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Villancico
The ''villancico'' (Spanish, ) or vilancete (Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Spain and the New World Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter, ABA framework. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juana Inés De La Cruz
''Doña'' Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz (12 November 1648 – 17 April 1695) was a Mexican writer, philosopher, composer and poet of the Baroque period, and Hieronymite nun. Her contributions to the Spanish Golden Age gained her the nicknames of "The Tenth Muse" or "The Phoenix of America"; historian Stuart Murray calls her a flame that rose from the ashes of "religious authoritarianism".Murray, Stuart (2009). The Library: An Illustrated History. Chicago: Skyhorse Publishing. . Sor Juana lived during Mexico's colonial period, making her a contributor both to early Spanish literature as well as to the broader literature of the Spanish Golden Age. Beginning her studies at a young age, Sor Juana was fluent in Latin and also wrote in Nahuatl, and became known for her philosophy in her teens. Sor Juana educated herself in her own library, which was mostly inherited from her grandfather. After joining a nunnery in 1667, Sor Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Del Encina
Juan del Encina (July 12, 1468 – 1529 or 1530) was a composer, poet, and playwright, often called the founder, along with Gil Vicente, of Spanish drama. His birth name was Juan de Fermoselle. He spelled his name Enzina, but this is not a significant difference; it is two spellings of the same sound, in a time when "correct spelling" as we know it barely existed. Life He was born in 1468 near Salamanca, probably at Encina de San Silvestre, one of at least 7 known children of Juan de Fermoselle, a shoemaker, and his wife. He was of Jewish converso descent. After leaving Salamanca University sometime in 1492 he became a member of the household of Don Fadrique de Toledo, the second Duke of Alba, although some sources believe that he did not work for the Duke of Alba until 1495. A plausible argument is that his first post was as a Corregidor in northern Spain. Fermoselle was a Chaplain at the Salamanca Cathedral in the early 1490s. It was here that he changed his name from Juan de F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Antonio Castellanos
Rafael Antonio Castellanos (c. 1725–1791) was a Guatemalan classical composer. His style is that of the late Spanish baroque, pre-classical, and classical periods, with frequent reference to Guatemalan folk music idioms. Life From an early age, Castellanos trained as an apprentice under his uncle Manuel José de Quirós, chapelmaster of the cathedral of Santiago de Guatemala. In 1740, the young Rafael signed a composition for voice and basso continuo, on the Latin text of the Second Lamentation of Jeremiah. This piece reflects his mastery of baroque writing and an unusual expressive talent. In 1745 he became a journeyman and was admitted as a member of the cathedral orchestra as first violin, sometimes also playing harp. During the 1750s he produced various of his own compositions for the matins services, along with those of his uncle. When Quirós died in 1765, Castellanos was appointed his successor as chapel master, with the duties of conducting cathedral music during matins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Language
Spanish ( or , Castilian) is a Romance languages, Romance language of the Indo-European language family that evolved from colloquial Latin spoken on the Iberian peninsula. Today, it is a world language, global language with more than 500 million native speakers, mainly in the Americas and Spain. Spanish is the official language of List of countries where Spanish is an official language, 20 countries. It is the world's list of languages by number of native speakers, second-most spoken native language after Mandarin Chinese; the world's list of languages by total number of speakers, fourth-most spoken language overall after English language, English, Mandarin Chinese, and Hindustani language, Hindustani (Hindi-Urdu); and the world's most widely spoken Romance languages, Romance language. The largest population of native speakers is in Mexico. Spanish is part of the Iberian Romance languages, Ibero-Romance group of languages, which evolved from several dialects of Vulgar Latin in I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel José De Quirós
Manuel José de Quirós (died 1765) was an 18th-century Guatemalan composer. Life Born in Santiago de Guatemala, present day Antigua Guatemala, towards the end of the 17th century, Quirós had a religious education while pursuing his musical apprenticeship and reaching the level of a journeyman. Having taken Franciscan orders, he was put in charge of the Franciscan press, where he served until 1738, when he was appointed chapel master of the cathedral choir and orchestra. He served in this capacity for 27 years, until his death in 1765. As chapel master, he was in charge of the education of choir boys and apprentices, besides conducting the cathedral liturgical music. Among his pupils, the most outstanding was Rafael Antonio Castellanos. Quirós is the first musician in the New World to receive a critical review. On the occasion of the ceremonies that elevated the Bishopric of Guatemala to the rank of an Archbishopric, Quirós provided liturgical music during the nine days of cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Lehnhoff
