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Chitralekha (deity)
Chitralekha () is a friend of Uṣā, and the daughter of a minister of Banasura, who ruled from his capital of Śoṇitapura. She employs her magical powers to unite Uṣā with her lover, Aniruddha. Legend The daughter of Banasura, Uṣā, once dreamt of Aniruddha, the grandson of Krishna. Uṣā fell in love with the youth, despite not knowing his identity. The following morning, after hearing her friend's tale and observing her gloom, Chitralekha made portraits of many known charming princes, but Uṣā was unable to identify them as the youth of her dream. She then drew a portrait of Aniruddha, much to Uṣā's delight. Using her illusory powers, Chitralekha sought the protection of Narada, and then travelled by air to Dvārakā Dvārakā, also known as ''Dvāravatī'' (Sanskrit द्वारका "the gated ity, possibly meaning having many gates, or alternatively having one or several very grand gates), is a sacred historic city in the sacred literature o ...
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Bhagavata Purana
The ''Bhagavata Purana'' ( sa, भागवतपुराण; ), also known as the ''Srimad Bhagavatam'', ''Srimad Bhagavata Mahapurana'' or simply ''Bhagavata'', is one of Hinduism's eighteen great Puranas (''Mahapuranas''). Composed in Sanskrit by Veda Vyasa, it promotes ''bhakti'' (devotion) towards Krishna, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent ''Deva (Hinduism), devas'' (deities) and evil ''asuras'' (demons) and now rule the universe. Truth re-emerges as Krishna, (called "Hari#Usage in Indian religion and mythology, Hari" and "Vāsudeva" in the ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Harivamsa
The ''Harivamsa'' ( , literally "the genealogy of Hari") is an important work of Sanskrit literature, containing 16,374 shlokas, mostly in the '' anustubh'' metre. The text is also known as the ''Harivamsa Purana.'' This text is believed to be a ''khila'' (appendix or supplement) to the MahabharataThe Mahabharata in Sanskrit: Book I: Chapter 2
in sacred-texts.com website
and is traditionally ascribed to . The most celebrated commentary of the ''Mahabharata'' by , the ''Bharata Bhava Deepa'' also covers the ''Ha ...
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Brahmavaivarta Purana
The ''Brahmavaivarta Purana'' ( sa, ब्रह्मवैवर्त पुराण; ) is a voluminous Sanskrit text and a major Purana (''Maha-purana'') of Hinduism. It is an important Vaishnavism text. This Purana majorly centers around the Hindu deities Radha and Krishna. Although a version may have existed in late 1st millennium CE, its extant version was likely composed in the Bengal region of Indian subcontinent. Later, it was likely revised somewhere in South India. Numerous versions of this Purana exist and are claimed to be the part of manuscripts of the ''Brahmavaivarta Purana'' or the ''Brahmakaivarta Purana''. The text is notable for identifying Krishna as the supreme reality and asserting that all gods such as Vishnu, Shiva, Brahma, Ganesha are one and the same and in fact, all are the incarnations of Krishna. Goddesses like Radha, Durga, Lakshmi, Saraswati and Savitri are asserted to be equivalent and are mentioned as the incarnations of Prakruti in this ...
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Uṣā
Usha (Sanskrit: उषा, IAST: Uṣā) is a character in Hindu mythology. She is the daughter of the asura king Banasura and the wife of Aniruddha, the grandson of Krishna. Her story of falling in love with Aniruddha and wedding him is described in the Bhagavata Purana. Legend One day, Usha saw a young man in her dream, made love to him, and fell in love with him. Chitralekha, a friend of Usha a talented artist, helped Usha to identify the young man seen in her dream by sketching various portraits of the Vrishnis. Usha realised that she had dreamt of Aniruddha, the grandson of Krishna. Chitralekha, through her yogic powers, shrunk Aniruddha to the size of a doll, abducted him from the palace of Krishna and brought him to Shonitapura. Usha worshipped her lover and furnished him with priceless garments, garlands, fragrances, lamps, and with beverages, dishes, and words. Breaking her vow of chastity with him, she kept him hidden in her maiden quarters, and the lovers lost ...
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Banasura
Bana, also referred to as Banasura (), is an asura king in Hindu mythology, ruling from the city of Śoṇitapura. He is described to be the son of Mahabali. His tale of battling Krishna is described in the Bhagavata Purana. Legend A mighty asura, Bana once ruled over a large kingdom, Śoṇitapura. His influence was so strong and fierce that all the kings – and even some of the devas – shuddered in front of him. Banasura used to worship a rasalingam given to him by Vishvakarman, on instruction from Vishnu. As an ardent devotee of Shiva, he used his thousand arms to play the mridangam when Shiva was performing the tandavam dance. When Shiva offered Banasura a boon, the latter requested Shiva to be his city's guardian: therefore, Banasura became invincible. As time passed, he became even more cruel and arrogant. One day, Usha saw a young man in her dream, made love to him, and fell in love with him. Chitralekha, a friend of Usha a talented artist, helped Usha to identif ...
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Aniruddha
Aniruddha ( sa, अनिरुद्ध ') is a character in Hindu mythology, the son of Pradyumna and Rukmavati, and the grandson of Krishna and Rukmini. He is said to have been very much like his grandfather, to the extent that he is considered by some to be a ''Jana avatar'', an avatar of Vishnu. He is a member of the chatur-vyuha, the four Vrishni heroes. Early life Anirudha was born to Pradyumna and Rukmavati. He was the grandson of Krishna and Rukmini. His mother Rukmavati was the daughter of Rukmi, the king of Vidarbha. He was also one of the few Maharathis (incredibly strong warriors) of his dynasty. His early life and marriage to his first wife, Rochana, are described in the Bhagavata Purana, Canto 10, Chapter 61. Marriages Marriage to Rochana Aniruddha's marriage to Rochana is described in the 61st Chapter of the 10th Canto of the Bhagavata Purana. At the behest of his sister Rukmini, Rukmi requested Krishna to have Aniruddha marry Rochana, after the wedd ...
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Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ...
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Dvārakā
Dvārakā, also known as ''Dvāravatī'' (Sanskrit द्वारका "the gated ity, possibly meaning having many gates, or alternatively having one or several very grand gates), is a sacred historic city in the sacred literature of Hinduism, Jainism,See Jerome H. Bauer "Hero of Wonders, Hero in Deeds"Vasudeva Krishna in Jaina Cosmohistory in and Buddhism. It is also alternatively spelled as Dvarika. The name Dvaraka is said to have been given to the place by Krishna, a major deity in Hinduism. Dvaraka is one of the Sapta Puri (seven sacred cities) of Hinduism. In the ''Mahabharata'', it was a city located in what is now Dwarka, formerly called Kushasthali, the fort of which had to be repaired by the Yadavas. In this epic, the city is described as a capital of the Anarta Kingdom. According to the ''Harivamsa'' the city was located in the region of the Sindhu Kingdom. In the Hindu epics and the Puranas, Dvaraka is called Dvaravati and is one of seven Tirtha (pilgrima ...
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Asura
Asuras (Sanskrit: असुर) are a class of beings in Indian religions, Indic religions. They are described as power-seeking clans related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is sometimes translated "Titan (mythology), titan", "demigod", or "antigod". According to Hindu texts, Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are call ...
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