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Classic 100 Original (ABC)
During 2001 and 2002, the Australian radio station ABC Classic FM held a Classic 100 countdown. Voting for the countdown was held in 2001, with votes cast by listeners to the station. The broadcasting of the results of the countdown began on 12 December 2001 and concluded on 19 January 2002. Survey summary The results of the countdown are as follows: By composer The following 45 composers were featured in the countdown: See also *Classic 100 Countdowns References External links * {{DEFAULTSORT:Classic 100 Original (Abc) Classic 100 Countdowns (ABC) 2001 in Australian music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC Classic FM
ABC Classic, formerly ABC-FM (also ABC Fine Music), and then ABC Classic FM, is an Australian classical music radio station available in Australia and internationally. Its website features classical music news, features and listening guides. It is operated by the Australian Broadcasting Corporation (ABC). History ABC Classic was established in 1976 as "ABC-FM", and later for a short time was known as "ABC Fine Music" (a play on the letters FM). It became known as ABC Classic FM in 1994, before adopting its current name in January 2019. It was the ABC's first experiment in FM broadcasting – which had become a necessity in Australia as broadcasters ran out of AM frequencies on which to transmit. This was before most commercial stations had started using FM, and the ABC was first to use satellite transmissions. The creation of ABC Classic FM was inspired partly by the example of BBC Radio 3, and its focus was on fine music and the arts. ABC Classic FM's studios were establis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmina Burana (Orff)
' is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection '' Carmina Burana''. Its full Latin title is ' ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images"). It was first performed by the Oper Frankfurt on 8 June 1937. It is part of '' Trionfi'', a musical triptych that also includes ''Catulli Carmina'' and ''Trionfo di Afrodite''. The first and last sections of the piece are called "" ("Fortune, Empress of the World") and start with "O Fortuna". Text In 1934, Orff encountered the 1847 edition of the '' Carmina Burana'' by Johann Andreas Schmeller, the original text dating mostly from the 11th or 12th century, including some from the 13th century. was a young law student and an enthusiast of Latin and Greek; he assisted Orff in the selection and organization of 24 of these poems into a libretto mostly in secular Latin verse, with a small amount of Middle High German a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto (Grieg)
The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works and is among the most popular of the genre. Structure The concerto is in three movements: Performance time of the whole concerto is usually about 30 minutes. Instrumentation Grieg scored the concerto for solo piano, 2 flutes, 2 oboes, 2 clarinets (in A and B), 2 bassoons, 2 horns in E and E, 2 trumpets in C and B, 2 trombones, tuba, timpani and strings (violins, violas, cellos and double basses). He later added 2 horns and changed the tuba to a third trombone. History and influences The work is among Grieg's earliest important works, written by the 24-year-old composer in 1868 in Søllerød, Denmark, during one of his visits there to benefit from the climate. The concerto is often compared to the Piano Concerto of Robert Schumann: it is in the same key; the opening descending flourish on the piano is similar; the overall st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio, Op
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita For Violin No
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite. Johann Sebastian Bach wrote two sets of partitas for different instruments. Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the ''Overture in the French Style'' (often simply called ''French Overture'') is sometimes also considered a partita. See ''Partitas'' for keyboard (825–830) and choral partitas for organ. The "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhapsody In Blue
''Rhapsody in Blue'' is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring. The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established Gershwin's reputation as an eminent composer, and eventually became one of the most popular of all concert works. The ''American Heritage'' magazine posits that the famous opening clarinet glissando has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impromptus (Schubert)
Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the publisher to Franz Liszt). The third and fourth pieces in the first set were published in 1857 (although the third piece was printed by the publisher in G major, instead of G as Schubert had written it, and remained available only in this key for many years). The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre. Three other unnamed piano compositions (D. 946), written in May 1828, a few months before the composer's death, are known as both "Impromptus" and ''Klavierstücke'' ("piano pieces"). The Impromptus are often considered companion piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Mio Babbino Caro
"" ("Oh my dear Papa”) is a soprano aria from the opera ''Gianni Schicchi'' (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. The aria was first performed at the premiere of ''Gianni Schicchi'' on 14 December 1918 at the Metropolitan Opera in New York by the popular Edwardian English soprano Florence Easton. It has been sung by many sopranos. Dame Joan Hammond won a Gold Record in 1969 for 1 million sold copies of this aria. The aria is frequently performed in concerts and as an encore in recitals by many popular and crossover singers. Music The sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata And Fugue In D Minor, BWV 565
The Toccata and Fugue in D minor, Bach-Werke-Verzeichnis, BWV 565, is a piece of organ repertoire, organ music written, according to its oldest extant sources, by Johann Sebastian Bach (1685–1750). The piece opens with a toccata section, followed by a fugue that ends in a coda (music), coda. Scholars differ as to when it was composed. It could have been as early as . Alternatively, a date as late as the 1750s has been suggested. To a large extent, the piece conforms to the characteristics deemed typical of the north German organ school of the baroque music, Baroque era with divergent stylistic influences, such as south German characteristics. Despite a profusion of educated guesswork, there is not much that can be said with certainty about the first century of the composition's existence other than that it survived that period in a manuscript written by Johannes Ringk. The first publication of the piece, in the Bach Revival era, was in 1833, through the efforts of Felix Mendelss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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