Xiuhefu
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Xiuhefu
() is a two-piece garment set of attire which was designed to look like a style of traditional Chinese wedding dress and follows the traditional Chinese clothing system. The is a modern recreation version of the Qing dynasty wedding , a form of , which was worn by the Han Chinese women, composed of a as lower garment and an as an upper garment. It was developed in modern China and became popular in 2001 when it was popularized by when Zhou Xun, the actress who played the role of Xiu He, in the Chinese television drama 《》(), thus gaining its contemporary name from name of the television drama character. It is often confused with another traditional Chinese wedding dress known as due to their similarities in appearance. Origins The direct precursor of the originated from the Qing dynasty-style wedding which was worn by the Han Chinese women, composed of a ' (a specific type of ) as lower garment and an ' as an upper garment. In 2001, the prototype of the modern was ...
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Mamianqun
Mamianqun (), also known as (), sometimes simply referred as 'apron' (), a generic term in English to refer to any Chinese-style skirt, or 'paired apron' in English although they are not aprons as defined in the dictionary, is a type of (), a traditional Chinese skirt worn by the Han Chinese women as lower garment item in and is one of the main representatives of ancient Chinese-style skirts. It originated in the Song and Liao dynasties and became popular due to its functionality and its aesthetics style. It continued to be worn in the Yuan, Ming, and Qing dynasties where it was a typical style of skirt for women and was favoured for its unique aesthetic style and functionality. Following the fall of the Qing dynasty, the continued to be worn in the Republic of China, and only disappeared in the 1920s and 1930s following the increased popularity of the cheongsam. As a type of , Chinese opera costumes, the maintains its long tradition and continues to be worn nowadays. I ...
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Mamianqun
Mamianqun (), also known as (), sometimes simply referred as 'apron' (), a generic term in English to refer to any Chinese-style skirt, or 'paired apron' in English although they are not aprons as defined in the dictionary, is a type of (), a traditional Chinese skirt worn by the Han Chinese women as lower garment item in and is one of the main representatives of ancient Chinese-style skirts. It originated in the Song and Liao dynasties and became popular due to its functionality and its aesthetics style. It continued to be worn in the Yuan, Ming, and Qing dynasties where it was a typical style of skirt for women and was favoured for its unique aesthetic style and functionality. Following the fall of the Qing dynasty, the continued to be worn in the Republic of China, and only disappeared in the 1920s and 1930s following the increased popularity of the cheongsam. As a type of , Chinese opera costumes, the maintains its long tradition and continues to be worn nowadays. I ...
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Qungua
(), also known as (), or (), or (), is one type of two-piece ceremonial traditional Chinese wedding set of attire, which is composed of a jacket called () and of a long Chinese skirt called (). The ' is a type of Hanfu worn by Han Chinese brides and originated in the 18th century during the Qing dynasty. It eventually became the traditional wedding attire of Cantonese brides in the Guangdong regions. It is traditionally handmade and is decorated with dragons and phoenixes embroideries. Nowadays, the ' is still popular as a wedding dress in China, including in Hong kong and Macau. Origins and tradition Back in Ming dynasty, the women wedding dress worn by nobles and commoners was known as ' () composed of the ' and '. The wedding dress worn in Ming dynasty continued to influence the wedding dress of the later centuries. What is known as ' only started to be worn in the 18th century during the Qing dynasty. The 'originated in Guangdong when Liang Zhu'','' a Guangdong Qing ...
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Qungua
(), also known as (), or (), or (), is one type of two-piece ceremonial traditional Chinese wedding set of attire, which is composed of a jacket called () and of a long Chinese skirt called (). The ' is a type of Hanfu worn by Han Chinese brides and originated in the 18th century during the Qing dynasty. It eventually became the traditional wedding attire of Cantonese brides in the Guangdong regions. It is traditionally handmade and is decorated with dragons and phoenixes embroideries. Nowadays, the ' is still popular as a wedding dress in China, including in Hong kong and Macau. Origins and tradition Back in Ming dynasty, the women wedding dress worn by nobles and commoners was known as ' () composed of the ' and '. The wedding dress worn in Ming dynasty continued to influence the wedding dress of the later centuries. What is known as ' only started to be worn in the 18th century during the Qing dynasty. The 'originated in Guangdong when Liang Zhu'','' a Guangdong Qing ...
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Traditional Chinese Wedding Dress
Traditional Chinese wedding dress is a collective term which refers to all the different forms and styles of traditional wedding attire worn by the Han Chinese when performing their marriage ceremony, including the traditional Chinese marriage. There are various forms of traditional Chinese wedding dress in the history of China. Since the Zhou dynasty, there have national laws and rules which regulated the different categories of clothing and personal accessories; these regulations have created various categories of clothing attire, including the traditional wedding attire of the Chinese people. Types of attire Attire for brides Nowadays, the can also be worn as a wedding dress. The () is a type of wedding set of attire categorized under . It was worn in Ming and Qing dynasties. The attire was composed an upper and lower garment following the traditional system. In the Qing dynasty, it was composed of an , a type of upper garment, called () and a , lower sk ...
