Cà Pesaro
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Cà Pesaro
The Ca' Pesaro is a Baroque marble palace turned art museum, facing the Grand Canal of Venice, Italy. Today it is one of the 11 museums run by the Fondazione Musei Civici di Venezia system. The building was originally designed by Baldassarre Longhena in the mid-17th century, the construction was completed by Gian Antonio Gaspari in 1710. As at Longhena's Ca' Rezzonico, a double order of colossal columns and colonnettes flanking arch-headed windows, reinterpreting a motif of Jacopo Sansovino, Longhena creates the impression of double loggias extending across the main Grand Canal frontage, above a boldly rusticated basement. The building The palace was built in the second half of the 17th century for the noble and wealthy Pesaro family, a project by the Venetian architect, Baldassarre Longhena, who also designed the church of the Salute and Ca' Rezzonico. Works began in 1659 starting from the landside; the courtyard was completed by 1676. By 1679, the façade on the Grand Ca ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ...
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Bevilacqua La Masa
Bevilacqua () is a ''comune ''with 1,927 inhabitants in the province of Verona, Italy. History The Comune di Bevilacqua began as a settlement of ancient Venetic people on the banks of the Adige River, documented to 589 AD. The fortification of this settlement eventually came to be known as the Bevilacqua Castle, located in the Principality of Bevilacqua established on May 7, 1059. In the 14th century, Count Guglielmo Bevilacqua began a restoration and expansion of the castle, completed by his son Francesco. In 1532, Count Gianfrancesco Bevilacqua commissioned Michele Sanmicheli to completely renovate the medieval building and convert it into a villa with a new and more comfortable interior. In 1756, Count Gaetano Ippolito Bevilacqua renovated part of the castle. After damage caused during the Napoleonic wars at the beginning of the 19th century, the castle was set on fire by Austrian troops in 1848. After 1860, Baroness Felicita La Masa Bevilacqua had the castle renovated in ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ...
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Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ...
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Alvise Vivarini
Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini. Another uncle, on his mother's side, was the artist known as Giovanni d'Alemagna, who worked with his brother-in-law Antonio. Alvise may have trained Jacopo de' Barbari. It has sometimes been supposed that, besides the Luigi who was the latest of this pictorial family, there had also been another Luigi who was the earliest (i.e. Antonio's father), this supposition being founded on the fact that one picture is signed with the name, with the date 1414. There is good ground, however, for considering this date to be a forgery of a later time. The works of Vivarini show an advance on those of his predecessors, and some of them are productions of high attainment; one of the best was executed for the Scuola ...
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Girolamo Brusaferro
Girolamo Brusaferro was an Italian painter of the 18th century, active in his native Venice. He was a pupil of Niccolo Bambini and Sebastiano Ricci. He has paintings in various churches in Venice including the Carmini Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former ''Sc .... He collaborated by painting figures in the landscapes and backgrounds of Marini Antonio of Padua.Della origine e delle vicende della pittura in Padova
by Giannantonio Moschini, Tipografia Crescini, Padua (1826), page 108.


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Francesco Trevisani
200px, ''Portrait of Cardinal Pietro Ottoboni ''by Francesco Trevisani. The Bowes Museum, Barnard Castle, County Durham">Barnard_Castle.html" ;"title="Bowes Museum, Barnard Castle">Bowes Museum, Barnard Castle, County Durham, England. Francesco Trevisani (April 9, 1656 – July 30, 1746) was an Italians, Italian painter, active in the period called either early Rococo or late Baroque (''barochetto''). Life Born in Capodistria, Istria (modern Koper now in Slovenia, then part of the Republic of Venice), he was the son of Antonio Trevisani, an architect, by whom he was instructed in the first rudiments of design. He then studied in Venice under Antonio Zanchi. He moved to Rome, where he remained until his death, in 1746. His brother, Angelo Trevisani remained a prominent painter in Venice. In Rome, he was supported by Cardinal Pietro Ottoboni. He was strongly influenced by Carlo Maratta, as it is manifest in his masterpiece, the frescoes in San Silvestro in Capite (1695–1 ...
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