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Collections (The Young Rascals Album)
''Collections'' is the second album by rock band The Young Rascals. The album was released on January 9, 1967 and rose to #15 on the Billboard Top LPs chart, and #8 in Canada. History ''Collections'' was the Rascals' first album to showcase their songwriting talent, with six of the album's songs written by band members. On its original release, the song "Turn On Your Love Light" was incorrectly titled "Love Lights," and credited to The Sonics' bandleader Gerald (Gerry) Roslie, who had written a song called "Love Lights" for that band. Upon its release as a single, " I've Been Lonely Too Long" was credited to Cavaliere/Brigati, rather than to Felix Cavaliere alone. The album featured two Top 20 U.S. hits: "I've Been Lonely Too Long" reached #16 on the ''Billboard'' Hot 100, while "Love Is a Beautiful Thing" (released as a double A-side with non-album single "You Better Run") preceded it at #20. Reception In his review for Allmusic, music critic Bruce Eder wrote the "garage roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
More (Theme From Mondo Cane)
"Ti Guarderò Nel Cuore" ("I will look into your heart"), later released under the international title "More", is a pop song adapted from a film score written by Riz Ortolani and Nino Oliviero for the 1962 Italian documentary film ''Mondo Cane''. Ortolani and Oliviero originally composed the melody as an orchestral arrangement that served as the film's theme music. Italian lyrics were provided by Marcello Ciorciolini, which were adapted into English by Norman Newell. It has since become a pop standard. The film ''Mondo Cane'' is a documentary, and uses a variety of music to accompany various segments. Some melodies are used repeatedly, in different styles, each named for the part of the movie where the music is used. Of the 15 music tracks on the soundtrack album, one melody is presented 6 times, another melody 2 times. The melody which became known as "More" is presented 4 times, named "Life Savers Girls", "The Last Flight/L'Ultimo Volo", "Models In Blue/Modelle in Blu", "Repabha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Whitfield
Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter and producer, who worked with Berry Gordy's Motown labels during the 1960s.allmusic Biography/ref> He has been credited as one of the creators of the Motown Sound and of the late-1960s subgenre of psychedelic soul. During his 25-year career, Whitfield co-wrote and produced many enduring hits for Motown artists, including "Ain't Too Proud to Beg",Ain't Too Proud to Beg - The Temptations , AllMusic - Song Review by Ed Hogan "", " |
Too Many Fish In The Sea
"Too Many Fish in the Sea" is a 1964 hit song recorded by Motown singing group The Marvelettes. It was the group's first top 40 pop hit in almost a year, reaching #25 on the ''Billboard'' Hot 100, and was one of the first hit singles written by Norman Whitfield; Eddie Holland also had a hand in the writing. "Too Many Fish..." was also Whitfield's first produced single. Background This record is the only one where group members Georgeanna Tillman and Katherine Anderson had a lead on the A-side. This is also the final A-side appearance for Tillman, who would leave the group, due to her illnesses, in very early 1965, before they recorded their next single, "I'll Keep Holding On". This would also be the last single in which Gladys Horton would lead on the A-side, as Wanda Young Rogers (who also led on this and the two previous singles) would be the group's sole lead on A-sides, relegating Horton to B-side leads. Norman Whitfield would later use similar vocal techniques with The Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Scott (musician)
Joseph Wade Scott (December 2, 1924 – March 6, 1979) was an American R&B trumpeter, bandleader, songwriter, arranger, record producer and A&R man, best known for his work at Duke and Peacock Records in the 1950s and 1960s, notably with Bobby "Blue" Bland. Biography Born in Texarkana, Texas, United States, he settled in Houston, Texas, by about 1950, becoming established as the principal bandleader, A&R man and arranger at Don Robey's Duke and Peacock Records. He wrote and arranged songs for Johnny Ace, Big Mama Thornton, Bobby Bland, and Junior Parker, as well as leading their touring bands. Among the songs that Scott wrote – although in most cases Robey claimed a co-writing credit with him, or in some cases sole credit – were Bobby Bland's "Lead Me On", "Turn On Your Love Light" and "Ain't Nothing You Can Do"; Larry Davis' " Texas Flood"; Johnny Ace's "Never Let Me Go"; and Junior Parker's "Annie Get Your Yo-Yo". Scott's arrangements featured extensive use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadric Malone
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However in many cases, he was merely a publisher and was not involved in the writing. Many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn On Your Love Light
"Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was both an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire. Composition and recording "Turn On Your Love Light" was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante" with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top". Backing Bland are probably Joe Scott and Melvin Jackson on trumpets, Pluma Davis on trombone, Johnny Board and Jimmy Beck on saxophones, Rayfield Davers on baritone saxophone, Teddy Reynolds on piano, Wayne Bennett on guitar, Hamp Simmons on bass, and John "Jabo" Starks on drums. Charts and recognition "Turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Holland
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like "Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamont Dozier
Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Dozier was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Along with Brian Holland, Dozier served as the team's musical arranger and producer, while Eddie Holland concentrated mainly on lyrics and vocal production. Along with the Holland Brothers, Dozier followed his work for Motown Records as founder and owner of Invictus Records and Hot Wax Records, producing top-charting hits for acts Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Early years Dozier recorded a few unsuccessful records for various Detroit labels before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mickey's Monkey (song)
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was unusual, as most Miracles songs were composed by the group members themselves. Overview Described by Miracles lead singer Smokey Robinson as "One of our biggest records ever in life", "Mickey's Monkey" was a ''Billboard'' Top 10 Pop smash, reaching #8 on that chart, and a Top 10 R&B hit as well, reaching #3. One of the group's most powerful singles, it was also the Miracles' third million-selling record in as many years, after "Shop Around" (1961) and "You've Really Got A Hold On Me" (1962). A comical story about "A cat named Mickey from out of town" (William "Mickey" Stevenson) who "spread his ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
