Culture Of Karnataka
The southern state of India,Karnataka, has a distinct art and culture informed by a long history of diverse linguistic and religious ethnicity. Apart from Kannadigas, Karnataka is home to Tuluvas, who also consider themselves as Kannadigas. Minor populations of Tibetan Buddhists and Siddhi tribes plus a few other ethnic groups also live in. The traditional folk arts are major theatrical forms of coastal Karnataka. Contemporary theatre culture in Karnataka is one of the most vibrant in India with organizations like Ninasam, Ranga Shankara and Rang on foundations laid down by the Gubbi Veeranna Nataka Company. Veeragase, Kamsale and Dollu Kunitha are popular dance forms. Bharatanatya also enjoys wide patronage in Karnataka. Music Karnataka is the only Indian state where both Hindustani and Carnatic singers flourish. North Karnataka is predominantly famous for Hindustani music and South Karnataka is well known for Carnatic music. Carnatic music With the rise of Vaishn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vijaya Dasa
Vijaya Dasa ( kn, ವಿಜಯದಾಸ) (c. 1682– c. 1755) was a prominent saint from the Haridasa tradition of Karnataka, India in the 18th century, and a scholar of the Dvaita philosophical tradition. Along with contemporary haridasa saints such as Gopala Dasa, Helevankatte Giriamma, Jagannatha Dasa and Prasanna Venkata Dasa, he propagated the virtues of the philosophy of Madhwacharya across South India through devotional songs called written in the Kannada language., p1 An integral part of Kannada Vaishnava devotional literature, these compositions in praise of the Hindu god Vishnu as well as other deities are called (compositions of the ).Narasimhacharya (1988), p25 He has influenced both Carnatic music and Hindustani music through his compositions. His ''ankita'' (pen name) is Vijaya vithala. These compositions can be more specifically categorized as , , , and simply . They were easy to sing to the accompaniment of a musical instrument and dealt with (devotion) and th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Purandara Dasa
Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vadirajatirtha
Sri Vadiraja Teertharu (1480 – 1600) was a Dvaita philosopher, poet, traveller and mystic. A polymath of his time, he authored many works, often polemical, on Madhva theology and metaphysics. Additionally, he composed numerous poems and as the pontiff of Sodhe Mutt, renovated the temple complex at Udupi and established the ''Paryaya'' system of worship. He is also credited with enriching the Kannada literature of the time by translating Madhvacharya's works to Kannada, giving impetus and contributing to the Haridasa movement. He has influenced both Carnatic and Hindustani music through his compositions. His compositions are mainly in Kannada and Sanskrit. His mudra is 'Hayavadana'. His works are characterised by their poetic flourishes, incisive wit and humour. Life Vadirajaru was born as Bhuvaraha in Huvinakere, a village in the Kundapura taluk. He was ordained as a monk at the age of 8 and placed into the care of Vidyanidhi Tirtharu and later Vagisha Tirtharu , who ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sripadaraya
Sripadaraja ( sa, श्रीपादराज; ) or Sripadaraya, also known by his pontifical name Lakshminarayana Tirtha (1422 - 1480), was a Hindu Dvaita philosopher, scholar and composer and the pontiff of the Madhvacharya mutt at Mulbagal. He is widely considered the founder of Haridasa movement along with Narahari Tirtha. He has influenced both Carnatic music and Hindustani music through his compositions. His songs and hymns, written under the ''mudra'' of ''Ranga Vitthala'', contain the distillation of Dvaita principles infused with mysticism and humanism. He is also credited with the invention of the ''suladi'' musical structure and composed 133 of them along with several '' kirtanas''. He was the advisor of Saluva Narasimha Deva Raya and mentored the young Vyasatirtha. He also authored a commentary on Jayatirtha's ''Nyaya Sudha'' called ''Nyayasudhopanyasa-Vagvajra''. Sripadaraja is believed to be the incarnation of Dhruva. Life Sripadaraja was born in a Deshasth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jayatirtha
Sri Jayatirtha (), ''also known as'' Teekacharya () (1345 - 1388), was a Hindu philosopher, dialectician, polemicist and the sixth pontiff of Madhvacharya Peetha from (1365 – 1388). He is considered to be one of the most important seers in the history of Dvaita school of thought on account of his sound elucidations of the works of Madhvacharya. He is credited with structuring the philosophical aspects of Dvaita and through his polemical works, elevating it to an equal footing with the contemporary schools of thought. Along with Madhva and Vyasatirtha, he is venerated as one of the three great spiritual sages, or ''munitraya'' of Dvaita. Jayatirtha is an incarnation of Indra (lord of gods) with amsha of Adi Sesha. Born into an aristocratic Deshastha Brahmin family, he later adopted the cause of Dvaita after an encounter with the Madhva saint, Akshobhya Tirtha (d. 1365 ). He composed 22 works, consisting of commentaries on the works of Madhva and several independent t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vyasatirtha
Vyāsatīrtha (. 1460 – 1539), also called ''Vyasaraja'' or ''Chandrikacharya'', was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the patron saint of the Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an amplified spread of Dvaita across the subcontinent. Three of his polemically themed doxographical works ''Nyayamruta'', ''Tatparya Chandrika'' and ''Tarka Tandava'' (collectively called ''Vyasa Traya'') documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His ''Nyayamruta'' caused a significant stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kanakadasa
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ). He was a renowned composer of Carnatic music, poet, reformer and musician. He is known for his keertanas and ugabhoga, and his compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada and native metrical forms for his compositions. Life Kanaka Dasa was born into a Kannada Kuruba (shepherd) Hindu family in Baada village, near Bankapura in Karnataka, and was a warrior at Bankapura fort. He was taught by Srinivasacharya. As a child, he became an expert in ''tarka'', ''vyakaran'', and ''mimamsa''. Based on one of his compositions, it is interpreted that he was seriously injured in a battle and was miraculously saved. After this incident, he gave up his profession as a warrior and devoted himself to composing music, writing literature and explaining philosophy to people. His ear ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |