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Crno-bijeli Svijet
''Crno-bijeli svijet'' ( Croatian: "Black and White World") is the second album by the Croatian and former Yugoslav rock band Prljavo Kazalište from their new wave period. Overview This album was released by the Zagreb based Suzy record label in 1980. The title of the album and the record sleeve holds a reference to the 2 Tone movement and included the ska songs "Crno bijeli svijet" (Black white world) and the hit "Mi plešemo" (We dance). The lyrics "(...)smrt dječaka u Kabulu" (death of a small boy in Kabul) in the reggae themed "Neka te ništa ne brine" refer to the Soviet invasion of Afghanistan in 1979. The song is also included in the soundtrack for the ex-Yugoslav new wave music-related film ''Dečko koji obećava''. The album is an important record from the Yugoslav new wave era. A cover version of the main single ''Crno bijeli svijet'' is included in the tribute album Yugoton (ZIC ZAC Music Company and BMG Poland) named after the former Yugoslav record company Jugo ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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2 Tone (music Genre)
Two-tone or 2 tone is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska music with elements of punk rock and new wave music. Its name derives from 2 Tone Records, a record label founded in 1979 by Jerry Dammers of The Specials, and references a desire to transcend and defuse racial tensions in Thatcher-era Britain: many two-tone groups, such as The Specials, The Selecter, and The Beat, featured a mix of Black, white, and multiracial people. Originating in the Midlands city Coventry in England in the late 1970s, it was part of the second wave of ska music, following on from the first ska music that developed in Jamaica in the 1950s and 1960s, and infused with punk and new wave textures. Although two-tone's mainstream commercial appeal was largely limited to the UK, it influenced the ska punk movement that developed in the US in the late 1980s and 1990s. History The two-tone sound originated among young musicians in Cove ...
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Punk Rock In Yugoslavia
Punk rock in Yugoslavia was the punk subculture of the former Socialist Federal Republic of Yugoslavia. The most developed scenes across the federation existed in the Socialist Republic of Slovenia, the Adriatic coast of the Socialist Republic of Croatia, the Socialist Autonomous Province of Vojvodina and Belgrade, the capital of both Yugoslavia and the Socialist Republic of Serbia. Some notable acts included: Pankrti, Paraf, Pekinška patka, KUD Idijoti, Niet, Patareni and KBO!. History Although a communist country, the non-aligned SFR Yugoslavia was not part of the Eastern Bloc and it was open to western influences. The Yugoslav rock scene was well developed and covered in the media. The punk scene emerged in the late 1970s, influenced by the first wave of punk rock bands from the United Kingdom and the United States, such as the Sex Pistols, The Clash and the Ramones. The DIY punkzine scene also began to develop. The Yugoslav punk rock bands were the first ones formed in a comm ...
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Mort Shuman
Mortimer Shuman (12 November 1938 – 2 November 1991) was an American singer, pianist and songwriter, best known as co-writer of many 1960s rock and roll hits, including "Viva Las Vegas". He also wrote and sang many songs in French, such as "Le Lac Majeur", "Papa-Tango-Charly", "Sha Mi Sha", "Un Été de Porcelaine", and "Brooklyn by the Sea" which became hits in France. Life and career Shuman was born in Brooklyn, New York, United States, of Polish Jewish immigrants and went to Abraham Lincoln High School, subsequently studying music at the New York Conservatory. He became a fan of R&B music and after he met Doc Pomus the two teamed up to compose for Aldon Music at offices in New York City's Brill Building. Their songwriting collaboration saw Pomus write the lyrics and Shuman the melody, although occasionally each worked on both. Their compositions would be recorded by artists such as Dion, The Flamingos, Andy Williams, Bobby Darin, Fabian, Ajda Pekkan, The Drifters, ...
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Doc Pomus
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known professionally as Doc Pomus, was an American blues singer and songwriter. He is best known as the co-writer of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992, the Songwriters Hall of Fame (1992), and the Blues Hall of Fame (2012). Early life Born Jerome Solon Felder in 1925 in Williamsburg, Brooklyn, New York, he was the son of Jewish immigrants. He attended Brooklyn College from 1943 to 1945. Felder became a fan of the blues after hearing a Big Joe Turner record, "Piney Brown Blues". Having contracted polio as a boy, he walked with the aid of crutches. Later, due to post-polio syndrome exacerbated by an accident, Felder relied on a wheelchair. His brother is New York attorney Raoul Felder. Career Using the stage name Doc Pomus, teenager Felder began performing as a blues singer. His stage name was not inspired by anyone in particular; he just thought it ...
