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Giacomo Vaghi
Giacomo Vaghi (21 November 1901 - 29 April 1978) was an Italian opera singer who had an active international career from 1925-1956. Along with Tancredi Pasero and Ezio Pinza, he was one of the leading operatic basses of his generation. He possessed a rich voice with a dark timbre that drew him particular acclaim in the operas of Giuseppe Verdi. He appears on several complete opera recordings made with EMI Classics and Cetra Records. Life and career Born in Como, Vaghi studied singing in Milan before making his debut in Jules Massenet's '' Manon'' at the Teatro di San Carlo in Naples in 1925. He appeared in several roles at that house the following year, including the role of Sintram in the Naples premiere of Riccardo Zandonai's ''I cavalieri di Ekebù''. On 29 October 1927 he made his debut at the Teatro Comunale di Bologna as Timur in the house premiere of Giacomo Puccini's ''Turandot''. He sang several other roles in Bologna in successive months, including Pimen in '' Boris G ...
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Giacomo Vaghi
Giacomo Vaghi (21 November 1901 - 29 April 1978) was an Italian opera singer who had an active international career from 1925-1956. Along with Tancredi Pasero and Ezio Pinza, he was one of the leading operatic basses of his generation. He possessed a rich voice with a dark timbre that drew him particular acclaim in the operas of Giuseppe Verdi. He appears on several complete opera recordings made with EMI Classics and Cetra Records. Life and career Born in Como, Vaghi studied singing in Milan before making his debut in Jules Massenet's '' Manon'' at the Teatro di San Carlo in Naples in 1925. He appeared in several roles at that house the following year, including the role of Sintram in the Naples premiere of Riccardo Zandonai's ''I cavalieri di Ekebù''. On 29 October 1927 he made his debut at the Teatro Comunale di Bologna as Timur in the house premiere of Giacomo Puccini's ''Turandot''. He sang several other roles in Bologna in successive months, including Pimen in '' Boris G ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Cyrano De Bergerac (Alfano)
''Cyrano de Bergerac'' is a four-act opera with music by Franco Alfano, and libretto by Henri Caïn, based on Edmond Rostand's 1897 drama ''Cyrano de Bergerac''. History The opera received its first performance at the Teatro dell'Opera di Roma on 22 January 1936, conducted by Tullio Serafin, with Maria Caniglia and José Luccioni. The first performance in Paris was on 29 May 1936 at the Opéra-Comique. Although Alfano originally set the text in French, the premiere was sung in Italian, as were many early Italian productions. In recent years, most productions have returned to the original French text, which was used in the Paris premiere. Contemporary commentary on the opera by Guido M. Gatti criticised the composer as fearing "to seem too melodramatic", and the opera for being "overdecorated and labored" and containing "difficult and tortuous vocal writing". However, the same analysis also mentioned that "the opera has moments of definite effectiveness and exquisite poetry". ...
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Franco Alfano
Franco Alfano (8 March 1875 – 27 October 1954) was an Italian composer and pianist, best known today for his opera ''Risurrezione'' (1904) and for having completed Puccini's opera ''Turandot'' in 1926. He had considerable success with several of his own works during his lifetime. Career Alfano was born in Posillipo, Naples. He attended piano lessons given privately by Alessandro Longo, and harmony and composition respectively under Camillo de Nardis (1857–1951) and Paolo Serrao at the Conservatory San Pietro a Majella in Naples. Later, after graduating, in 1895 he pursued further composition studies with Hans Sitt and Salomon Jadassohn in Leipzig. While working there he met his idol, Edvard Grieg, and wrote numerous piano and orchestral pieces. From 1918 he was Director of the Conservatory of Bologna, from 1923 Director of the Turin Conservatory, and from 1947 to 1950 Director of the Rossini Conservatory in Pesaro. Alfano died in San Remo. Operas Alfano completed his ...
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Cecilia (opera)
Cecilia is a personal name originating in the name of Saint Cecilia, the patron saint of music. History The name has been popularly used in Europe (particularly the United Kingdom and Italy, where in 2018 it was the 43rd most popular name for girls born that year), and the United States, where it has ranked among the top 500 names for girls for more than 100 years. It also ranked among the top 100 names for girls born in Sweden in the early years of the 21st century, and was formerly popular in France. The name "Cecilia" applied generally to Roman women who belonged to the plebeian clan of the Caecilii. Legends and hagiographies, mistaking it for a personal name, suggest fanciful etymologies. Among those cited by Chaucer in "The Second Nun's Tale" are: lily of heaven, the way for the blind, contemplation of heaven and the active life, as if lacking in blindness, and a heaven for people to gaze upon.
