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Chapel Royal Of Naples
The Chapel Royal of Naples (Italian: ''Cappella Palatina'' or ''Cappella Reale dell'Assunta'') was the sacred musical establishment of the Spanish court in Naples which began with the Aragonese Court of Naples, and continued under the Habsburgs the Bourbons, and Joseph Napoleon. Maestri di cappella, vice masters and organists Masters of the chapel included: * The first maestro Diego Ortiz arrived in the entourage of Viceroy Pedro de Toledo (1558-1570), * Francisco Martínez de Loscos (1570-?), * a Flemish maestro, * then another Fleming Giovanni de Macque (1599–1614), * the first Italian Giovanni Maria Trabaci (1614–46), * the Neapolitans Andrea Falconieri (1647–56), and * Filippo Coppola (1658–80), * then the Venetian Pietro Andrea Ziani (1680–84), * followed by Alessandro Scarlatti (1684-1702, then again 1708-25), * alternating in his absences with Francesco Mancini (1702-1708, then again 1725-1737), *Domenico Sarro (1737–1744), * Leonardo Leo (174 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cappella Palatina (Palazzo Reale Di Napoli) 001
The Palatine Chapel ( it, Cappella Palatina) is the royal chapel of the Norman Palace in Palermo, Sicily. This building is a mixture of Byzantine, Norman and Fatimid architectural styles, showing the tricultural state of Sicily during the 12th century after Roger I and Robert Guiscard conquered the island. Also referred to as a ''Palace church'' or ''Palace chapel'', it was commissioned by Roger II of Sicily in 1132 to be built upon an older chapel (now the crypt) constructed around 1080. It took eight years to build, receiving a royal charter the same year, with the mosaics being only partially finished by 1143. The sanctuary, dedicated to Saint Peter, is reminiscent of a domed basilica. It has three apses, as is usual in Byzantine architecture, with six pointed arches (three on each side of the central nave) resting on recycled classical columns. The muqarnas ceiling of the nave and the chapel's rectilinear form show the Fatimid influence in the building's construction. Mosa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neapolitan School
In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy,Don Michael Randel (2003). ''The Harvard Dictionary of Music'', p. 549. . the best known of whom is Alessandro Scarlatti, with whom "modern opera begins".Paul Henry Lang (1997). ''Music in Western Civilization'', p. 453. . Francesco Provenzale is generally considered the school's founder. The Neapolitan School has been considered in between the Roman School and the Venetian School in importance. However, "The concept of Neapolitan school, or more particularly Neapolitan opera, has been questioned by a number of scholars. That Naples was a significant musical center in the 18th century is beyond doubt. Whether the composers working in Naples at that time developed or partook of a distinct and characteristic musical style is less clear" since so little is known about the repertory. Member *Pietro Marchitelli (1643 -1729) *Francesco P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Provenzale
Francesco Provenzale (25 September 1632 – 6 September 1704) was an Italian Baroque composer and teacher. He is considered the founder of the Neapolitan school of opera. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi (detto Nicolini)'. Biography Before the year 1658, there is virtually no record of Provenzale's existence, although it is thought that he studied at the Conservatorio della Pietà dei Turchini in Naples. The year of his entry into history is 1654, the year his opera ''Teseo'' was performed in Naples.Grace O'Brien The golden age of Italian music 1980 p139 "This new influence bore fruit a few years later in the first Neapolitan music drama, Francesco Provenzale's Teseo. Like Stradella, Provenzale had a natural gift for melody, and the chief interest in his operas centres in the arias which, by their ..." In his life, he mainly focused his energies on teaching, but he has a place in history as the first Neapolitan composer t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Vinci
Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable. Life and career He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his ''opere buffe'' (comic operas) in Neapolitan dialect in 1719; he also composed many ''opere serie'' (dramatic operas). He was received into the Congregation of the Rosary, a lay religious and burial fraternity, at Formiello in 1728. He died in May 1730. Vinci is rumoured to have been poisoned by a jealous husband in the wake of an ill-advised affair, a story which is given by several reliable authorities without evident contradictions. Music Vinci's ''opere buffe,'' of which '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Cafaro
