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Coros De Clave
''Coros de clave'' were popular choral groups that emerged at the end of the 19th century in Havana and other Cuban cities. Their style was influenced by the ''orfeones'' which grew popular in northern Spain in the mid-19th century, and their popularization in the island was linked to the emancipation of African slaves in 1886. The common instrumentation of the ''coros'' featured a ''viola'' (a string-less banjo used as a percussion instrument), claves, guitar, harp and jug bass. History Background During the 19th century, the Cuban government only allowed black people, slaves or free, to cultivate their cultural traditions within the boundaries of certain mutual aid societies, which were founded during the 16th century. According to David H. Brown, those societies, called cabildos, "provided in times of sickness and death, held masses for deceased members, collected funds to buy nation-brethren out of slavery, held regular dances and diversions on Sundays and feast days, and spo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havana
Havana (; Spanish: ''La Habana'' ) is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center.Cuba ''''. . The city has a population of 2.3million inhabitants, and it spans a total of – making it the largest city by area, the most populous city, and the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matanzas
Matanzas (Cuban ) is the capital of the Cuban province of Matanzas. Known for its poets, culture, and Afro-Cuban folklore, it is located on the northern shore of the island of Cuba, on the Bay of Matanzas (Spanish ''Bahia de Matanzas''), east of the capital Havana and west of the resort town of Varadero. Matanzas is called the ''City of Bridges'', for the seventeen bridges that cross the three rivers that traverse the city (Rio Yumuri, San Juan, and Canimar). For this reason it was referred to as the "Venice of Cuba." It was also called "La Atenas de Cuba" ("The Athens of Cuba") for its poets. Matanzas is known as the birthplace of the music and dance traditions danzón and rumba. History Matanzas was founded in 1693 as ''San Carlos y San Severino de Matanzas''. This followed a royal decree ("''real cédula''") issued on September 25, 1690, which decreed that the bay and port of Matanzas be settled by 30 families from the Canary Islands. Matanzas was one of the regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sancti Spíritus
Sancti Spíritus () is a municipality and capital city of the province of Sancti Spíritus Province, Sancti Spíritus in central Cuba and one of the oldest Cuban European settlements. Sancti Spíritus is the genitive case of Latin language, Latin ''Sanctus Spiritus'' ("Holy Spirit"). History The city was founded by Diego Velázquez de Cuéllar in 1514. The city contributed men for Hernán Cortés' 1518 expedition to Mexico, including Alonso Hernandez Puertocarrero, Gonzalo de Sandoval, and Juan Velazquez de Leon.Diaz, B., 1963, The Conquest of New Spain, London: Penguin Books, Francisco Iznaga, a Basque people, Basque landowner in the western portion of Cuba during the first thirty years of the colonization of Cuba, was elected mayor of Bayamo in 1540. Iznaga was the originator of a powerful lineage which finally settled in Sancti Spíritus and Trinidad, where Torre Iznaga (Iznaga Tower) is. His descendants fought for the independence of Cuba and for annexation to the U.S., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinidad, Cuba
Trinidad () is a town in the province of Sancti Spíritus, central Cuba. Together with the nearby Valle de los Ingenios, it has been a UNESCO World Heritage site since 1988, because of its historical importance as a center of the sugar trade in the 18th and 19th centuries. Trinidad is one of the best-preserved cities in the Caribbean from the time when the sugar trade was the main industry in the region. History Trinidad was founded on December 23, 1514 by Diego Velázquez de Cuéllar under the name Villa de la Santísima Trinidad. Hernán Cortés recruited men for his expedition from Juan de Grijalva's home in Trinidad, and Sancti Spíritus, at the start of his 1518 expedition. This included Pedro de Alvarado and his five brothers. After ten days, Cortes sailed, the alcayde Francisco Verdugo failing to prevent Cortes from leaving, despite orders from Diego Velázquez.Diaz, B., 1963, The Conquest of New Spain, London: Penguin Books, The Narvaez Expedition landed at Trinida ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josep Anselm Clavé
