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Society Of Independent Artists
Society of Independent Artists was an association of American artists founded in 1916 and based in New York. Background Based on the French Société des Artistes Indépendants, the goal of the society was to hold annual exhibitions by avant-garde artists. Exhibitions were to be open to anyone who wanted to display their work, and shows were without juries or prizes. In order to enter, one had to pay a six-dollar membership and entry fee. Founders of the Society were Walter Arensberg, John Covert, Marcel Duchamp, Katherine Sophie Dreier, William J. Glackens, Albert Gleizes, John Marin, Walter Pach, Man Ray, Mary Rogers (artist), John Sloan and Joseph Stella. The "First Annual Exhibition" of the society at the Grand Central Palace, New York, April 10-May 6, 1917, included more than 2,000 art works, which the catalog indicates were hung in alphabetical order by the artist's last name. Although there were entries from all over the world, they were predominantly by artists of New Yo ...
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New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ...
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John French Sloan
John French Sloan (August 2, 1871 – September 7, 1951) was an American painter and etcher. He is considered to be one of the founders of the Ashcan school of American art. He was also a member of the group known as The Eight. He is best known for his urban genre scenes and ability to capture the essence of neighborhood life in New York City, often observed through his Chelsea studio window. Sloan has been called the premier artist of the Ashcan School, and also a realist painter who embraced the principles of Socialism, though he himself disassociated his art from his politics. Biography John Sloan was born in Lock Haven, Pennsylvania, on August 2, 1871, to James Dixon Sloan, a man with artistic leanings who made an unsteady income in a succession of jobs, and Henrietta Ireland Sloan, a schoolteacher from an affluent family. Sloan grew up in Philadelphia, Pennsylvania, where he lived and worked until 1904, when he moved to New York City. He and his two sisters (Elizabeth and M ...
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Arts Organizations Based In New York (state)
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ...
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Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ...
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American Artist Groups And Collectives
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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Society Of Independent Artists
Society of Independent Artists was an association of American artists founded in 1916 and based in New York. Background Based on the French Société des Artistes Indépendants, the goal of the society was to hold annual exhibitions by avant-garde artists. Exhibitions were to be open to anyone who wanted to display their work, and shows were without juries or prizes. In order to enter, one had to pay a six-dollar membership and entry fee. Founders of the Society were Walter Arensberg, John Covert, Marcel Duchamp, Katherine Sophie Dreier, William J. Glackens, Albert Gleizes, John Marin, Walter Pach, Man Ray, Mary Rogers (artist), John Sloan and Joseph Stella. The "First Annual Exhibition" of the society at the Grand Central Palace, New York, April 10-May 6, 1917, included more than 2,000 art works, which the catalog indicates were hung in alphabetical order by the artist's last name. Although there were entries from all over the world, they were predominantly by artists of New Yo ...
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New York Art Resources Consortium
The New York Art Resources Consortium (NYARC) consists of the research libraries of three leading art museums in New York City: The Brooklyn Museum, The Frick Collection, and The Museum of Modern Art. With funding from The Andrew W. Mellon Foundation, NYARC was formed in 2006 to facilitate collaboration that results in enhanced resources for research communities. Called a groundbreaking partnership, NYARC also provides a framework for collaboration among art research libraries. History The NYARC libraries have a long history of collaborating on projects, dating back to the 1980s and the establishment of the Art Museum Library Consortium. The collaborative efforts of the Art Museum Library Consortium resulted in the retrospective conversion of the Brooklyn Museum, The Metropolitan Museum of Art, The Museum of Modern Art and the Museum of Fine Arts in Boston card catalogs into an online format. In 2004 the libraries of the Brooklyn Museum, The Frick Collection, The Metropolitan Museu ...
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Tulip Hysteria Co-ordinating
''Tulip Hysteria Co-ordinating'' (also referred to as ''Tulip Hysteria Coordinating'') is a fictitious work of art by Marcel Duchamp. Early 1917, rumor spread that Duchamp was working on a Cubist painting titled ''Tulip Hysteria Co-ordinating'', in preparation for the largest exhibition of modern art ever to take place in the United States; the "First Annual Exhibition" of the Society of Independent Artists, due to open 10 April at the Grand Central Palace in New York City. With over 1,200 artist presenting 2,000 works, the exhibition was twice the size of the 1913 Armory Show. It was modeled after the Salon des Indépendants in Paris, open to all, with no jury and no prize, with a six-dollar membership–entry fee. Duchamp had been appointed head of the hanging committee. ...
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William Glackens
William James Glackens (March 13, 1870 – May 22, 1938) was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid-down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City. Early life Glackens was born in Philadelphia, Pennsylvania, where his family had lived for many generations. William had two siblings: an older sister, Ada, and an older brother, cartoonist and il ...
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Readymades Of Marcel Duchamp
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art".Tomkins: ''Duchamp: A Biography'', page 158. By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art. Duchamp was not interested in what he called "retinal art"—art that was only visual—and sought other methods of expression. As an antidote to retinal art he began creating readymades in 1914, when the term was commonly used in the United States to describe manufactured items to distinguish them from handmade goods. He selected the pieces on the basis of "visual indifference",Cabanne: ''Dialogs with Marcel Duchamp'', Thames and Hudson (1971), page 48. ''Cabanne: What determined your choice of readymades? Duchamp: That depended on the object. In general, I had to beware, at the end of fifteen days, you begin to like it or hate it. You have to approach somethi ...
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