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John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutwiler, Mississippi
Tutwiler is a town in Tallahatchie County, Mississippi, United States. The population at the 2010 census was 3,550. History In 1899, Tom Tutwiler, a civil engineer for a local railroad, made his headquarters seven miles northwest of Sumner. The town of Tutwiler was founded and named for him. When the railroad was built, the first depot erected was a two-story building. The railroad gave the town use of the top floor as a public school. Captain H.B. Fitch built and operated the first store in town. His wife took charge of the school, which began with five pupils. In 1900, a Black mob murdered a Black man remembered as "Dago Pete." He was suspected of attacking local women. In 1905, the town was incorporated, and W.E. Fite elected Mayor. J.O. Clay was the station depot agent. In 1900, the Illinois Central Railroad, running from Yazoo City to Lambert, crossed at Tutwiler, where the company built a railroad yard. In 1928, a high school was built at a cost of $40,000. The town grew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chill Out (John Lee Hooker Album)
''Chill Out'' is a 1995 album by John Lee Hooker featuring Van Morrison, Carlos Santana, Charles Brown, and Booker T. Jones. It was produced by Roy Rogers, Santana and Hooker himself, and executive produced by Mike Kappus. Tracks 1 to 11 were recorded and mixed at Russian Hill Recording, San Francisco and The Plant, Sausalito, California. The album reached No.3 in the US Blues chart and was awarded a W. C. Handy Award for Traditional Blues Album of the Year. Track listing All songs written by John Lee Hooker except where noted: #"Chill Out (Things Gonna Change)" (John Lee Hooker, Carlos Santana, Chester Thompson)''CMJ New Music Monthly'', Number 20, April 1995, page 29 "The song, 'Chill Out', may shoot straight for the post-MOR VH-I crowd, but it fails to undercut the high-mindedness of Hooker's credo: 'I'll sing it for the people who feel the way I feel.'" #"Deep Blue Sea" #"Kiddio" (Brook Benton, Clyde Otis) #"Medley: "Serves Me Right to Suffer" / "Syndicator" #"One Bourbon, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Healer (album)
''The Healer'' is a blues album by John Lee Hooker, released in 1989 by Chameleon Music Group Chameleon. The album features collaborations with Bonnie Raitt, Charlie Musselwhite, Los Lobos and Carlos Santana, among others. Background ''The Healer'' peaked at number 62 on the ''Billboard'' 200 and "I'm in the Mood" won the Grammy Award for Best Traditional Blues Performance. The album was produced by Roy Rogers of the Delta Rhythm Kings, and executive produced by Mike Kappus (who conceived the idea for the project) and Stephen Powers, founder and president of Chameleon Records. Powers and Kappus knew each other from the music business in Wisconsin — Rosebud Agency was originally based in Milwaukee, and Powers' label, Mountain Railroad Records, was headquartered in Madison. Chameleon had recently acquired Vee-Jay Records and reissued Hooker's numerous albums for Vee-Jay, plus a "Best of" compilation of Hooker's early work titled "The Hook." The video for "The Healer" featuring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Bourbon, One Scotch, One Beer
"One Bourbon, One Scotch, One Beer" (originally "One Scotch, One Bourbon, One Beer") is a blues song written by Rudy Toombs and recorded by Amos Milburn in 1953. It is one of several drinking songs recorded by Milburn in the early 1950s that placed in the top ten of the Billboard R&B chart. Other artists released popular recordings of the song, including John Lee Hooker in 1966 and George Thorogood in 1977. Original song "One Scotch, One Bourbon, One Beer" is one of Amos Milburn's popular alcohol-themed songs, that included "Bad, Bad Whiskey" (1950), "Thinking and Drinking" (1952), "Let Me Go Home, Whiskey" (1953), and "Good Good" Whiskey" (1954). Written by Rudy Toombs, is a mid-tempo song, sometimes described as a jump blues. Milburn recorded the song on June 30, 1953, at Audio-Video Recording studios in New York City. The lyrics tell the story of a man who is "in a bar at closing time trying to get enough booze down his neck to forget that his girlfriend's gone AWOL, har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Boom (John Lee Hooker Song)