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Polish People
Poles,, ; singular masculine: ''Polak'', singular feminine: ''Polka'' or Polish people, are a West Slavic nation and ethnic group, who share a common history, culture, the Polish language and are identified with the country of Poland in Central Europe. The preamble to the Constitution of the Republic of Poland defines the Polish nation as comprising all the citizens of Poland, regardless of heritage or ethnicity. The majority of Poles adhere to Roman Catholicism. The population of self-declared Poles in Poland is estimated at 37,394,000 out of an overall population of 38,512,000 (based on the 2011 census), of whom 36,522,000 declared Polish alone. A wide-ranging Polish diaspora (the '' Polonia'') exists throughout Europe, the Americas, and in Australasia. Today, the largest urban concentrations of Poles are within the Warsaw and Silesian metropolitan areas. Ethnic Poles are considered to be the descendants of the ancient West Slavic Lechites and other tribes that inhabite ...
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Jugoton
Jugoton was the largest record label and chain record store in the former Yugoslavia based in Zagreb, SR Croatia. History Jugoton was formed in 1947. It is notable for releasing some of the most important former Yugoslav pop and rock records. In addition, the company owned a widespread network of record shops across SFR Yugoslavia. The company changed its name to Croatia Records in 1991, after Croatia seceded from Yugoslavia. Artists Jugoton notable for signing numerous eminent former Yugoslav pop and rock acts. Some of the artists that have been signed to Jugoton include: * Aerodrom * Ansambel bratov Avsenik *Silvana Armenulić *Atomi *Azra *Đorđe Balašević *Bele Vrane *Beograd *Halid Bešlić *Bezobrazno Zeleno *Bijele Strijele *Bijelo Dugme *Biseri * Borghesia *Bulevar *Cacadou Look *Crni Biseri *Crvena Jabuka *Crveni Koralji *Zdravko Čolić * Dah *Daltoni *Dʼ Boys * Delfini (Split band) * Delfini (Zagreb band) * Devil Doll * Divlje Jagode *Dorian Gray * Dubrov ...
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BMG Poland
BMG Poland Sp. z o.o., was a Polish subsidiary of BMG founded in 1993 in Warsaw. In 1996 BMG Poland purchased independent label Zic Zac owned by musician Marek Kościkiewicz of De Mono. At the time Zic Zac had 10% share on Polish music market with such artists in their roster as Kayah, Urszula Kasprzak, Andrzej Piaseczny, Formacja Nieżywych Schabuff, Elektryczne Gitary, and Varius Manx among others. Kościkiewicz became BMG Poland CEO, while Zic Zac was reformed to labels subsidiary. In 2001 label opened subsidiary Sissy Records with such artists as Andrzej Smolik, Cool Kids of Death, Futro, Jacek Lachowicz, Lenny Valentino, Novika, Old Time Radio and Ścianka in catalogue. BMG Poland bestselling artists included Liroy and Varius Manx among others, with several albums certified Gold and Platinum in Poland. In 2004 BMG Poland merged with Sony Music Entertainment Poland to Sony BMG Music Entertainment Poland, as of joint venture deal between Sony Music Entertainment and Bert ...
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Yugoton
''Yugoton'' is a tribute album to the former Yugoslav rock scene released in Poland by ZIC ZAC Music Company and BMG Poland in 2001. It features cover versions of eminent ex-Yugoslav artists performed in Polish by the cover band named Yugoton, composed of several notable Polish musicians. Background The non-aligned SFR Yugoslavia was not an Eastern Bloc member and was largely opened to western influences, compared to the other communist countries. Yugoslavia had a well-developed rock scene, which became very popular in communist Poland, where the freedom of expression was much more restricted. Many Yugoslav artists toured Poland. Električni orgazam recorded a live album titled '' Warszawa '81'', Azra released the song ''Poljska u mome srcu'' (''Poland in my heart'') as a support to the Polish opposition against Wojciech Jaruzelski and the prominent promoter Igor Vidmar organized a concert in support of Solidarity. Overview Yugoton is a tribute to the former Yugoslav music scen ...
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Tribute Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ...
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New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; hr, Novi val; sl, Novi val; mk, Нов бран) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a " buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene ...
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Dečko Koji Obećava
''The Promising Boy'' ( sh, Dečko koji obećava) is a 1981 Yugoslav youth genre film. Overlapping with the emerging new wave scene that seemingly challenged many of the established social norms in communist Yugoslavia, the movie tells the story of a young man who goes from being a good son to rebellious misfit and back again. It also served as showcase of sorts for various bands of Yugoslav new wave and punk music scenes. Plot Twenty-four-year-old Slobodan Milošević (Aleksandar Berček) seemingly has the world by the tail. Growing up during the early 1980s in an upscale part of Belgrade as the only child in a well-off and respectable nomenklatura family—his father's a Yugoslav People's Army officer, mother a university professor—Slobodan is an exemplary young man in his own right. Studying at the University of Belgrade's Faculty of Medicine while dating beautiful, smart, and similarly upwardly mobile Maša (Dara Džokić), daughter of an influential communist Serbian pol ...
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