P-Vine Records Live Albums
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P-Vine Records Live Albums
P-Vine Records is an independent record label based in Tokyo, Japan. History It was started in 1976 by Blues Interactions, a firm founded in 1975 by Yasufumi Higurashi and Akira Kochi, as a record label focused on black music. The label name comes from the "Peavine Branch" of the Mississippi Yazoo and Mississippi Valley Railroad sung in blues songs by Charley Patton and Big Joe Williams. In the early years, the label focused on blues and R&B but gradually expanded to wider genres such as jazz, Latin, funk, j-pop, house music, and garage punk. The label has released some newly recorded materials, including the album ''Original Chicago Blues'' with Kansas City Red, Eddie Taylor, and Big John Wrencher. But its focus has been on reissuing vintage recordings. P-Vine has released materials from labels such as Chess, Delmark, Modern/ Kent, Black Top, and Alligator. It was also responsible for releasing previously unreleased live and studio recordings by Parliament-Fun ...
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Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ...
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Kent Records
Kent Records was a Los Angeles-based record label, launched in 1958 by the Bihari brothers. It was subsidiary of Crown Records Corporation. Kent was a follow-up to Modern Records which ceased operations in 1958. The label reissued Modern's singles, including recordings by B.B. King. By 1964, Kent had signed acts such as Ike & Tina Turner and released new material. Other acts signed to the label included Z.Z. Hill, Johnny Otis, and Lowell Fulsom. Modern Records was revived in 1964 with successful singles from the Ikettes. Initially, Kent issued only singles, but in 1964, the label began issuing albums until the early 1970s. Kent was later bought by Ace Records, England, which uses the label name to release Motown and Northern Soul music. Discography Albums * 1964: ''Ike & Tina Turner Revue Live'' * 1965: ''Live! B. B. King on Stage'' * 1965: Lowell Fulsom – ''Soul'' * 1966: '' The Soul of Ike & Tina'' * 1970: '' Festival of Live Performances'' * 1970: Various – ''Rock An ...
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Rhythm And Blues Record Labels
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed move ...
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Record Labels Established In 1975
A record, recording or records may refer to: An item or collection of data Computing * Record (computer science), a data structure ** Record, or row (database), a set of fields in a database related to one entity ** Boot sector or boot record, record used to start an operating system ** Storage record, a basic input/output structure Documents * Record, a document ** Business record, of economic transactions ** Criminal record, a list of a person's criminal convictions ** Docket (court), the summary of proceedings in a court (US) ** Medical record, of a person's medical history and treatments ** Minutes, a summary of the proceedings at a meeting ** Public records, information that has been filed or recorded by public agencies ** Recording (real estate), the act of documenting real estate transactions ** Service record, usually associated with military service ** Transcript (law), a verbatim ''record'' of some proceedings, in particular a court transcript is a record of a law court ...
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Jazz Record Labels
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational sty ...
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Japanese Record Labels
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Blues Record Labels
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure ...
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Wee Willie Walker
Willie Earl Walker (December 21, 1941 November 19, 2019), also known as Wee Willie Walker, was an American soul and blues singer. Life and career He was born in Hernando, Mississippi, and grew up in Memphis, Tennessee, where he started singing with local gospel groups. From his mid-teens, he toured with the Redemption Harmonizers, who included Roosevelt Jamison. In 1960, while touring, Walker and a bandmate decided to stay in Minneapolis with a member of another gospel group, the Royal Jubileers, rather than returning to Memphis. In Minneapolis, he joined a local R&B vocal group, the Val-Dons (later Valdons), who became successful in and around Minneapolis–Saint Paul. He was credited as "Wee" Willie Walker in recognition of his height, variously reported as or . In the early 1960s, he led his own group, Wee Willie Walker and the Exciters.
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John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ...
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Eddie Vinson
Eddie "Cleanhead" Vinson (born Edward L. Vinson Jr.; December 18, 1917 – July 2, 1988) was an American jump blues, jazz, bebop and rhythm and blues, R&B alto saxophonist and blues shouter. He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson "one of the cleanest—and nastiest—blues voices you'll ever hear." Biography Vinson was born in Houston, Houston, Texas. He was a member of the horn section in Milton Larkin's orchestra, which he joined in the late 1930s. At various times, he sat next to Arnett Cobb, Illinois Jacquet, and Tom Archia, while other members of the band included Cedric Haywood and Wild Bill Davis. After exiting Larkin's employment in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. He then ...
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Albert Collins
Albert Gene Drewery, known as Albert Collins and the Ice Man (October 1, 1932 – November 24, 1993),Skeely, Richard. "Albert Collins: Biography" Allmusic.com. was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title "The Master of the Telecaster". Early life Collins was born in Leona, Texas, on October 1, 1932. He was introduced to the guitar at an early age by his cousin Lightnin' Hopkins, also a Leona resident, who played at family gatherings. The Collins family relocated to Marquez, Texas, in 1938 and to Houston in 1941,Obrecht, Jas, ed. (1993). ''Blues Guitar: The Men Who Made the Music''. 2nd ed. Miller Freeman Books. pp. 246–259. . where he attended Jack Yates High School.''Albert Collins''. Vital Blues Guitar Series. Transcriptions by Richard DeVinck. Creative Concepts Publishing (California), 1 ...
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Parliament-Funkadelic
Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as ''Maggot Brain'' (1971), ''Mothership Connection'' (1975), and ''One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as " Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. The collective's origins date back to the doo-wop group the Parliaments, ...
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