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Partita For Violin No
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite. Johann Sebastian Bach wrote two sets of partitas for different instruments. Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the ''Overture in the French Style'' (often simply called ''French Overture'') is sometimes also considered a partita. See ''Partitas'' for keyboard (825–830) and choral partitas for organ. The "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Paul Von Westhoff
Johann Paul von Westhoff (1656 – buried 17 April 1705) was a German Baroque composer and violinist. One of the most important exponents of the Dresden violin school, he was among the highest ranked violinists of his day, and composed some of the earliest known music for solo violin. He worked as musician and composer as a member of Dresden's Hofkapelle (1674–1697) and at the Weimar court (1699–1705), and was also active as a teacher of contemporary languages. Westhoff's surviving music comprises seven works for violin and basso continuo and seven for solo violin, all published during his lifetime. More works, particularly a 1682 collection of solo violin music, are currently considered lost. His work, together with that of Heinrich Ignaz Franz Biber and Johann Jakob Walther, greatly influenced the subsequent generation of German violinists, and the six partitas for solo violin inspired Johann Sebastian Bach's famous violin sonatas and partitas. Life The composer was born i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Hough
Sir Stephen Andrew Gill Hough (; born 22 November 1961) is a British-born classical pianist, composer and writer. He became an Australian citizen in 2005 and thus has dual nationality (his father was born in Australia in 1926). Biography Hough was born in Heswall (then in Cheshire) on the Wirral Peninsula, and grew up in Thelwall, where he began piano lessons at the age of five. His father, who was born in Australia, worked as a technical representative for British Steel before his death at the age of 54. At an early age, Hough was able to memorise about 100 nursery rhymes and, after much pleading, his parents agreed to buy a second-hand piano, for £5 from a local antique shop, for the home. At the age of 12 he suffered what he has described as a "mini-nervous breakdown", triggered by a mugging incident, which resulted in him taking almost a year off school. He studied at Chetham's School of Music, which he later described as "not a wonderful place while I was there", and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita (Penderecki)
The Partita for Harpsichord and Orchestra, sometimes also referred to as Partita for Harpsichord, Electric Guitar, Bass Guitar, Harp, Double Bass, and Chamber Orchestra or ''Harpsichord Concerto'', is a composition by Polish composer Krzysztof Penderecki. It was finished in 1971 and is Penderecki's only major composition for a harpsichord soloist. Composition Penderecki's ''Partita'' was commissioned by the Eastman School of Music in Rochester, New York to commemorate the institution's 50th anniversary. The work was finished in 1971 and had its first hearing in Rochester on February 7, 1972, with Felicja Blumenthal playing the harpsichord and Walter Hendl conducting the Eastman School of Music Philharmonia. It was initially conceived as a Partita for Harpsichord; however, the electric guitar, the bass guitar, the harp and a double bass had a quite significant role in the work. Accordingly, when Penderecki revised the composition in 1991 and premiered the revised version on Januar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best known works include ''Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', ''Polish Requiem'', ''Anaklasis'' and ''Utrenja''. Penderecki's ''oeuvre'' includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works''.'' Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the Academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, ''The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became a pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita For Orchestra
William Walton's ''Partita for Orchestra'' is a three-movement work for large orchestra, composed for, dedicated to and first performed by the Cleveland Orchestra and its conductor George Szell. The work was composed in 1957 and premiered on 30 January 1958. Background and first performances In the 1940s Walton had been among the composers from whom the Chicago Symphony Orchestra had commissioned a work to mark its fiftieth anniversary; his contribution was the ''Scapino'' comedy overture. Towards the end of 1955 the Cleveland Orchestra invited him, and nine other composers, to write a piece for its fortieth anniversary season in 1958. Before starting work on the piece he had to complete two other commissioned works, and he was further delayed by injuries in a car crash in early 1957, but he finally began the Cleveland work in April of that year and completed it in October. Walton decided on a quasi-symphonic form, in three movements. As the work was to be extrovert and not over- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata ''Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and '' Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita (Dallapiccola)
The Partita for orchestra with a solo soprano () by the Italian composer Luigi Dallapiccola was composed between 1930 and 1932. ''Partita'' is the work with which Dallapiccola first came to international recognition. Written in memory of the Italian pianist , it is scored in four movements for orchestra, with a soprano solo in the final movement. In a manner analogous to the finale of Mahler's Fourth Symphony, the setting is a childlike medieval Latin lullaby. The work was premiered at the Teatro Comunale, Florence, on 22 January 1933 by the theatre orchestra under Vittorio Gui, with as soloist. Movements #Passacaglia. Molto solenne #Burlesca. Presto ma non troppo – Pochissimo meno – Un poco più mosso – Moderato – Tempo del principio – Tumultoso #Recitativo e Fanfara. Violento – Calmo – Un poco mosso, ma sempre calmo – Molto più lento, trascinato – Ancora movendo – Molto mosso – Animato – Violento #Naenia B.M.V. ("Lullaby of the Blessed Virgin Mary"), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Dallapiccola
Luigi Dallapiccola (February 3, 1904 – February 19, 1975) was an Italian composer known for his lyrical twelve-tone compositions. Biography Dallapiccola was born in Pisino d'Istria (at the time part of Austria-Hungary, current Pazin, Croatia), to Italian parents. Unlike many composers born into highly musical environments, his early musical career was irregular at best. Political disputes over his birthplace of Istria, then part of the Austro-Hungarian empire, led to instability and frequent moves. His father was headmaster of an Italian-language school – the only one in the city – which was shut down at the start of World War I. The family, considered politically subversive, was placed in internment at Graz, Austria, where the budding composer did not even have access to a piano, though he did attend performances at the local opera house, which cemented his desire to pursue composition as a career. Once back in his hometown Pisino after the war, he travelled f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita In A Minor For Solo Flute (Bach)
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. The title, however, is the work of 20th-century editors. The title in the only surviving 18th-century manuscript is "Solo p ur uneflûte traversière par J. S. Bach". History The discoverer of the sole surviving manuscript, Karl Straube, believed it to be an autograph and this view was accepted by Alfred Einstein. However, more recently it has been shown that it was made by two copyists. Although their names are unknown, one appears to be identical with the principal scribe of another manuscript, P 267 (containing the violin sonatas and partitas, BWV 1001–1006), which places this part of the copy of the Partita in the first half of the 1720s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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