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Licinio Refice
Licinio Refice (Patrica, February 12, 1883 – Rio de Janeiro Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a b ..., September 11, 1954) was an Italian composer and priest. With Monsignor Lorenzo Perosi he represented the new direction taken by Italian church music in the twentieth century, and he left the popular song ''Ombra di nube'' (1935) as well as two completed operas. His first opera '':it:Cecilia (opera), Cecilia'', about the legend of Saint Cecilia, created a sensation with its premiere in 1934 in Rome at the Teatro Reale dell'Opera, with Marcello Govoni as Opera Director; Claudia Muzio took the title role. His second opera, ''Margherita da Cortona'', appeared in 1938. A third opera, ''Il Mago'' (1954), was left incomplete (within the first act). Refice died in 1954 d ...
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La Vedova Scaltra
''La vedova scaltra'' (English: ''The Cunning Widow'') is an updated opera-buffa in three acts by Ermanno Wolf-Ferrari to a text by Mario Ghisalberti, after Carlo Goldoni's original play (also called ''La vedova scaltra'') first given in 1748. Performance history It was first performed at the Teatro Reale dell'Opera in Rome on 5 March 1931, Director Gino Marinuzzi and opera director Marcello Govoni. It was revived in Venice, in celebration of the 300th anniversary of the birth of Carlo Goldoni, in February 2007. This performance, with Anne-Lise Sollied, Maurizo Muraro and Emanuele D'Aguanno as the main soloists, has been recorded (see below). Roles Synopsis The story is a comedy about a young widow courted by four suitors of different nationalities. Act I Four noblemen, Monsieur Le Bleau, Don Alvaro di Castiglia, Milord Runebif and Il Conte di Bosco Nero are seated around a table of a café in the town square, enjoying a glass of wine. Talk turns to the vivacious and ric ...
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Ermanno Wolf-Ferrari
Ermanno Wolf-Ferrari (born Ermanno Wolf) (January 12, 1876 – January 21, 1948) was an Italian composer and teacher. He is best known for his comic operas such as '' Il segreto di Susanna'' (1909). A number of his works were based on plays by Carlo Goldoni, including ''Le donne curiose'' (1903), ''I quatro rusteghi'' (1906) and ''Il campiello'' (1936). Life Ermanno Wolf-Ferrari was born in Venice in 1876, the son of German painter August Wolf and Emilia Ferrari, from Venice. He added his mother's maiden-name, Ferrari, to his surname in 1895. Although he studied piano from an early age, music was not the primary passion of his young life. As a teenager Wolf-Ferrari wanted to be a painter like his father; he studied intensively in Venice and Rome and traveled abroad to study in Munich. It was there that he decided to concentrate instead on music, taking lessons from Josef Rheinberger. He enrolled at the Munich conservatory and began taking counterpoint and composition classes. ...
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Lo Straniero
''The Stranger'' ( it, Lo straniero) is a 1967 film by Italian film director Luchino Visconti, based on Albert Camus's 1942 novel '' The Stranger'', with Marcello Mastroianni. Plot Arthur Mersault's friend Raymond beats his girlfriend and is sued by her. In court, Mersault testifies to his friend's advantage. Raymond is off the hook, but now his girlfriend's male relatives stalk Mersault. He shoots one of them and ends up in prison. Cast * Marcello Mastroianni as Arthur Meursault * Anna Karina as Marie Cardona * Bernard Blier as the Defense counsel * Georges Wilson as the Examining magistrate * Bruno Cremer as Priest * Pierre Bertin as the judge * Jacques Herlin as the Director of the rest home * Marc Laurent as Emmanuel * Georges Géret as Raymond * Brahim Haggiag as the Arab * Alfred Adam as the prosecutor * Jean-Pierre Zola as the employer * Mimmo Palmara as Monsieur Masson * Angela Luce as Madame Masson * Larry J. McDonald as the bearded man at the port Production Alain Del ...
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Ildebrando Pizzetti
Ildebrando Pizzetti (20 September 1880 – 13 February 1968) was an Italian composer of classical music, Musicology, musicologist, and Music criticism, music critic. Biography Pizzetti was born in Parma in 1880. He was part of the "Generation of 1880" along with Ottorino Respighi, Gian Francesco Malipiero, and Alfredo Casella. They were among the first Italian composers in some time whose primary contributions were not in opera. The instrumental and ''a cappella'' traditions had never died in Italian music and had produced, for instance, the string quartets of Antonio Scontrino (1850–1922) and the works of Respighi's teacher Giuseppe Martucci; but with the "Generation of 1880" these traditions became stronger. Ildebrando Pizzetti was the son of Odoardo Pizzetti, a pianist and piano teacher who was his son's first teacher. At first Pizzetti seemed headed for a career as a playwright—he had written several plays, two of which had been produced—before he decided in 1895 on ...
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Teatro Dell'Opera Di Roma
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ...
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