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Cyrano De Bergerac (opera)
''Cyrano de Bergerac'' is a four-act opera with music by Franco Alfano, and libretto by Henri Caïn, based on Edmond Rostand's 1897 drama '' Cyrano de Bergerac''. History The opera received its first performance at the Teatro dell'Opera di Roma on 22 January 1936, conducted by Tullio Serafin, with Maria Caniglia and José Luccioni. The first performance in Paris was on 29 May 1936 at the Opéra-Comique. Although Alfano originally set the text in French, the premiere was sung in Italian, as were many early Italian productions. In recent years, most productions have returned to the original French text, which was used in the Paris premiere. Contemporary commentary on the opera by Guido M. Gatti criticised the composer as fearing "to seem too melodramatic", and the opera for being "overdecorated and labored" and containing "difficult and tortuous vocal writing". However, the same analysis also mentioned that "the opera has moments of definite effectiveness and exquisite poetry". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Alfano
Franco Alfano (8 March 1875 – 27 October 1954) was an Italian composer and pianist, best known today for his opera ''Risurrezione'' (1904) and for having completed Puccini's opera ''Turandot'' in 1926. He had considerable success with several of his own works during his lifetime. Career Alfano was born in Posillipo, Naples. He attended piano lessons given privately by Alessandro Longo, and harmony and composition respectively under Camillo de Nardis (1857–1951) and Paolo Serrao at the Conservatory San Pietro a Majella in Naples. Later, after graduating, in 1895 he pursued further composition studies with Hans Sitt and Salomon Jadassohn in Leipzig. While working there he met his idol, Edvard Grieg, and wrote numerous piano and orchestral pieces. From 1918 he was Director of the Conservatory of Bologna, from 1923 Director of the Turin Conservatory, and from 1947 to 1950 Director of the Rossini Conservatory in Pesaro. Alfano died in San Remo. Operas Alfano completed his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Alagna
Roberto Alagna (; born 7 June 1963) is a French operatic tenor. He obtained French citizenship in 1981, while also retaining his previous Italian citizenship. Early years Alagna was born in Clichy-sous-Bois, outside the city of Paris, in 1963 to a family of Sicilian immigrants. As a teenager, the young Alagna began busking and singing pop in Parisian cabarets, mostly for tips. Influenced primarily by the films of Mario Lanza and learning from recordings of many historic tenors, he then switched to opera, but remained largely self-taught. He was discovered by Gabriel Dussurget, the co-founder of the Aix-en-Provence Festival. Career After winning the Luciano Pavarotti International Voice Competition, an initiative backed by the Italian Ministry of Cultural Heritage and Activities, that started in Modena in 1988, Alagna made his professional debut as Alfredo Germont in '' La traviata'' with the Glyndebourne touring company. This led to many engagements throughout the smaller cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Johns
William Johns (born 2 October 1936) is an American tenor who sang leading roles in the opera houses of Europe and the United States in a career spanning more than 25 years. Several of his live performances in Germany and Italy during the 1970s have been preserved on CD, including the title roles in Alfano's ''Cyrano de Bergerac'' and Mercadante's ''Il bravo''. Life and career Johns was born in Tulsa, Oklahoma. He attended Capitol Hill High School in Oklahoma City and then studied vocal performance and music at Oklahoma City University, followed by further study in New York. Forbes, Elizabeth (2001)"Johns, William" Grove Music Online. Retrieved 26 October 2015 (subscription required for full access). A national finalist in the 1965 Metropolitan Opera National Council Auditions, he made his professional début in 1967 at Lake George Opera as Rodolfo in ''La bohème''. That same year he went to Germany and was primarily based there throughout the 1970s, first as a company soloist at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturno Meletti
Saturno Meletti (1906 in Fano – 23 September 1985 in Rome) was an Italian operatic bass-baritone particularly associated with the standard Italian repertory and contemporary works. Meletti began his career in his native city as Escamillo, in 1929, later appearing in several small theatres throughout Italy. He made his debut at the Rome Opera in 1932, and sang there until 1976. He then appeared at the Teatro Comunale in Bologna, the Teatro Regio Parma, the San Carlo in Naples, the Teatro Massimo in Palermo, the Maggio Musicale Fiorentino in Florence, and La Scala in Milan, etc. He also made guest appearances in Germany, Switzerland, Egypt, and South America. He took part in many creations, notably Gian Francesco Malipiero's ''Antonio e Cleopatra'' (Florence, 1938), Ildebrando Pizzetti's ''Vanna Lupa'' (Rome, 1947), Adriano Lualdi's ''La Luna di Cairibi'' (Milan, 1953), Renzo Rossellini's ''La Guerra'' (Naples, 1956). He can be heard on several recordings with Cetra n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessio De Paolis
Alessio De Paolis (9 March 1893 – 5 March 1964) was an Italian operatic tenor who specialized in character roles. He was a prominent member of the Metropolitan Opera in New York City where he sang from 1938 to 1964. At the Met De Paolis performed 51 different roles, primarily in the Italian and French repertoires, in a remarkable 1555 performances. In 1931, De Paolis created the role of Monsieur Le Beau in Ermanno Wolf-Ferrari's opera ''La vedova scaltra''; in 1933 that of Frulla in Riccardo Zandonai's opera '' La farsa amorosa''; and in 1936 and that of Christian in Franco Alfano's ''Cyrano de Bergerac''. De Paolis also performed in a number of commercial opera recordings. These include a famous 1959 RCA recording of Puccini's ''Turandot'' with Birgit Nilsson and Jussi Björling Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Vaghi
Giacomo Vaghi (21 November 1901 - 29 April 1978) was an Italian opera singer who had an active international career from 1925-1956. Along with Tancredi Pasero and Ezio Pinza, he was one of the leading operatic basses of his generation. He possessed a rich voice with a dark timbre that drew him particular acclaim in the operas of Giuseppe Verdi. He appears on several complete opera recordings made with EMI Classics and Cetra Records. Life and career Born in Como, Vaghi studied singing in Milan before making his debut in Jules Massenet's '' Manon'' at the Teatro di San Carlo in Naples in 1925. He appeared in several roles at that house the following year, including the role of Sintram in the Naples premiere of Riccardo Zandonai's ''I cavalieri di Ekebù''. On 29 October 1927 he made his debut at the Teatro Comunale di Bologna as Timur in the house premiere of Giacomo Puccini's ''Turandot''. He sang several other roles in Bologna in successive months, including Pimen in '' Boris G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrano De Bergerac
Savinien de Cyrano de Bergerac ( , ; 6 March 1619 – 28 July 1655) was a French novelist, playwright, epistolarian, and duelist. A bold and innovative author, his work was part of the libertine literature of the first half of the 17th century. Today, he is best known as the inspiration for Edmond Rostand's most noted drama, ''Cyrano de Bergerac'' (1897), which, although it includes elements of his life, also contains invention and myth. Since the 1970s, there has been a resurgence in the study of Cyrano, demonstrated in the abundance of theses, essays, articles and biographies published in France and elsewhere. Life Sources Cyrano's short life is poorly documented. Certain significant chapters of his life are known only from the Preface to the ''Histoire Comique par Monsieur de Cyrano Bergerac, Contenant les Estats & Empires de la Lune'' (''Comical History of the States and Empires of the Moon'') published in 1657, nearly two years after his death. Without Henri Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
