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Cyclorama
A cyclorama is a panoramic image on the inside of a cylindrical platform, designed to give viewers standing in the middle of the cylinder a 360° view, and also a building designed to show a panoramic image. The intended effect is to make viewers, surrounded by the panoramic image, feel as if they were standing in the midst of the place depicted in the image. Background Panoramas were invented by Irish painter Robert Barker, who wanted to find a way to capture the panoramic view from Calton Hill in central Edinburgh, Scotland. He subsequently opened his first cyclorama building in Edinburgh in 1787. Cycloramas were very popular in the late 19th century. The most popular traveled from city to city to provide local entertainment – much like a modern movie. As the viewers stood in the center of the painting, there would often be music and a narrator telling the story of the event depicted. Sometimes dioramas were constructed in the foreground to provide additional realism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Little Bighorn
The Battle of the Little Bighorn, known to the Lakota people, Lakota and other Plains Indians as the Battle of the Greasy Grass, and also commonly referred to as Custer's Last Stand, was an armed engagement between combined forces of the Lakota Sioux, Northern Cheyenne, and Arapaho tribes and the 7th Cavalry Regiment of the United States Army. The battle, which resulted in the defeat of U.S. forces, was the most significant action of the Great Sioux War of 1876. It took place on June 25–26, 1876, along the Little Bighorn River in the Crow Indian Reservation in southeastern Montana Territory. Most battles in the Great Sioux War, including the Battle of the Little Bighorn (14 on the map to the right), "were on lands those Indians had taken from other tribes since 1851". The Lakotas were there without consent from the local Crow tribe, which had treaty on the area. Already in 1873, Crow chief Blackfoot had called for U.S. military actions against the Indian intruders. The stead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panorama
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive "panoptic" experience of a vista. Cartographic experiments during the Enlightenment era prec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dioramas
A diorama is a replica of a scene, typically a three-dimensional full-size or miniature model, sometimes enclosed in a glass showcase for a museum. Dioramas are often built by hobbyists as part of related hobbies such as military vehicle modeling, miniature figure modeling, or aircraft modeling. In the United States around 1950 and onward, natural history dioramas in museums became less fashionable, leading to many being removed, dismantled or destroyed. Etymology The word "diorama" originated in 1823 as a type of picture-viewing device, from the French in 1822. The word literally means "through that which is seen", from the Greek di- "through" + orama "that which is seen, a sight". The diorama was invented by Louis Daguerre and Charles Marie Bouton, first exhibited in Paris in July 1822 and at The Diorama, Regent's Park on September 29, 1823. The meaning "small-scale replica of a scene, etc." is from 1902. Daguerre's and Bouton's diorama consisted of a piece of mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben-Hur (1959 Film)
''Ben-Hur'' is a 1959 American religious epic film directed by William Wyler, produced by Sam Zimbalist, and starring Charlton Heston as the title character. A remake of the 1925 silent film with a similar title, it was adapted from Lew Wallace's 1880 novel '' Ben-Hur: A Tale of the Christ''. The screenplay is credited to Karl Tunberg, but includes contributions from Maxwell Anderson, S. N. Behrman, Gore Vidal, and Christopher Fry. ''Ben-Hur'' had the largest budget ($15.175 million), as well as the largest sets built, of any film produced at the time. Costume designer Elizabeth Haffenden oversaw a staff of 100 wardrobe fabricators to make the costumes, and a workshop employing 200 artists and workmen provided the hundreds of friezes and statues needed in the film. Filming commenced on May 18, 1958, and wrapped on January 7, 1959, with shooting lasting for 12 to 14 hours a day and six days a week. Pre-production began in Italy at Cinecittà around October 1957, and post-produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sketch
