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Chinese Auspicious Ornaments In Textile And Clothing
Chinese auspicious ornaments in textile and clothing refers to any form of Chinese auspicious ornaments, which are used to decorate various forms of Chinese textile and clothing (including and ), fashion accessories, and footwear in China since the ancient times. Chinese auspicious ornaments form part of Chinese culture and hold symbolic meanings. In ancient China, auspicious ornaments were often either embroidered or woven into textile and clothing. They are also used on religious and ritual clothing (e.g. which is Taoist clothing and Chinese Buddhist clothing) and in , Chinese opera costumes. Auspicious symbols and motifs continue to be used in present day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. Some of these Chinese auspicious ornaments were also culturally appropriated by European countries during the era of Chinoiserie, where they became decorative patterns on fashionable chinoiserie fashi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Chinese Symbols, Designs, And Art Motifs
A list of Chinese symbols, designs, and art motifs, including decorative ornaments, patterns, auspicious symbols, and iconography elements, used in Chinese visual arts, sorted in different theme categories. Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds. Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, and can even convey the desires or wishes of the Chinese people to experience the good things in life. There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sachet
A sachet is a small scented cloth bag filled with herbs, potpourri, or aromatic ingredients.Oster, p. 54 A sachet is also a small porous bag or packet containing a material intended to interact with its atmosphere; for example, desiccants are usually packed in sachets which are then placed in larger packages. A sachet can be defined as a small soft bag containing perfumed or sweet-smelling items also referred to as an ''ascent bag,'' ''scent bag'', ''sweet bag'', ''sachet bag'', ''sachet de senteurs'', ''spiced sachet'', ''potpourri sachet'', ''scented sachet'', ''perfume cushion'', ''smelling cushion'', ''scented cushion'', ''fragrant bag'', ''pomander'' or ''dream pillow''. Cultural history During the Chinese |
Ruqun
(;) is a set of attire in which consists of a short jacket typically called () worn under a long Chinese skirt called (). However, when use as a general term, can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or (), in which ' () means the "upper garment" and the ' () means the "lower garment". In a broad sense, can include the () and (; ) in its definition. As a set of attire, the was worn by both men and women; it was however primarily worn by women. It is the traditional for the Han Chinese women. The and/or is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. Various forms and style of Chinese trousers, referred broadly under the generic term , can also be worn under the . Terminology The generic term () can be applied to any style of clothing consisted of a pair of upper and lower garments. The term is composed of the Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiuhefu
() is a two-piece garment set of attire which was designed to look like a style of traditional Chinese wedding dress and follows the traditional Chinese clothing system. The is a modern recreation version of the Qing dynasty wedding , a form of , which was worn by the Han Chinese women, composed of a as lower garment and an as an upper garment. It was developed in modern China and became popular in 2001 when it was popularized by when Zhou Xun, the actress who played the role of Xiu He, in the Chinese television drama 《》(), thus gaining its contemporary name from name of the television drama character. It is often confused with another traditional Chinese wedding dress known as due to their similarities in appearance. Origins The direct precursor of the originated from the Qing dynasty-style wedding which was worn by the Han Chinese women, composed of a ' (a specific type of ) as lower garment and an ' as an upper garment. In 2001, the prototype of the modern was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qungua
(), also known as (), or (), or (), is one type of two-piece ceremonial traditional Chinese wedding set of attire, which is composed of a jacket called () and of a long Chinese skirt called (). The ' is a type of Hanfu worn by Han Chinese brides and originated in the 18th century during the Qing dynasty. It eventually became the traditional wedding attire of Cantonese brides in the Guangdong regions. It is traditionally handmade and is decorated with dragons and phoenixes embroideries. Nowadays, the ' is still popular as a wedding dress in China, including in Hong kong and Macau. Origins and tradition Back in Ming dynasty, the women wedding dress worn by nobles and commoners was known as ' () composed of the ' and '. The wedding dress worn in Ming dynasty continued to influence the wedding dress of the later centuries. What is known as ' only started to be worn in the 18th century during the Qing dynasty. The 'originated in Guangdong when Liang Zhu'','' a Guangdong Qing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mangfu
(), also known as (), (), and , sometimes referred as dragon robe although they are different garments, in English, is a type of , a robe, in . The falls under the broad category of (), where the is considered as being the classic form of . The was characterized by the use of a python embroidery called () although the python embroidery is not a Python (genus), python snake as defined in the English dictionary but a four-clawed Chinese dragon-like creature. The was derived from the ' () in order to differentiate monarchs and subjects; i.e. only the Emperor is allowed to wear the , five-clawed dragon, while his subjects wears '. The ' was worn in the Ming dynasty, Ming and Qing dynasty, Qing dynasties. They had special status among the Chinese court clothing as they were only second to the '. Moreover, their use were restricted, and they were part of a special category of clothing known as ' (), which could only be awarded by the Chinese Emperor (or by the Empress Dowager on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragon Robe
