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Luigi Mancinelli
Luigi Mancinelli (; 5 February 1848 – 2 February 1921) was an Italian conductor, cellist and composer. His early career was in Italy, where he established a reputation in Perugia and then Bologna. After 1886 he worked mostly in other countries, as principal conductor at the Royal Opera House, Covent Garden in London and at the "Old Metropolitan" Opera House in New York, and in other appointments in Madrid, Rio de Janeiro and Buenos Aires. Mancinelli was highly regarded not only in the Italian repertory, in which he first came to prominence, but also in German and French opera. Despite his high reputation as a conductor, his compositions met with limited success, and none of them entered the regular repertoire. Life and career Early years Mancinelli was born in Orvieto in central Italy. He studied organ and cello with his elder brother, Marino (who later became a well-known conductor in Italian opera houses) and then played as a cellist in the Orvieto cappella and the orch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Mancinelli By F
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game '' Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including '' Mario Bros.'', '' Super Mario Bros.'', ''Super Mario Bros. 3'', '' Super Mario World'', among other titles. He was first available as a primary character in ''Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the '' Mario Party'' and ''Mario Kart'' series; however, he has been featured in a starring role in '' Luigi's Hammer Toss'', ''Mario is Missing'', ''Luigi's Mansion'', '' Luig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Mariani (conductor)
Angelo Maurizio Gaspare Mariani (11 October 182113 June 1873) was an Italian opera conductor and composer. His work as a conductor drew praise from Giuseppe Verdi, Giacomo Meyerbeer, Gioachino Rossini and Richard Wagner, and he was a longtime personal friend of Verdi's, although they had a falling out towards the end of Mariani's life. He conducted at least two world premieres (Verdi's ''Aroldo'' and Faccio's ''Amleto''); and at least 4 Italian premieres (Meyerbeer's '' L'Africana'', Verdi's ''Don Carlo'', and ''Lohengrin'' and ''Tannhäuser'' by Wagner). Biography Angelo Mariani was born in Ravenna in 1821. He studied the violin at the Accademia Filarmonica of Ravenna. At age 15 he played in concerts in the Romagna. He then studied harmony and composition with a nobleman-priest, Girolamo Roberti, and then with a monk named Levrini, a pupil of Stanislao Mattei, at a monastery in Ravenna. In 1843 he played the viola in an opera orchestra at Macerata and wrote two overtures, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Randegger
Alberto Randegger (13 April 1832 – 18 December 1911) was an Italian-born composer, conductor and singing teacher, best known for promoting opera and new works of British music in England during the Victorian era and for his widely used textbook on singing technique. His compositions included ballets, masses and other church music, operas and numerous other vocal pieces. He also edited several collections of vocal music. He began his composing and conducting career in Italy, where he knew Giuseppe Verdi, but in 1854 he moved to London, which became his base for the rest of his life. From 1857 he conducted Italian opera at the St. James's Theatre and was professor of singing at the Royal College of Music and the Royal Academy of Music, retaining both posts for the rest of his life. From 1859 to 1870 he was organist at St Paul's Church, Regent's Park. Randegger served as musical director of the Carl Rosa Opera Company from 1879 to 1885, gaining a reputation for high quality produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus Harris
Sir Augustus Henry Glossop Harris (18 March 1852 – 22 June 1896) was a British actor, impresario, and dramatist, a dominant figure in the West End theatre of the 1880s and 1890s. Born into a theatrical family, Harris briefly pursued a commercial career before becoming an actor and subsequently a stage-manager. At the age of 27 he became the lessee of the large Theatre Royal, Drury Lane, where he mounted popular melodramas and annual pantomimes on a grand and spectacular scale. The pantomimes featured leading music hall stars such as Dan Leno, Marie Lloyd, Little Tich and Vesta Tilley. The profits from these productions subsidised his opera seasons, equally lavish, starrily cast and with an innovative repertoire. He presented the first British production of ''Die Meistersinger'' and the first production anywhere outside Germany of ''Tristan und Isolde'', and revitalised the staging of established classics. Harris remained in charge at Drury Lane for the rest of his life, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Orefice
Giacomo Orefice (27 August 1865 – 22 December 1922) was an Italian composer. He was born in Vicenza. He studied under Alessandro Busi and Luigi Mancinelli at the Liceo Musicale di Bologna, and later became professor of composition at the Milan Conservatory. He died in Milan in 1922. His works include: Operas * ''L'oasi'' (1885) * ''Mariska'' (1889) * ''Consuelo'' (1895, after George Sand's novel; the title role was created by Cesira Ferrani, who the following year created Mimí in Puccini's ''La bohème'') * ''Il gladiatore'' (1898) * '' Chopin'' (1901); Orefice's most successful work in which he incorporated music by Frédéric Chopin, arranged as arias and duets; it depicts a rather fanciful interpretation of some events in Chopin's life and the operatic arrangements are not highly regarded (Scott "Record of Singing" Duckworth Press, 1978). Excerpts recorded by the tenors Amadeo Bassi, Enzo Leliva and others c1903 to 1905. At the time also performed in Polish. * ''Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatorio Giovanni Battista Martini
The Conservatorio Giovanni Battista Martini (previously known as the Liceo Musicale di Bologna, and sometimes referred to in English as the Bologna Conservatory) is a college of music in Bologna, Italy. The conservatory opened on 3 December 1804, as the Liceo Musicale di Bologna. It was initially housed in the convent at the Basilica of San Giacomo Maggiore. The first faculty at the school included the composers Stanislao Mattei and Giovanni Callisto Zanotti, and the composer and singer Lorenzo Gibelli. Gioachino Rossini was a pupil at the school beginning in 1806, and was appointed head of the school in 1839. Later directors of the school included Luigi Mancinelli (1881-1886), Giuseppe Martucci (1886-1902), Marco Enrico Bossi (1902-1911), and Cesare Nordio (1925-1945). In 1945, the conservatory became a state conservatory, and it was rebranded as the Conservatorio Giovanni Battista Martini, after musician and composer Giovanni Battista Martini. Directors of the conservatory f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