Pasquale Cafaro (also known as Caffaro or Cafariello, 8 February 1715 or 1716 – 25 October 1787) was an Italian composer who was particularly known for his operas and the significant amount of sacred music he produced, including oratorios, motets, and masses. Born in San Pietro, Galatina, Cafaro entered the Conservatorio della Pietà dei Turchini in Naples in December 1735 where he was a pupil of Lorenzo Fago and Leonardo Leo. He remained in Naples for the rest of his life and taught at the conservatorio from 1759 until 1785. His most famous pupil was Giacomo Tritto. In 1771, he succeeded Giuseppe de Majo as maestro di cappella (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ... of the Chapel Royal of Naples.R. MeloncelliCAFARO (Caffaro, detto anche Caffariello o Caffa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe De Majo
Giuseppe de Majo (di Maio; 5 December 169718 November 1771) was an Italian composer and organist. He was the father of the composer Gian Francesco de Majo. His compositional output consists of 10 operas, an oratorio, a concerto for 2 violins, and a considerable amount of sacred music. Life and career Born in Naples, Majo spent most of his life working in his native city. He began his studies at the age of 9 at the Conservatorio della Pietà dei Turchini where he was a pupil of Nicola Fago and Andrea Basso. His first opera, ''Lo finto laccheo'', premiered in 1725 at the Teatro dei Fiorentini. Majo was appointed ''organista soprannumerario'' at the Royal chapel of Naples in May 1736. There he flourished, largely due to the favoritism given to him by Queen Maria Amalia. In 1744 he succeeded Leonardo Leo as ''maestro di cappella'' at the Royal chapel. He remained in that post through 1770. He died in Naples in 1771. Recording *1 concerto in ''Neapolitan Flute Concertos'', Auser M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Leo
Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque composer. Biography Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in the Apulia region, then part of the Kingdom of Naples. He became a student at the Conservatorio della Pietà dei Turchini at Naples in 1703, and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been supposed that he was a pupil of Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions. His earliest known work was a sacred drama, ''L'infedelta abbattuta'', performed by his fellow-students in 1712. In 1714 he produced, at the court theatre, an opera, ''Pisistrato'', which was much admired. He held various posts at the royal chapel, and continued to write for the stage, besides teaching at the conservator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Sarro
Domenico Natale Sarro, also Sarri (24 December 1679 – 25 January 1744) was an Italian composer. Born in Trani, Apulia, he studied at the Neapolitan conservatory of S. Onofrio. He composed extensively in the early 18th century. His opera ''Didone abbandonata'', premiered on 1 February 1724 at the Teatro San Bartolomeo in Naples, was the first setting of a major libretto by Pietro Metastasio. He is best remembered today as the composer of '' Achille in Sciro'', the opera that was chosen to open the new Teatro di San Carlo in 1737. Of his many intermezzi, 'Dorina e Nibbio' or L'impresario delle Isole Canarie (1724) has had an extensive performance history. With a libretto by Pietro Metastasio (his only comic libretto), it was performed often and imitated internationally (with versions by Albinoni, Gasparini, Leo, Martini and others). In recent years it was performed in the State Theatre of Stuttgart, the Bochum Symphony as well as the Semperoper The Semperoper () is the opera h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Marchitti
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Giu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Mancini (composer)
Francesco Mancini (16 January 1672 – 22 September 1737) was a Neapolitan composer. Biography He was an important teacher and managed to obtain his greatest duty during Alessandro Scarlatti's absence from the Neapolitan court, between 1702 and 1708. In this period he was Director of the Conservatorio di S Maria di Loreto as well as being first organist and ''maestro'' of the Capella Reale. His assistant was Giuseppe Porsile. Works His works include 29 operas (including '' L’Idaspe fedele)'', sonatas, 7 serenatas, 12 oratorios and more than 200 secular cantatas in addition to assorted sacred music and a small amount of instrumental music. Today he is best known for his recorder sonatas. Recordings *''Missa Septimus'' SSATB 5'46" Currende, cond. Erik Van Nevel Erik Van Nevel (1956) is a Belgian singer and conductor. He is the nephew of Paul Van Nevel. He pursued instrumental and vocal studies at the Lemmensinstituut in Leuven, the Koninklijk Conservatorium (Brussels) and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