A dragon is a reptilian legendary creature that appears in the folklore of many cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of feline, reptilian and avian features. Scholars believe huge extinct or migrating crocodiles bear the closest resemblance, especially when encountered in forested or swampy areas, and are most likely the template of modern Oriental dragon imagery. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French ''dragon'', which in turn comes from la, draconem (nominative ) meaning "huge serpent, dragon", from Ancient Greek , (genitive , ) "serpent, giant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuanlingshan
Yuanlingshan () is a form of round-collared upper garment (called ) in ; it is also referred as () or () when used as a robe (called ). The and were both developed under the influence of from the Donghu people in the early Han dynasty and later on by the (including the Xianbei people) in the Six dynasties period. The is a formal attire usually worn by men, though it was also fashionable for women to wear it in some dynasties, such as in the Tang dynasty. In the Tang dynasty, the could also transform into the . There are also specific forms of and which are named based on its decorations and construction; for example, the (), also called () for short, , (), (), and (). Terminology The term is literally translated as "round collar shirt", being composed of the Chinese characters (), which literally translates to round collar and (), literally translated as "shirt". The term is literally translated as "round collar robe (or gown)", being composed of the Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mianfu
Mianfu () is a kind of Chinese clothing in hanfu; it was worn by emperors, kings, and princes, and in some instances by the nobles in historical China from the Shang to the Ming dynasty. The mianfu is the highest level of formal dress worn by Chinese monarchs and the ruling families in special ceremonial events such as coronation, morning audience, ancestral rites, worship, new year's audience and other ceremonial activities. There were various forms of mianfu, and the mianfu also had its own system of attire called the mianfu system which was developed back in the Western Zhou dynasty. The mianfu was used by every dynasty from Zhou dynasty onward until the collapse of the Ming dynasty. The Twelve Ornaments were used on the traditional imperial robes in China, including on the mianfu. These Twelve Ornaments were later adopted in clothing of other ethnic groups; for examples, the Khitan and the Jurchen rulers adopted the Twelve ornaments in 946 AD and in 1140 AD respectively. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fengguan
(), also known as phoenix coronet or phoenix hat, is a type of (a type of Chinese traditional headgear) for women in . It was worn mainly by noblewomen for ceremonies or official occasions. It is also traditional headgear for brides and could be worn in set of Traditional Chinese wedding dress attire, such as the '. Terminology ' literally means "phoenix crown" in English language, a name that originates from its adornments: phoenixes made of inlaid kingfisher feathers, as well as gold dragons, beaded pheasants, pearls, and other gemstones. One of the earliest phoenix crowns that has been excavated belonged to Empress Xiao of the Sui dynasty. The type became most popular during the Ming dynasty, with many changes made over time. History ' evolved from ' (), the Chinese hairpin worn by empresses and emperor's concubines. The wearing of ' was issued by Emperor Qin Shihuang (259BC–210BC). It was in Eastern Jin (317–420 AD) that the word ' first came up; however, it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diyi
(; ), also called known as () and (), is the historical Chinese attire worn by the empresses of the Song dynasty and by the empresses and crown princesses (wife of crown prince) in the Ming Dynasty. The also had different names based on its colour, such as , , and . It is a formal wear meant only for ceremonial purposes. It is a form of (), and is embroidered with long-tail pheasants ( or ) and circular flowers (). It is worn with known as () which is typically characterized by the absence of dangling string of pearls by the sides. It was first recorded as in the Zhou dynasty. Terminology and forms The has been worn by empresses and other royal noblewomen (differs according to different dynasties) since the Zhou dynasty.历代皇后最典型的翟衣 , XICI.net, Retrieved 2009-12-08 Since the Zhou dynasty, the cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin Square
A mandarin square ( zh, t=補子, s=补子, hp=bŭzi, w=putzŭ; mnc, m=, v=sabirgi; vi, Bổ tử; Chữ Nho: 補子; ko, 흉배/胸背, hyungbae), also known as a rank badge, was a large embroidered badge sewn onto the surcoat of officials in Imperial China (decorating and ), Korea (decorating the of the Joseon dynasty), in Vietnam, and the Ryukyu Kingdom. It was embroidered with detailed, colourful animal or bird insignia indicating the rank of the official wearing it. Despite its name, the mandarin square () falls into two categories: round and square . Clothing decorated with is known as () in China. In the 21st century, the use of on was revived following the Hanfu movement. China The history of the square-shaped is unclear. However, in the Song dynasty ''Encyclopaedia Shi Lin Guang Ji''《》, there are pictures showing officials wearing clothing with squares on the back, decorated with birds. By the Yuan dynasty, the square-shaped was already worn as clot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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