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The Blind Man
''The Blind Man'' was an art and Dada journal published briefly by the New York Dadaists in 1917. History Henri-Pierre Roché and Marcel Duchamp, visiting from France, organized the magazine with Beatrice Wood in New York City. Mina Loy also contributed to the first, ''Independents' Number'' issue. They published only one more issue, with the following contributors: *Walter Arensberg (''Axiom'', ''Theorem'', poems), *Gabrièle Buffet-Picabia (''Marie Laurencin'', essay), * Robert Carlton (Bob) Brown (poems), *Frank Crowninshield (letter), *Charles Demuth (''For Richard Mutt'', poem), *Marcel Duchamp, "Charles Duncan" (poem), an essay about Louis Michael Eilshemius, *Mina Loy (prose), * Louise Norton (essay), *Francis Picabia (''Medusa'', poem), *Joseph Stella (''Coney Island'', picture), *Frances Simpson Stevens (poem), * Alfred Stieglitz (''Fountain by R. Mutt'', photography; letter) and *Clara Tice (drawing). Volume 2 is best known for the group's reaction to the rejection ...
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The Blind Man, Issue 1, April 1917
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Francis Picabia
Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Biography Early life Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War; and though Picabia was born in Paris, his father was involved in Cuban-French relations and would later serve as atta ...
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Magazines Disestablished In 1917
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus '' Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic ...
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Magazines Established In 1917
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus '' Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic ...
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Defunct Magazines Published In The United States
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ...
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Hyperallergic
''Hyperallergic'' is an online arts magazine, based in Brooklyn, New York. Founded by the art critic Hrag Vartanian and his husband Veken Gueyikian in October 2009, the site describes itself as a "forum for serious, playful, and radical thinking". Publisher ''Hyperallergic'' is published by Veken Gueyikian. Reception Hyperallergic LABS, its Tumblr blog, was named by ''Time'' magazine as one of the "30 Tumblrs to Follow in 2013". ''The New Yorker'' critic Peter Schjeldahl has described the site as "infectiously ill-tempered". Holland Cotter of the ''New York Times'' has also praised the site, crediting it with a revival in popular art criticism. The publication was cited by the TED blog as one of "100 Websites You Should Know and Use" in 2007. In 2018, ''Nieman Reports'' published an article outlining how ''Hyperallergic'' came to rival print art journalism, in which Sarah Douglas, the ARTnews editor in chief, said that ''Hyperallergic'' had reinvigorated art criticism.Mary L ...
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Joseph Nechvatal
Joseph Nechvatal (born January 15, 1951) is an American post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Life and work Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University. He earned a Doctor of Philosophy in Philosophy of Art and Technology at the Planetary Collegium at University of Wales, Newport
lecture page ''Joseph Nechvatal: Immersion Into Noise''
and has taught
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Ugly Duckling Presse
Ugly Duckling Presse is an American nonprofit art and publishing collective based in Brooklyn, New York City founded in 1993 by Matvei Yankelevich as a college zine. It publishes poetry, translations, lost works, and artist's books. A micro press, the company uses subscriptions, and gathered its early audience with guerrilla marketing techniques. History Ugly Duckling Presse is an American nonprofit art and publishing collective located in Brooklyn, New York City, founded in 1993 by Matvei Yankelevich as a college zine In 1995, it expanded to publishing other works and in 2000 it took shape as a collective. A micro press, the company uses distribution methods not traditionally seen in publishing, such as subscriptions, and gathered its early audience with guerrilla marketing techniques. Publications Ugly Duckling Presse (UDP) focuses on new, international, and "forgotten" writers and specializes in projects which may be difficult to produce at other presses. Formats produc ...
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Mary Reynolds (artist)
Mary Louise Hubacheck Reynolds (née Hubacheck; 1891 – September 30, 1950) was an American artist and bookbinder. She was notable for romantic partnership and artistic collaboration with artist Marcel Duchamp, as well as her role in supporting the French Resistance during the Nazi Occupation in Paris. Early life She was born in 1891 in Minneapolis, Minnesota. She came from a well-off family, and attended public schools in Minneapolis during her childhood. In 1909, she moved to the east coast to study at Vassar College, graduating with a Bachelor of Arts in 1913. After she graduated, she returned to Minneapolis and attended post-graduate courses at the University of Minnesota. Around her time spent studying at University of Minnesota, she met Matthew Givens Reynolds. They married on July 24, 1916. During their engagement, he received a job offer in New York. They moved to New York and settled in Greenwich Village, where she was exposed to the New York bohemian arts scene at the ...
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Clara Tice
Clara Tice (22 May 1888 – 2 February 1973) was an American avant-garde illustrator and artist, who spent most of her life in New York City, United States. Because of her provocative art and public appearances, she was seen as representative of bohemian Greenwich Village and thus known as "The Queen of Greenwich Village." Early life According to herself and ''The New York Times'', in 1908 Tice was the first woman in Greenwich Village to bob her hair. Around the same time, Tice was able to study under the famous artist and teacher Robert Henri. In 1910, Henri and some of his artist friends, organized the first exhibition of Independent Artist. This art show, which was with its jury-free and no-awards concept quite a revolution at that time and thus received enormous attention, was financially backed by Tice and featured her works. Immersion in the arts A few years later, namely in 1915, Tice's fame skyrocketed when Anthony Comstock, main founder of the Society for the Suppress ...
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Fountain (Duchamp)
''Fountain'' is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt". In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for an exhibition of the Society of Independent Artists, the inaugural exhibition by the Society to be staged at The Grand Central Palace in New York. When explaining the purpose of his readymade sculpture, Duchamp stated they are "everyday objects raised to the dignity of a work of art by the artist's act of choice." In Duchamp's presentation, the urinal's orientation was altered from its usual positioning.Gavin Parkinson, ''The Duchamp Book: Tate Essential Artists Series''
Harry N. Abrams, 2008, p. 61,

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Alfred Stieglitz
Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe. Early life and education Stieglitz was born in Hoboken, New Jersey, the first son of German Jewish immigrants Edward Stieglitz (1833–1909) and Hedwig Ann Werner (1845–1922). His father was a lieutenant in the Union Army and worked as a wool merchant. He had five siblings, Flora (1865–1890), twins Julius (1867–1937) and Leopold (1867–1956), Agnes (1869–1952) and Selma (1871–1957). Alfred Stieglitz, seeing the close relationship of the twins, wished he had a soul mate of his own during his childhood. Stieglitz attended Charlier I ...
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