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Cristoforo Colombo (opera)
''Cristoforo Colombo'' (''Christopher Columbus'', ) is an opera in four acts and an epilogue by Alberto Franchetti to an Italian libretto by Luigi Illica. It was written in 1892 to commemorate the 400th anniversary of Christopher Columbus' arrival in America. Commissioned by the city of Genoa, Columbus' birthplace, the opera deals with the voyage of discovery, its opposition by the Spanish authorities, Columbus' encouragement by Queen Isabella, and finally, after his difficulties and triumph, his anguish when he learns of her death. An essentially melodic opera only tangentially influenced by the emerging verismo style, it is harmonically rich, with obvious references to the work of Richard Wagner and Meyerbeer. The act 2 monologue contains a Rhine-like motif; after cries of ''Terra! Terra!'' the orchestra replies with Tristan-like ecstasy, and then a rainbow bridge-like triumph. Its anti-church elements have been noted, particularly in the opera's earlier versions: it is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Franchetti
Alberto Franchetti (18 September 1860 – 4 August 1942) was an Italian composer, best known for the 1902 opera ''Germania''. Biography Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, then at the Munich Conservatory under Josef Rheinberger, and finally in Dresden under Felix Draeseke. His first major success occurred in 1888 with his opera ''Asrael''. His operatic style combined Wagnerianism and the traits of Meyerbeer with Italian verismo. During his life, critics sometimes referred to him as the "Meyerbeer of modern Italy." The words of music critic G. B. Nappi sum up Franchetti's primary talents: "His character is perhaps unsuitable for passionate dramas, but rather for those subjects, where the fantastic, romantic and epic are required in the symphonic texture and large choral pictures. In this regard Alberto Franchetti knows that he has no rival" (from "Orfeo" 6.3, 1915). '' Grove'' considers ''Cristoforo Colombo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Josip Kašman
Joseph Kaschmann, known also as Giuseppe Kaschmann and Josip Kašman (14 July 1850 – 11 February 1925), was a noted Austrian-Italian operatic baritone. He sang in Europe and America during the latter decades of the 19th century and the early years of the 20th century. Singing career and recordings Born on Lussinpiccolo (present-day Mali Lošinj, Croatia), Giuseppe Kaschmann was said to be the youngest of 14 children born to an Austrian father and a local Italian-speaking mother, Eugenia Ivancich. Possessed of a fine natural voice and a facility with languages, he abandoned a planned career in the law, to study singing instead with Ivan Zajc in Zagreb. His first public performance occurred in Zagreb during 1869. He was then cast in the lead role in a production of the first full scale Croatian opera, ''Mislav'', on October 2, 1870. Six years later he made his Italian operatic debut at Turin (in Gaetano Donizetti's ''La favorita''). Engagements in Venice, Rome, Bologna and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Mancinelli
Luigi Mancinelli (; 5 February 1848 – 2 February 1921) was an Italian conductor, cellist and composer. His early career was in Italy, where he established a reputation in Perugia and then Bologna. After 1886 he worked mostly in other countries, as principal conductor at the Royal Opera House, Covent Garden in London and at the "Old Metropolitan" Opera House in New York, and in other appointments in Madrid, Rio de Janeiro and Buenos Aires. Mancinelli was highly regarded not only in the Italian repertory, in which he first came to prominence, but also in German and French opera. Despite his high reputation as a conductor, his compositions met with limited success, and none of them entered the regular repertoire. Life and career Early years Mancinelli was born in Orvieto in central Italy. He studied organ and cello with his elder brother, Marino (who later became a well-known conductor in Italian opera houses) and then played as a cellist in the Orvieto cappella and the orch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Huberdeau
Gustave Huberdeau (10 May 1874 – 31 May 1945) was a French operatic bass-baritone who had a prolific career in Europe and the United States during the first quarter of the twentieth century. He sang a wide repertoire encompassing material from French composers like Gounod and Massenet to the Italian grand operas of Verdi, the verismo operas of Mascagni, and the German operas of Richard Wagner and Richard Strauss. He sang in numerous premieres during his 30-year career, including the original production of Puccini's '' La rondine'' in 1917. Although possessing a rich and warm voice, Huberdeau had a talent for comedic portrayals which made him a favorite casting choice in secondary comedic roles as well as leading roles. J.B. Steane, ''Grove Music Online'' After retiring from opera in 1927, Huberdeau remained active as a performer in stage plays and in French cinema throughout the 1930s. Opera career Huberdeau was born in Paris, studied at the Paris Conservatoire and then ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amedeo Bassi
