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Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for temporal organization in Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And I Love Her
"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album '' A Hard Day's Night'' and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. 12 on the ''Billboard'' Hot 100. The Beatles performed "And I Love Her" just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's ''Top Gear'' radio show, which was broadcast two days later. "And I Love Her" has been covered by a variety of artists, including Esther Phillips, Kurt Cobain and Cliff Richard. Composition A majority of the composition shifts back and forth between the key of E and its relative minor C#m. It also changes keys altogether just before the solo, to F. The final chord is a D major. This technique of ending is known as Picardy third resolution. McCartney called "And I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Music
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Percussion
Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums or pitched percussion instruments such as the marimba or the xylophone. Shakers A shaker (percussion) is any instrument that makes a noise when shaken. Historically they were naturally occurring items such as seed pods. A caxixi is a basketwork shaker with a gourd base. Gourds are used all over the world and covered with a net with shells or seeds to create an instrument such as the shekere. Modern shakers are often cylinders made from metal wood or plastic containing small hard items such as seeds, stones, or plastic - an example is the Egg Shaker.There is another category of shaken instrument using jingles, little discs of metal which tap together when shaken. Tambourines fall into this category. Scrapers This can be a wood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son (music)
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapsticks
Clapsticks, also spelt clap sticks and also known as bilma, bimli, clappers, musicstick or just stick, are a traditional Australian Aboriginal instrument. They serve to maintain rhythm in voice chants, often as part of an Aboriginal ceremony. They are a type of drumstick, percussion mallet or claves that belongs to the idiophone category. Unlike drumsticks, which are generally used to strike a drum, clapsticks are intended for striking one stick on another. Origin and nomenclature In northern Australia, clapsticks would traditionally accompany the didgeridoo, and are called bimli or bilma by the Yolngu people of north-east Arnhem Land in the Northern Territory of Australia. Boomerang clapsticks Boomerang clapsticks are similar to regular clapsticks but they can be shaken for a rattling sound or be clapped together. Technique The usual technique employed when using clapsticks is to clap the sticks together to create a rhythm that goes along with the song. See also * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Reich
Stephen Michael Reich ( ; born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions ''It's Gonna Rain'' (1965) and '' Come Out'' (1966), and the use of simple, audible processes, as on ''Pendulum Music'' (1968) and ''Four Organs'' (1970). The 1978 recording ''Music for 18 Musicians'' would help entrench minimalism as a movement. Reich's work took o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Bus (song)
"Magic Bus" is a song recorded by British rock band the Who. It was written by their guitarist Pete Townshend during the time that their debut album ''My Generation'' was being recorded in 1965. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in the United States and Canada, followed by its release in the United Kingdom on 18 September 1968. It has become one of the band's most popular songs and has been a concert staple, although when released, the record only reached number 26 in the UK and number 25 in the United States. The song was included on their 1968 album '' Magic Bus: The Who on Tour''. The arrangement for "Magic Bus" uses a Latin percussion instrument known as claves, which are pairs of small wooden sticks that make a distinctive high pitched clicking noise when struck together. The Who previously used this same instrument on the song " Disguises", which was recorded in 1966. The song makes use of the Bo Diddley beat. Backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Overture
''Cuban Overture'' is a symphonic overture or tone poem for orchestra composed by American composer George Gershwin. Originally titled ''Rumba'' (named for the Cuban rumba musical genre), it was a result of a two-week holiday which Gershwin took in Havana, Cuba in February 1932. Gershwin composed the piece in July and August 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental color and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Its main theme was influenced by a then current hit by Ignacio Piñeiro, "Échale Salsita". Other songs referenced by the piece's themes and phrases include the traditional folk song La Paloma. The overture is in ternary form. Première The work under the title ''Rumba'' received its première at New York's now-demolished Lewisohn Stadium on 16 August 1932, as part of an all-Gershwin programme held by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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