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded in 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992. The song is one of Hooker's most identifiable and enduring songs and "among the tunes that every band on the arly 1960s UKR&B circuit simply ''had'' to play". It has been recorded by numerous blues and other artists, including a 1965 North American hit by the Animals. Recording and composition Prior to recording for Vee-Jay Records, John Lee Hooker was primarily a solo performer or accompanied by a second guitarist, such as early collaborators Eddie Burns or Eddie Kirkland. However, with Vee-Jay, he usually recorded with a small backing band, as heard on the singles "Dimples", "I Love You Honey", and "No Shoes". Detroit keyboardist Joe Hunter, who had pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimples (song)
"Dimples" is a song written and recorded by blues singer-songwriter John Lee Hooker in 1956. It is an ensemble piece, with Hooker accompanied by Jimmy Reed's backup band. Eight years after its first release, it became Hooker's first record to appear in the British record charts. Called a "genuine Hooker classic" by music critic Bill Dahl, it is one of his best-known songs, with interpretations by several artists. Recording and composition "Dimples" was one of the first songs recorded by John Lee Hooker for Vee-Jay Records. Unlike his previous record labels, Vee-Jay producers saw Hooker as a Jimmy Reed-style performer and in fact provided him with Reed's backup band for two recording sessions in 1955 and 1956. However, when the recording commenced, it became apparent that Hooker's sense of rhythm and timing was uniquely his. The backing musicians – guitarist Eddie Taylor, bassist George Washington, and drummer Tom Whitehead – adapted to his style and by the time "Dimples" w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crawling King Snake
"Crawling King Snake" (alternatively "Crawlin' King Snake" or "Crawling/Crawlin' Kingsnake") is a blues song that has been recorded by numerous blues and other artists. It is believed to have originated as a Delta blues in the 1920s and be related to earlier songs, such as "Black Snake Blues" by Victoria Spivey and "Black Snake Moan" by Blind Lemon Jefferson. As "Crawling King Snake", it was first recorded by Big Joe Williams on March 27, 1941. The song is a country-style blues, with Williams on vocal and nine-string guitar and William Mitchell providing imitation bass accompaniment. On June 3, 1941, Delta bluesman Tony Hollins recorded "a markedly different version", which served as the basis for many subsequent versions. John Lee Hooker versions John Lee Hooker began performing "Crawling King Snake" early in his career and included it in his sets after arriving in Detroit, Michigan in the early 1940s. In an interview, Hooker explained that he adapted Tony Hollins' son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie Chillen'
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart. Hooker's song was part of a trend in the late 1940s to a new style of urban electric blues based on earlier Delta blues idioms. Although it is called a boogie, it resembles early North Mississippi Hill country blues rather than the boogie-woogie piano-derived style of the 1930s and 1940s. Hooker gave credit to his stepfather, Will Moore, who taught him the rhythm of "Boogie Chillen'" ("chillen'" is a phonetic approximation of Hooker's pronunciation of "children") when he was a teenager. Some of the song's lyrics are derived from earlier blues songs. Hooker' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano, to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with dancing (although not the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Musical features Boogie-woogie is characterized by a regular left-hand bass figure, which is transposed following the chord changes. : : Boogie-woogie is not strictly a solo piano style; it can accompany singers and be featured in orchestras and small combos. It is sometimes called ''"eight to the bar"'', as much of it is written in common time () time using eighth notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hill Country Blues
Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues. It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unconventional song structures, and heavy emphasis on the "groove", which has been characterized as the "hypnotic boogie". The hill country is a region of northern Mississippi bordering Tennessee. It lies in the counties of Desoto, Marshall, Panola, Tate, Tippah, and Lafayette and straddles the ecoregions of the North Hilly Plain (Red Clay Hills or North Central Hills), the Loess Plains, and Bluff Hills. The hills have poor agricultural soil and wide forested areas, which led to the development of a lumber industry but only small farms. Holly Springs and Oxford, Mississippi, are often cited as centers of hill country music. The style is regarded as distinct from the blues of the Mississippi Delta, which lies west of the hill country. An an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
