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Doc Pomus
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known professionally as Doc Pomus, was an American blues singer and songwriter. He is best known as the co-writer of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992, the Songwriters Hall of Fame (1992), and the Blues Hall of Fame (2012). Early life Born Jerome Solon Felder in 1925 in Williamsburg, Brooklyn, New York, he was the son of Jewish immigrants. He attended Brooklyn College from 1943 to 1945. Felder became a fan of the blues after hearing a Big Joe Turner record, "Piney Brown Blues". Having contracted polio as a boy, he walked with the aid of crutches. Later, due to post-polio syndrome exacerbated by an accident, Felder relied on a wheelchair. His brother is New York attorney Raoul Felder. Career Using the stage name Doc Pomus, teenager Felder began performing as a blues singer. His stage name was not inspired by anyone in particular; he just thought it ...
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Brooklyn
Brooklyn () is a borough of New York City, coextensive with Kings County, in the U.S. state of New York. Kings County is the most populous county in the State of New York, and the second-most densely populated county in the United States, behind New York County (Manhattan). Brooklyn is also New York City's most populous borough,2010 Gazetteer for New York State
. Retrieved September 18, 2016.
with 2,736,074 residents in 2020. Named after the Dutch village of Breukelen, Brooklyn is located on the w ...
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Jewish
Jews ( he, יְהוּדִים, , ) or Jewish people are an ethnoreligious group and nation originating from the Israelites Israelite origins and kingdom: "The first act in the long drama of Jewish history is the age of the Israelites""The people of the Kingdom of Israel and the ethnic and religious group known as the Jewish people that descended from them have been subjected to a number of forced migrations in their history" and Hebrews of historical History of ancient Israel and Judah, Israel and Judah. Jewish ethnicity, nationhood, and religion are strongly interrelated, "Historically, the religious and ethnic dimensions of Jewish identity have been closely interwoven. In fact, so closely bound are they, that the traditional Jewish lexicon hardly distinguishes between the two concepts. Jewish religious practice, by definition, was observed exclusively by the Jewish people, and notions of Jewish peoplehood, nation, and community were suffused with faith in the Jewish God, ...
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Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ...
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Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Young Blood (The Coasters Song)
"Young Blood" is a song written by Doc Pomus along with the songwriting team Jerry Leiber and Mike Stoller that first became a hit by The Coasters in 1957. Structure Musically, the song follows a minor blues structure, built mostly around three chords (i7, iv7, V7) except for the bridge (IV, VI, III, V). The lyrical theme is one typical of early rock and roll: boy meets girl, then meets girl's father, who does not approve of boy; so the boy departs, but cannot stop thinking about the girl, declaring "You're the one, you're the one, you're the one." The Coasters' version "Young Blood" was originally recorded by The Coasters and released as a single together with "Searchin'" in March 1957 by Atco Records (#6087). This song is compared to the cleaner cut song "Standing on the Corner" from the musical ''The Most Happy Fella''. Their version can also be heard on ''The Very Best of the Coasters'' album. It topped Billboard's R&B chart and reached #8 on the ''Billboard'' Hot 100. The ...
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The Coasters
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and " Young Blood" in 1957, their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame. History The Coasters were formed on October 12, 1955, when two of The Robins, a Los Angeles–based rhythm-and-blues group, joined Atlantic Records. They were dubbed The Coasters because they went from the west coast to the east. The Robins included Carl Gardner and Bobby Nunn. The original Coasters were Gardner, Nunn, Billy Guy, Leon Hughes (who was replaced by Young Jessie on a couple of their early Los Angeles recordings), and the guitarist Adolp ...
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King Curtis
Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as " Respect" by Aretha Franklin (1965), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967). Early life Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015). Career Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest ...
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Mickey Baker
MacHouston "Mickey" Baker (October 15, 1925 – November 27, 2012) was an American guitarist, best known for his work as a studio musician and as part of the recording duo Mickey & Sylvia. Early life Baker was born in Louisville, Kentucky. His mother was black, and his father, whom he never met, was believed to be white. In 1936, at the age of 11, Baker was put into an orphanage. He ran away frequently, and had to be retrieved by the staff from St. Louis, New York City, Chicago, and Pittsburgh. Eventually the orphanage quit looking for him, and at the age of 16 he stayed in New York City. He found work as a laborer and then a dishwasher. But after hanging out in the pool halls of 26th Street, he gave up work to become a full-time pool shark. At 19, Baker decided to make a change in his life. He went back to dishwashing, and was determined to become a jazz musician. The trumpet was his first choice for an instrument, but with only $14 saved up, he could not find a pawnshop with ...
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Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ...
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Stage Name
A stage name is a pseudonym used by performers and entertainers—such as actors, comedians, singers, and musicians. Such professional aliases are adopted for a wide variety of reasons and they may be similar, or nearly identical, to an individual's birth name. Though uncommon, some performers choose to adopt their stage name as a legal name. Nicknames and maiden names are sometimes used in a person's professional name. Reasons for using a stage name A performer will often take a stage name because their real name is considered unattractive, dull, or unintentionally amusing; projects an undesired image; is difficult to pronounce or spell; or is already being used by another notable individual, including names that are not exactly the same but still too similar. An example of this is pop singer Katy Perry, whose real name is Katheryn "Katy" Hudson, which would have caused confusion with the actress Kate Hudson. Sometimes a performer adopts a name that is unusual or outlandish t ...
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Raoul Felder
Raoul Lionel Felder (born in Brooklyn, New York, May 13, 1944) is an American divorce lawyer and matrimonial attorney. Felder has written eight books and has published numerous articles related to matrimonial law, politics and social issues. Felder is listed in ''New York Law Journal''s 100 Most Powerful Lawyers in America and in all editions of Who's Who in America and Who's Who in American Law and was profiled in the May 3, 2004 issue of ''The New Yorker''. Life Raoul Lionel Felder was born in Williamsburg, Brooklyn; his brother Jerome became famous as a songwriter under the pseudonym Doc Pomus, who wrote such songs as ''Save The Last Dance For Me, Viva Las Vegas, This Magic Moment'', etc. He graduated from New York University School of Law and was admitted to the New York Bar in the same year. He attended New York University, graduating with a B.A. before studying medicine at the University of Bern College of Medicine in Switzerland. Career in law Prior to practicing matrimonia ...
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Post-polio Syndrome
Post-polio syndrome (PPS, poliomyelitis sequelae) is a group of latent symptoms of poliomyelitis (polio), occurring at about a 25–40% rate (latest data greater than 80%). These symptoms are caused by the damaging effects of the viral infection on the nervous system. Symptoms typically occur 15 to 30 years after an initial acute paralytic attack. Symptoms include decreasing muscular function or acute weakness with pain and fatigue. The same symptoms may also occur years after a nonparalytic polio (NPP) infection. The precise mechanism that causes PPS is unknown. It shares many features with chronic fatigue syndrome, but unlike that disorder it tends to be progressive and can cause loss of muscle strength. Treatment is primarily limited to adequate rest, conservation of available energy, and supportive measures, such as leg braces and energy-saving devices such as powered wheelchairs, analgesia (pain relief), and sleep aids. Signs and symptoms After a period of prolonged stabi ...
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