Dieter Lehnhoff Temme (born 27 May 1955) is a German-Guatemalan composer, conductor, and musicologist. Life Dieter Lehnhoff Temme was born in Guatemala City, Guatemala to German settlers in 1955. He has been a pupil of Klaus Ager, Gerhard Wimberger, Josef Maria Horváth, and Dr. Friedrich C. Heller in Salzburg. His ''musique concréte'' work Requiem was premiered in 1975 at the Austrian Broadcasting (ORF). He earned his master's (M.A.) and doctoral (Ph.D.) degrees with distinction at the Benjamin T. Rome School of Music of The Catholic University of America in Washington, D.C., where he was a graduate student of Conrad Bernier and Helmut Braunlich (composition), Donald Thulean (conducting), Cyrilla Barr, Ruth Steiner, and Robert M. Stevenson (musicology) Recent works His original compositions have been performed in Europe as well as North and South America. His ''Misa de San Isidro'' (2001) for a cappella chorus was premiered in Tenerife, the Canary Islands, Spain, in 2002, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Petrarca
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saudade
''Saudade'' (, , , ; plural ''saudades'') is an emotional state of melancholic or profoundly nostalgic longing for something that one loves despite it not necessarily being real. It often carries a repressed knowledge that the object of longing may never be had again or attained in one's lifetime. It is the recollection of feelings, experiences, places, or events (often illusive) that once are thought to have somehow brought excitement, pleasure, or well-being, but now trigger the painful sense of separation from the perceived joyous sensations. It derives from the Latin word for solitude. Nascimento and Meandro (2005) cite Duarte Nunes Leão's definition of saudade: "Memory of something with a desire for it." In Brazil, the day of ''Saudade'' is officially celebrated on 30 January. It is not a widely acknowledged day in Portugal. History ''Saudade'' ultimately derives from the Latin ''solitās, solitātem'', meaning "solitude". The word ''saudade'' was used in the Cancion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luís De Camões
Luís Vaz de Camões (; sometimes rendered in English as Camoens or Camoëns, ; c. 1524 or 1525 – 10 June 1580) is considered Portugal's and the Portuguese language's greatest poet. His mastery of verse has been compared to that of Shakespeare, Milton, Vondel, Homer, Virgil and Dante. He wrote a considerable amount of lyrical poetry and drama but is best remembered for his epic work '' Os Lusíadas'' (''The Lusiads''). His collection of poetry ''The Parnasum of Luís de Camões'' was lost during his life. The influence of his masterpiece ''Os Lusíadas'' is so profound that Portuguese is sometimes called the "language of Camões". The day of his death, 10 June OS, is Portugal's national day. Life Origins and youth Much of the information about Luís de Camões' biography raises doubts and, probably, much of what circulates about him is nothing more than the typical folklore that is formed around a famous figure. Only a few dates are documented that guide its trajectory. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantiga
A ''cantiga'' (''cantica'', ''cantar'') is a medieval monophonic song, characteristic of the Galician-Portuguese lyric. Over 400 extant ''cantigas'' come from the ''Cantigas de Santa Maria'', narrative songs about miracles or hymns in praise of the Holy Virgin. There are near 1700 secular ''cantigas'' but music has only survived for a very few: six cantigas de amigo by Martín Codax and seven ''cantigas de amor'' by Denis of Portugal. Cantiga is also the name of a poetic and musical form of the Renaissance, often associated with the villancico and the canción. See also *Cantigas de Santa Maria *Galician-Portuguese lyric *Martin Codax *Pergaminho Sharrer *Pergaminho Vindel References * Rip Cohen. ''500 Cantigas d’Amigo,'' edição crítica/critical edition. Porto: Campo das Letras, 2003. * Giulia Lanciani and Giuseppe Tavani (edd.). ''Dicionário da Literatura Medieval Galega e Portuguesa''. Lisbon: Caminho, 1993. * Manuel Pedro Ferreira. ''O Som de Martin Codax. Sobre a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peru
, image_flag = Flag of Peru.svg , image_coat = Escudo nacional del Perú.svg , other_symbol = Great Seal of the State , other_symbol_type = Seal (emblem), National seal , national_motto = "Firm and Happy for the Union" , national_anthem = "National Anthem of Peru" , march = "March of Flags" , image_map = PER orthographic.svg , map_caption = , image_map2 = , capital = Lima , coordinates = , largest_city = capital , official_languages = Peruvian Spanish, Spanish , languages_type = Co-official languages , languages = , ethnic_groups = , ethnic_groups_year = 2017 , demonym = Peruvians, Peruvian , government_type = Unitary state, Unitary Semi-presidential system, semi-presidential republic , leader_title1 = President of Peru, President ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás De Torrejón Y Velasco
Tomás de Torrejón y Velasco Sánchez (23 December 1644 – 23 April 1728) was a Spanish composer, musician and organist based in Peru, associated with the American Baroque. Life Torrejón y Velasco was born in Villarrobledo and spent his childhood in the town Fuencarral (now a district of Madrid), the birthplace of his father, Miguel de Torrejón, a huntsman in Philip IV of Spain's employ. In 1658, while still in Spain, he entered into the service of Pedro Fernández de Castro y Andrade, Count of Lemos, who later became the viceroy of Peru. In 1667, he traveled to Lima along with the new viceroy, as one of the viceroy's 113 personal attendants. From 21 November 1667 until 1672 he was superintendent of the armoury at Lima. In 1673 he was appointed magistrate and chief justice of Chachapoyas province, a position he held for four years. In 1676 he was appointed '' maestro de capilla'' at the Cathedral of Lima, replacing Juan de Araujo. He remained in that position until his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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