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Cristina Altamira
Cristina Altamira (born 2 February 1953 Buenos Aires, Argentina) is a mezzo-soprano specializing in baroque music, baroque and Latin American music. Biography Born into an Argentine family of Spanish descent, Altamira trained in Buenos Aires with her father, Manuel Altamira, a well-known tenor specializing in the genres of tango music, tango and Milonga (music), milonga. She also became conversant with Argentine folk dance and guitar playing, and was a member of various choral organizations and music groups. After a performance tour through Argentina, Peru, Ecuador, Colombia, and Venezuela, she settled in Caracas. Here she founded the vocal-instrumental ensemble ''Alabanza'', taking much interest in the study of Venezuelan folk music, instruments, and vocal techniques. In 1977 she recorded the album ''Gracias'' together with Pedro Inatty and Dieter Lehnhoff, whom she had met in Caracas and who became her husband. After settling in Guatemala, Altamira developed an interest in Renai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Eulalio Samayoa
José Eulalio Samayoa (1781–ca. 1866) was a Guatemalan classical composer. Biography José Eulalio Samayoa was educated within the system of guilds, progressing from apprentice to journeyman before becoming a master. He founded the Philharmonic Society of the Sacred Heart of Jesus, with a series of musical and liturgical celebrations held on July 2, 1813. The same day he was admitted to the Guatemala Cathedral choir, as third tenor, which he regarded as a heavenly grace for having established the Philharmonic Society. In 1842 he wrote the history of this Society, with an extended historical appendix on the development of Music in Guatemala since the earliest days of the Spanish missions, thus becoming the first music historian in Central America and perhaps all of Latin America. Samayoa is one of the first composers in the Americas to attempt the composition of larger instrumental forms that culminates in the symphony. Having been trained in the tradition of Spanish church music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Antonio Castellanos
Rafael Antonio Castellanos (c. 1725–1791) was a Guatemalan classical composer. His style is that of the late Spanish baroque, pre-classical, and classical periods, with frequent reference to Guatemalan folk music idioms. Life From an early age, Castellanos trained as an apprentice under his uncle Manuel José de Quirós, chapelmaster of the cathedral of Santiago de Guatemala. In 1740, the young Rafael signed a composition for voice and basso continuo, on the Latin text of the Second Lamentation of Jeremiah. This piece reflects his mastery of baroque writing and an unusual expressive talent. In 1745 he became a journeyman and was admitted as a member of the cathedral orchestra as first violin, sometimes also playing harp. During the 1750s he produced various of his own compositions for the matins services, along with those of his uncle. When Quirós died in 1765, Castellanos was appointed his successor as chapel master, with the duties of conducting cathedral music during matins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel José De Quirós
Manuel José de Quirós (died 1765) was an 18th-century Guatemalan composer. Life Born in Santiago de Guatemala, present day Antigua Guatemala, towards the end of the 17th century, Quirós had a religious education while pursuing his musical apprenticeship and reaching the level of a journeyman. Having taken Franciscan orders, he was put in charge of the Franciscan press, where he served until 1738, when he was appointed chapel master of the cathedral choir and orchestra. He served in this capacity for 27 years, until his death in 1765. As chapel master, he was in charge of the education of choir boys and apprentices, besides conducting the cathedral liturgical music. Among his pupils, the most outstanding was Rafael Antonio Castellanos. Quirós is the first musician in the New World to receive a critical review. On the occasion of the ceremonies that elevated the Bishopric of Guatemala to the rank of an Archbishopric, Quirós provided liturgical music during the nine days of cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantatas
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancico
The ''villancico'' (Spanish, ) or vilancete (Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Spain and the New World Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter, ABA framework. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washington, D
Washington commonly refers to: * Washington (state), United States * Washington, D.C., the capital of the United States ** A metonym for the federal government of the United States ** Washington metropolitan area, the metropolitan area centered on Washington, D.C. * George Washington (1732–1799), the first president of the United States Washington may also refer to: Places England * Washington, Tyne and Wear, a town in the City of Sunderland metropolitan borough ** Washington Old Hall, ancestral home of the family of George Washington * Washington, West Sussex, a village and civil parish Greenland * Cape Washington, Greenland * Washington Land Philippines *New Washington, Aklan, a municipality *Washington, a barangay in Catarman, Northern Samar *Washington, a barangay in Escalante, Negros Occidental *Washington, a barangay in San Jacinto, Masbate *Washington, a barangay in Surigao City United States * Washington, Wisconsin (other) * Fort Washington (other) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Calderón De La Barca
Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (, ; ; 17 January 160025 May 1681) was a Spanish dramatist, poet, writer and knight of the Order of Santiago. He is known as one of the most distinguished Baroque writers of the Spanish Golden Age, especially for his plays. Calderón de la Barca was born in Madrid, where he spent most of his life. He was born on a boat in the Manzanares river, thus the name "de la Barca" added to his father's last name. During his life, he served as soldier and he was a Roman Catholic priest. Born when the Spanish Golden Age theatre was being defined by Lope de Vega, he developed it further, his work being regarded as the culmination of the Spanish Baroque theatre. As such, he is regarded as one of Spain's foremost dramatists and one of the finest playwrights of world literature. Biography Pedro Calderón de la Barca was born in Madrid on Friday, 17 January 1600, and was baptized in the parish of San Martín. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
