Charlotte Corday (opera)
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Charlotte Corday (opera)
''Charlotte Corday '' is an opera in three acts by Lorenzo Ferrero to an Italian-language libretto by Giuseppe Di Leva, written on commission from the Teatro dell'Opera di Roma for the 200th anniversary of the French Revolution which was commemorated in 1989. The fundamental theme of the opera is the individual terrorist action committed by anyone who believes that he or she is eliminating an evil by eliminating a person, in most cases the wrong person. The work describes three encounters of the Girondin sympathizer Charlotte Corday with Jean-Paul Marat, leading figure of the radical Jacobin faction, two attempts and finally the assassination itself. Performance history The premiere directed by Mario Martone and conducted by Roberto Abbado took place at the Teatro dell'Opera di Roma on 21 February 1989. The opera had two subsequent new productions in Germany, one conducted by Istvan Dènes which was performed at the Theater Bremen on 28 April 1990, and the second conducted by Ja ...
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Lorenzo Ferrero
Lorenzo Ferrero (; born 1951) is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language. Biography Born in Turin, he studied composition from 1969 to 1973 with Massimo Bruni and Enore Zaffiri at Turin Music Conservatory, and philosophy with Gianni Vattimo and Massimo Mila at the University of Turin, earning a degree in aesthetics with a thesis on John Cage in 1974. His early interest in the psychology of perception and psychoacoustics led him to IMEB, the International Electroacoustic Music Institute of Bourges, where he did research on electronic music between 1972 and 1973, IRCAM in Paris, and to the Musik/Dia/Licht/Film Galerie in Munich in 1974. Lorenzo Ferrero has re ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Operas By Lorenzo Ferrero
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people. The term also was tradition ..., and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradit ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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Dermatitis Herpetiformis
Dermatitis herpetiformis (DH) is a chronic autoimmune blistering skin condition, characterised by intensely itchy blisters filled with a watery fluid. DH is a cutaneous manifestation of coeliac disease, although the exact causal mechanism is not known. DH is neither related to nor caused by herpes virus; the name means that it is a skin inflammation having an appearance (Latin: '' -formis'') similar to herpes. The age of onset is usually about 15–40, but DH also may affect children and the elderly. Men are slightly more affected than women. Estimates of DH prevalence vary from 1 in 400 to 1 in 10,000. It is most common in patients of northern European and northern Indian ancestry, and is associated with the human leukocyte antigen (HLA) haplotype HLA-DQ2 or HLA-DQ8 along with coeliac disease and gluten sensitivity. Dermatitis herpetiformis was first described by Louis Adolphus Duhring in 1884. A connection between DH and coeliac disease was recognized in 1967. Signs and symp ...
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Bastille Day
Bastille Day is the common name given in English-speaking countries to the national day of France, which is celebrated on 14 July each year. In French, it is formally called the (; "French National Celebration"); legally it is known as (; "the 14th of July"). The French National Day is the anniversary of the Storming of the Bastille on 14 July 1789, a major event of the French Revolution, as well as the Fête de la Fédération that celebrated the unity of the French people on 14 July 1790. Celebrations are held throughout France. One that has been reported as "the oldest and largest military parade in Europe" is held on 14 July on the Champs-Élysées in Paris in front of the President of the Republic, along with other French officials and foreign guests. History In 1789, tensions rose in France between reformist and conservative factions as the country struggled to resolve an economic crisis. In May, the Estates General legislative assembly was revived, but members of th ...
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Champ De Mars
The Champ de Mars (; en, Field of Mars) is a large public greenspace in Paris, France, located in the seventh ''arrondissement'', between the Eiffel Tower to the northwest and the École Militaire to the southeast. The park is named after the Campus Martius ("Mars Field") in Rome, a tribute to the Roman god of war. The name alludes to the fact that the lawns here were formerly used as drilling and marching grounds by the French military. The nearest Métro stations are La Motte-Picquet–Grenelle, École Militaire, and Champ de Mars-Tour Eiffel, an RER suburban-commuter-railway station. A disused station, Champ de Mars, is also nearby. History Originally, the Champ de Mars was part of a large flat open area called Grenelle, which was reserved for market gardening. Citizens would claim small plots and exploit them by growing fruits, vegetables, and flowers for the local market. However, the plain of Grenelle was not an especially fertile place for farming. The constructio ...
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Théâtre Des Tuileries
The Théâtre des Tuileries was a theatre in the former Tuileries Palace in Paris. It was also known as the Salle des Machines, because of its elaborate stage machinery, designed by the Italian theatre architects Gaspare Vigarani and his two sons, Carlo and Lodovico. Constructed in 1659–1661, it was originally intended for spectacular productions mounted by the court of the young Louis XIV, but in 1763 the theatre was greatly reduced in size and used in turn by the Paris Opera (up to 1770), the Comédie-Française (from 1770 to 1782), and the Théâtre de Monsieur (from January to December 1789). In 1808 Napoleon had a new theatre/ballroom built to the designs of the architects Percier and Fontaine. The Tuileries Palace and the theatre were destroyed by fire on 24 May 1871, during the Paris Commune. Salle des Machines The auditorium, designed and decorated by the architects Charles Errard, Louis Le Vau, and François d'Orbay, was housed in a pavilion located at the north end o ...
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National Convention
The National Convention (french: link=no, Convention nationale) was the parliament of the Kingdom of France for one day and the French First Republic for the rest of its existence during the French Revolution, following the two-year National Constituent Assembly and the one-year Legislative Assembly. Created after the great insurrection of 10 August 1792, it was the first French government organized as a republic, abandoning the monarchy altogether. The Convention sat as a single-chamber assembly from 20 September 1792 to 26 October 1795 (4 Brumaire IV under the Convention's adopted calendar). The Convention came about when the Legislative Assembly decreed the provisional suspension of King Louis XVI and the convocation of a National Convention to draw up a new constitution with no monarchy. The other major innovation was to decree that deputies to that Convention should be elected by all Frenchmen twenty-one years old or more, domiciled for a year and living by the produc ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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