Amedeo Bassi (29 July 1872 - 14 January 1949) was an Italian tenor. Life and career Born in Montespertoli, Bassi studied singing with Marquis Pavesi-Negri, and made his official debut in 1897, in Filippo Marchetti's opera ''Ruy Blas''.Mattera, Angelo (1970).Bassi, Amedeo. ''Dizionario Biografico degli Italiani'', Volume 7. Treccani. Thanks to the immediate acclaim he received, he started an intense career in Italy, where he performed in the major opera houses of the time including La Scala in Milan and Teatro di San Carlo in Naples, and abroad, where he performed multiple times at the Royal Opera House, at the Metropolitan Opera House, at the Chicago Opera House The Chicago Opera House was a theater complex in Chicago, Illinois, designed by the architectural firm of Cobb and Frost. The Chicago Opera House building took the cue provided by the Metropolitan Opera of New York as a mixed-used building: it h ..., as well as in Paris, Vienna, Latin America, Russia, Spain. He ret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Raisa
Rosa Raisa (30 May 189328 September 1963) was a Polish-born and Italian-trained Russian-Jewish dramatic operatic soprano who became a naturalized American. She possessed a voice of remarkable power and was the creator of the title role of Puccini's last opera, ''Turandot'', at La Scala, Milan. Life and career Early life and operatic beginnings She was born as Raitza Burchstein, the daughter of Herschel and Frieda Leah Burchstein, in Białystok (Tsarist Russia, now Poland) in 1893. Some of family fled Russia when she was 14 due to the pogroms, emigrating to Italy. There Raitza met Dario Ascarelli, who recognized her talent and potential and sponsored her at the Naples Conservatory ( San Pietro a Majella). Her teacher at the conservatory, the contralto Barbara Marchisio (1833–1919), had been one of the most prominent Italian singers of the mid-19th century. Marchisio brought Raisa in 1912 to Cleofonte Campanini, a leading operatic conductor and impresario. After the auditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titta Ruffo
Titta Ruffo (9 June 1877 – 5 July 1953), born as Ruffo Cafiero (double forename) Titta, was an Italian operatic baritone who had a major international singing career. Known as the "Voce del leone" ("voice of the lion"), he was greatly admired, even by rival baritones, such as Giuseppe De Luca, who said of Ruffo: "His was not a voice, it was a miracle" (although not often published is the second part of De Luca's conclusion "which he uffobawled away..."), and Victor Maurel, the creator of Verdi's Iago and Falstaff. Maurel said that the notes of Ruffo's upper register were the most glorious baritone sounds he had ever heard (see Pleasants, cited below). Indeed Walter Legge, the prominent classical record producer, went so far as to call Ruffo "a genius". Biography Born Ruffo Titta in Pisa (he reversed his forename and surname for the stage), Ruffo was the son of an engineer. He studied voice with several teachers. In Musical America, December 27, 1913, Ruffo wrote the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera House (Philadelphia)
The Metropolitan Opera House is a historic opera house located in Philadelphia, Pennsylvania. It has been used for many different purposes over its history. Now known as The Met, the theatre reopened in December 2018, after a complete renovation, as a concert venue. It is managed by Live Nation Philadelphia. Built over the course of just a few months in 1908, it was the ninth opera house built by impresario Oscar Hammerstein I. It was initially the home of Hammerstein's Philadelphia Opera Company, and called the "Philadelphia Opera House". Hammerstein sold the house to the Metropolitan Opera of New York City in 1910, when it was renamed. The Met used the theatre through 1920, after which various opera companies used the house through 1934. For over five more decades it remained in constant use in turn as a movie theater, a ballroom, a sports venue, mechanic training center, and a church. The building then fell into serious disrepair and was unused and vacant from 1988 until 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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