''The Sketch'' was a British illustrated weekly journal. It ran for 2,989 issues between 1 February 1893 and 17 June 1959. It was published by the Illustrated London News Company and was primarily a society magazine with regular features on royalty, aristocracy and high society, as well as theatre, cinema and the arts. It had a high photographic content with many studies of society ladies and their children as well as regular layouts of point to point racing meetings and similar events. Clement Shorter and William Ingram started ''The Sketch'' in 1893. Shorter was the first editor, from 1893 to 1900, succeeded by John Latey (until his death in 1902) and then Keble Howard.Philip Waller, ''Writers, Readers, and Reputations: Literary Life in Britain 1870–1918'', pp. 351–2 Bruce Ingram was editor from 1905 to 1946. The magazine is remembered for first publishing the illustrations of Bonzo the dog by George E. Studdy (from 1921). It featured series of short stories within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Illustrated London News
''The Illustrated London News'' appeared first on Saturday 14 May 1842, as the world's first illustrated weekly news magazine. Founded by Herbert Ingram, it appeared weekly until 1971, then less frequently thereafter, and ceased publication in 2003. The company continues today as Illustrated London News Ltd, a publishing, content, and digital agency in London, which holds the publication and business archives of the magazine. History 1842–1860: Herbert Ingram ''The Illustrated London News'' founder Herbert Ingram was born in Boston, Lincolnshire, in 1811, and opened a printing, newsagent, and bookselling business in Nottingham around 1834 in partnership with his brother-in-law, Nathaniel Cooke.Isabel Bailey"Ingram, Herbert (1811–1860)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004 accessed 17 September 2014] As a newsagent, Ingram was struck by the reliable increase in newspaper sales when they featured pictures and shocking stories. Ingram beg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben-Hur (play)
''Ben-Hur'' was an 1899 theatrical adaptation of the novel '' Ben-Hur: A Tale of the Christ'' (1880) by Lew Wallace. The story was dramatized by William W. Young and produced by Marc Klaw and A. L. Erlanger. The stage production was notable for its elaborate use of spectacle, including live horses for the famous chariot race. The hippodrama had six acts with incidental music written by American composer Edgar Stillman Kelley. The stage production opened at the Broadway Theater in New York City on November 29, 1899, and became a hit Broadway show. Traveling versions of the production, including a national tour that ran for twenty-one years, played in the United States, Great Britain, and Australia. By the end of its run in April 1920, the play had been seen by more than twenty million people and earned over $10 million at the box office. There have been other stage adaptations of Wallace's novel, as well as several motion picture versions. History After Wallace's novel was publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle-Vision 360°
Circle-Vision 360° is a film format developed by The Walt Disney Company that uses projection screens which encircle the audience. Circle-Vision 360° developed from the Circarama format, which uses eleven 16 mm projectors. The first Circarama film was ''A Tour of the West'' (1955). For the movie '' Italia '61'', the number of cameras was reduced to nine, and the 16 mm film was shown using 35 mm projectors. In 1965, Circle-Vision 360° made its official debut, in a nine-camera, 35 mm format. At least one reason for the renaming from Circarama was objections by the owners of Cinerama to the similarity between the two names. In both the Circarama and Circle-Vision 360° formats, the screens are arranged in a circle around the audience, with small gaps between the screens. The number of screens (eleven or nine) being odd results in a gap being opposite of each screen in the circle. The projectors are placed in these gaps, above the heads of the viewers. Railings are sometimes pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IMAX
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating. Graeme Ferguson, Roman Kroitor, Robert Kerr, and William C. Shaw were the co-founders of what would be named the IMAX Corporation (founded in September 1967 as Multiscreen Corporation, Limited), and they developed the first IMAX cinema projection standards in the late 1960s and early 1970s in Canada. IMAX GT is the large format as originally conceived. It uses very large screens of and, unlike most conventional film projectors, the film runs horizontally so that the image width can be greater than the width of the film stock. It is called a 70/15 format. It is used exclusively in purpose-built theaters and dome theaters, and many installations limit themselves to a projection of high quality, short documentaries. The high costs involved in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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