, New York. However, letters that Duncan donated to the Smithsonian Institution upon the death of his close friend, John Marin, indicate that Duncan was active as a painter until at least the late 1940s. Alfred Stieglitz was a supporter of Duncan's work. He presented Duncan's artworks to the public at his gallery, named 291, from May to July 1916. Duncan was among Stieglitz's friends whom he invited to write articles ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Society Of Independent Artists
Society of Independent Artists was an association of American artists founded in 1916 and based in New York. Background Based on the French Société des Artistes Indépendants, the goal of the society was to hold annual exhibitions by avant-garde artists. Exhibitions were to be open to anyone who wanted to display their work, and shows were without juries or prizes. In order to enter, one had to pay a six-dollar membership and entry fee. Founders of the Society were Walter Arensberg, John Covert, Marcel Duchamp, Katherine Sophie Dreier, William J. Glackens, Albert Gleizes, John Marin, Walter Pach, Man Ray, Mary Rogers (artist), John Sloan and Joseph Stella. The "First Annual Exhibition" of the society at the Grand Central Palace, New York, April 10-May 6, 1917, included more than 2,000 art works, which the catalog indicates were hung in alphabetical order by the artist's last name. Although there were entries from all over the world, they were predominantly by artists of New Yo ...
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1887 Births
Events January–March * January 11 – Louis Pasteur's anti-rabies treatment is defended in the Académie Nationale de Médecine, by Dr. Joseph Grancher. * January 20 ** The United States Senate allows the Navy to lease Pearl Harbor as a naval base. ** British emigrant ship ''Kapunda'' sinks after a collision off the coast of Brazil, killing 303 with only 16 survivors. * January 21 ** The Amateur Athletic Union (AAU) is formed in the United States. ** Brisbane receives a one-day rainfall of (a record for any Australian capital city). * January 24 – Battle of Dogali: Abyssinian troops defeat the Italians. * January 28 ** In a snowstorm at Fort Keogh, Montana, the largest snowflakes on record are reported. They are wide and thick. ** Construction work begins on the foundations of the Eiffel Tower in Paris, France. * February 2 – The first Groundhog Day is observed in Punxsutawney, Pennsylvania. * February 4 – The Interstate Commerce Act ...
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Whitney Museum Of American Art
The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a wealthy and prominent American socialite, sculptor, and art patron after whom it is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists. It places particular emphasis on exhibiting the work of living artists as well as maintaining an extensive permanent collection of important pieces from the first half of the last century. The museum's Annual and Biennial exhibitions have long been a venue for younger and lesser-known artists whose work is showcased there. From 1966 to 2014, the Whitney was at 945 Mad ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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Edith Clifford Williams
Edith Clifford Williams (1885–1971) was an early pioneer in the American abstract art movement. She was part of the circle that gathered around the photographer and modern art promoter Alfred Stieglitz. She was also a long-time confidante of Hu Shih (1891–1962), who was arguably the most prominent Chinese intellectual in the first half of the 20th century. Born in Ithaca, New York, Williams—who preferred to be known as Clifford—spent most of her girlhood in New Haven, Connecticut, where her father, Henry Shaler Williams, taught geology and paleontology at Yale University. After studying with the painter John Henry Twachtman and at Yale’s School of the Fine Arts, she traveled to Europe, and was enrolled briefly at the Académie Julian in Paris. Williams’s earliest known abstract painting was entitled ''1914''. In 1916, she created a piece of sculpture meant for touching, not just viewing, at the studio of Mexican artist Marius De Zayas Marius de Zayas Enriquez y Cal ...
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The Blind Man
''The Blind Man'' was an art and Dada journal published briefly by the New York Dadaists in 1917. History Henri-Pierre Roché and Marcel Duchamp, visiting from France, organized the magazine with Beatrice Wood in New York City. Mina Loy also contributed to the first, ''Independents' Number'' issue. They published only one more issue, with the following contributors: *Walter Arensberg (''Axiom'', ''Theorem'', poems), *Gabrièle Buffet-Picabia (''Marie Laurencin'', essay), * Robert Carlton (Bob) Brown (poems), *Frank Crowninshield (letter), *Charles Demuth (''For Richard Mutt'', poem), *Marcel Duchamp, "Charles Duncan" (poem), an essay about Louis Michael Eilshemius, *Mina Loy (prose), * Louise Norton (essay), *Francis Picabia (''Medusa'', poem), *Joseph Stella (''Coney Island'', picture), *Frances Simpson Stevens (poem), * Alfred Stieglitz (''Fountain by R. Mutt'', photography; letter) and *Clara Tice (drawing). Volume 2 is best known for the group's reaction to the rejection ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ...
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Fountain (Duchamp)
''Fountain'' is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt". In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for an exhibition of the Society of Independent Artists, the inaugural exhibition by the Society to be staged at The Grand Central Palace in New York. When explaining the purpose of his readymade sculpture, Duchamp stated they are "everyday objects raised to the dignity of a work of art by the artist's act of choice." In Duchamp's presentation, the urinal's orientation was altered from its usual positioning.Gavin Parkinson, ''The Duchamp Book: Tate Essential Artists Series''
Harry N. Abrams, 2008, p. 61,

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Alfred Stieglitz
Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe. Early life and education Stieglitz was born in Hoboken, New Jersey, the first son of German Jewish immigrants Edward Stieglitz (1833–1909) and Hedwig Ann Werner (1845–1922). His father was a lieutenant in the Union Army and worked as a wool merchant. He had five siblings, Flora (1865–1890), twins Julius (1867–1937) and Leopold (1867–1956), Agnes (1869–1952) and Selma (1871–1957). Alfred Stieglitz, seeing the close relationship of the twins, wished he had a soul mate of his own during his childhood. Stieglitz attended Charlier I ...
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Urinal
A urinal (, ) is a sanitary plumbing fixture for urination only. Urinals are often provided in public toilets for male users in Western countries (less so in Muslim countries). They are usually used in a standing position. Urinals can be with manual flushing, automatic flushing, or without flushing, as is the case for waterless urinals. They can be arranged as single sanitary fixtures (with or without privacy walls) or in a trough design without privacy walls. Urinals designed for females ("female urinals") also exist but are rare. It is possible for females to use male urinals with a female urination device. The term "urinal" may also apply to a small building or other structure containing such fixtures. It can also refer to a small container in which urine can be collected for medical analysis, or for use where access to toilet facilities is not possible, such as in small aircraft, during extended stakeouts, or for the bedridden. Description A male urinal can be used con ...
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Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ...
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