Josep Anselm Clavé i Camps (April 21, 1824 – February 24, 1874) was a Spanish politician, composer and writer, founder of the choral movement in Catalonia and a promoter of the associative movement. He was the initiator of choral singing in Catalonia. His first experiences in the musical field were marked by the plight of his family. Clavé was forced to earn a living by singing for coffee in taverns accompanied by a guitar, when he was 17 years old. The contact with the workers, gathering in those places, led him to take them out from the taverns and meet them in choral societies. He acquired notions of violin, flute and music theory, which allowed him to compose lyrics and music for songs. In 1845 he organized ''Aurora'', a choral society that would later become ''La Fraternitat'' (The Fraternity), a society of mutual help and the first Iberian chorale. In 1857, Clavé renamed it ''Euterpe''. The Euterpenses societies, spread throughout Catalonia and the Valencian Country wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Sublette
Ned Sublette (born 1951 in Lubbock, Texas) is an American composer, musician, record producer, musicologist, historian, and author. Sublette studied Spanish Classical Guitar with Hector Garcia at the University of New Mexico and with Emilio Pujol in Spain. He studied composition with Kenneth Gaburo at the University of California, San Diego. He grew up in Portales, New Mexico, moved to New York City in 1976, and has worked with John Cage, LaMonte Young, Glenn Branca, and Peter Gordon. Music performance As a performer, Sublette is probably best known for fusing country-western and afro-Caribbean styles including salsa, cumbia and rumba, as reflected on the 1999 album "Cowboy Rumba", as well as his 2012 second album ''Kiss You Down South''. He is also a leading scholar of Cuban music. His label Qbadisc releases Cuban music in the United States and he has released music by Latin musicians including Ritmo Oriental and Issac Delgado and has co-produced Public Radio International' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacio Piñeiro
Ignacio Piñeiro Martínez (May 21, 1888 – March 12, 1969) was a Cuban musician, bandleader and composer whose career started in rumba and flowered in the rise of the son. He was one of the most important composers of son music; in total he wrote about 327 numbers, mostly sones. Piñeiro was a brilliant rumbero who worked with musical groups from 1903 onwards. In 1906, was a member of the Timbre de Oro '' coro de clave y guaguancó'' (a vocal group precursor of contemporary guaguancó), and later directed Los Roncos, another famous ''coro de guaguancó''. He was taught the double bass by María Teresa Vera, and in 1926 he was a member of her band, Sexteto Occidente, which recorded in New York City. In 1927 he founded the Sexteto Nacional de Ignacio Piñeiro, later simply known as Sexteto Nacional, in which he was the director and songwriter. With the addition of a trumpet the band became the Septeto Nacional. For financial reasons, Piñeiro quit the group in 1935; it was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuka (music)
Yuka is a secular Afro-Cuban musical tradition which involves drumming, singing and dancing. It was developed in western Cuba by Kongo slaves during colonial times. Yuka predates other Afro-Cuban genres of dance music like rumba and has survived in Kongo communities of Pinar del Río, specifically in El Guayabo and Barbacoa, San Luis. Since the 1940s, yuka performances have been recorded by researchers such as Harold Courlander and María Teresa Linares.Linares, María Teresa. 1981. Liner notes to ''Antología de la música afrocubana Vol. 5: Tambor yuka'' ecorded in 1978 EGREM: Havana, Cuba. Music Drumming The Bantu word ''yuka'' means "to beat" and is also used to refer to the drums used in yuka performances. According to Fernando Ortiz, yuka drums were known in the Kongo language as ''ngóma bobóla mámbu'', where ''ngóma'' means "drum", ''bobóla'' "deep sound" and ''mámbu'' "collective business". These drums are made from hollowed-out trunks of the avocado tree. Leather i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemiola
In music, hemiola (also hemiolia) is the ratio 3:2. The equivalent Latin term is sesquialtera. In rhythm, ''hemiola'' refers to three beats of equal value in the time normally occupied by two beats. In pitch, ''hemiola'' refers to the interval of a perfect fifth. Etymology The word ''hemiola'' comes from the Greek adjective ἡμιόλιος, ''hemiolios'', meaning "containing one and a half," "half as much again," "in the ratio of one and a half to one (3:2), as in musical sounds." The words "hemiola" and "sesquialtera" both signify the ratio 3:2, and in music were first used to describe relations of pitch. Dividing the string of a monochord in this ratio produces the interval of a perfect fifth. Beginning in the 15th century, both words were also used to describe rhythmic relationships, specifically the substitution (usually through the use of coloration—red notes in place of black ones, or black in place of "white", hollow noteheads) of three Mensural notation#Proportions a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contradanza
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the Country dance, English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an Rhythm in Sub-Saharan Africa, African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo (music), mambo and cha-cha-chá (music), cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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