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Traditional Chinese Wedding Dress
Traditional Chinese wedding dress is a collective term which refers to all the different forms and styles of traditional wedding attire worn by the Han Chinese when performing their marriage ceremony, including the traditional Chinese marriage. There are various forms of traditional Chinese wedding dress in the history of China. Since the Zhou dynasty, there have national laws and rules which regulated the different categories of clothing and personal accessories; these regulations have created various categories of clothing attire, including the traditional wedding attire of the Chinese people. Types of attire Attire for brides Nowadays, the can also be worn as a wedding dress. The () is a type of wedding set of attire categorized under . It was worn in Ming and Qing dynasties. The attire was composed an upper and lower garment following the traditional system. In the Qing dynasty, it was composed of an , a type of upper garment, called () and a , lower sk ...
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Guzhuang (costume)
(), also called ancient-style dress, refers to a style of Chinese costume attire which are styled or inspired by ancient Chinese clothing (typically or ). is typically used as stage clothes in Chinese opera and in Chinese television drama, such as in period drama which are normally set in imperial China prior to 1911, and in the and genre. While the style of is based on ancient Chinese clothing, show historical inaccuracies. Chinese opera In Chinese opera, plays depicting is called (), also known as ' (), or ' (), were performed by Mei Lanfang. is an important concept in both the field of Chinese opera and to early Chinese film.Mei Lanfang is also credited for having invented () which include the set of that he created along with (). This form of emerged in 1915 when new Chinese opera costumes had to be created for a new category of female role which had also been developed by Mei Lanfang. Therefore, Mei Lanfang designed new female costumes by referring to a ...
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Guzhuang (costume)
(), also called ancient-style dress, refers to a style of Chinese costume attire which are styled or inspired by ancient Chinese clothing (typically or ). is typically used as stage clothes in Chinese opera and in Chinese television drama, such as in period drama which are normally set in imperial China prior to 1911, and in the and genre. While the style of is based on ancient Chinese clothing, show historical inaccuracies. Chinese opera In Chinese opera, plays depicting is called (), also known as ' (), or ' (), were performed by Mei Lanfang. is an important concept in both the field of Chinese opera and to early Chinese film.Mei Lanfang is also credited for having invented () which include the set of that he created along with (). This form of emerged in 1915 when new Chinese opera costumes had to be created for a new category of female role which had also been developed by Mei Lanfang. Therefore, Mei Lanfang designed new female costumes by referring to a ...
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Aoqun
(;) is a set of attire in which consists of a short jacket typically called () worn under a long Chinese skirt called (). However, when use as a general term, can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or (), in which ' () means the "upper garment" and the ' () means the "lower garment". In a broad sense, can include the () and (; ) in its definition. As a set of attire, the was worn by both men and women; it was however primarily worn by women. It is the traditional for the Han Chinese women. The and/or is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. Various forms and style of Chinese trousers, referred broadly under the generic term , can also be worn under the . Terminology The generic term () can be applied to any style of clothing consisted of a pair of upper and lower garments. The term is composed of the Chin ...
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Ruqun
(;) is a set of attire in which consists of a short jacket typically called () worn under a long Chinese skirt called (). However, when use as a general term, can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or (), in which ' () means the "upper garment" and the ' () means the "lower garment". In a broad sense, can include the () and (; ) in its definition. As a set of attire, the was worn by both men and women; it was however primarily worn by women. It is the traditional for the Han Chinese women. The and/or is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. Various forms and style of Chinese trousers, referred broadly under the generic term , can also be worn under the . Terminology The generic term () can be applied to any style of clothing consisted of a pair of upper and lower garments. The term is composed of the Chi ...
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Ruqun
(;) is a set of attire in which consists of a short jacket typically called () worn under a long Chinese skirt called (). However, when use as a general term, can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or (), in which ' () means the "upper garment" and the ' () means the "lower garment". In a broad sense, can include the () and (; ) in its definition. As a set of attire, the was worn by both men and women; it was however primarily worn by women. It is the traditional for the Han Chinese women. The and/or is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. Various forms and style of Chinese trousers, referred broadly under the generic term , can also be worn under the . Terminology The generic term () can be applied to any style of clothing consisted of a pair of upper and lower garments. The term is composed of the Chi ...
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Traditional Chinese Marriage
Traditional Chinese marriage () is a ceremonial ritual within Chinese societies that involves not only a union between spouses, but also a union between the two families of a man and a woman, sometimes established by pre-arrangement between families. Marriage and family are inextricably linked, which involves the interests of both families. Within Chinese culture, romantic love and monogamy was the norm for most citizens. Around the end of primitive society, traditional Chinese marriage rituals were formed, with deer skin betrothal in the Fuxi era, the appearance of the "meeting hall" during the Xia and Shang dynasties, and then in the Zhou dynasty, a complete set of marriage etiquette ("six rituals") gradually formed. The richness of this series of rituals proves the importance the ancients attached to marriage. In addition to the unique nature of the "three letters and six rituals", monogamy, remarriage and divorce in traditional Chinese marriage culture are also distinctive ...
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