Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian

composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...

of the

Classical era Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ...

, and was the most popular opera composer of the late 1700s. His operatic style influenced

Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...

and

Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...

Life

Portrait of Giovanni Paisiello, composer (1741-1816) - Archivio Storico Ricordi ICON010754

Paisiello was born in

Taranto Taranto (, also ; ; nap, label= Tarantino, Tarde; Latin: Tarentum; Old Italian: ''Tarento''; Ancient Greek: Τάρᾱς) is a coastal city in Apulia, Southern Italy. It is the capital of the Province of Taranto, serving as an important com ...

in the

Apulia it, Pugliese , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographic ...

region and educated by the

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s there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...

, where he studied under

Francesco Durante Francesco Durante (31 March 1684 – 30 September 1755) was a Neapolitan composer. Biography He was born at Frattamaggiore, in the Kingdom of Naples, and at an early age he entered the '' Conservatorio dei poveri di Gesù Cristo'', in Naples, ...

, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for

Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...

, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of

Niccolò Piccinni Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly the ...

Domenico Cimarosa Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his ...

and

Pietro Guglielmi Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a compo ...

, of whose triumphs he was bitterly jealous, he produced a series of highly successful operas, one of which, ''L'ldolo cinese'', made a deep impression upon the Neapolitan public. The young Mozart and his

father A father is the male parent of a child. Besides the paternal bonds of a father to his children, the father may have a parental, legal, and social relationship with the child that carries with it certain rights and obligations. An adoptive fathe ...

met him in Bologna in 1771. In 1772 Paisiello began to write church music, and composed a requiem for Gennara di Borbone, of the reigning dynasty. In the same year he married Cecilia Pallini, and the marriage was a happy one. In 1776 Paisiello was invited by the empress

Catherine the Great , en, Catherine Alexeievna Romanova, link=yes , house = , father = Christian August, Prince of Anhalt-Zerbst , mother = Joanna Elisabeth of Holstein-Gottorp , birth_date = , birth_name = Princess Sophie of Anhal ...

of Russia to

Saint Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...

, where he remained for eight years, producing, among other charming works, his masterpiece, ''

Il barbiere di Siviglia ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was base ...

'', which soon attained a European reputation. The fate of this opera marks an epoch in the history of Italian art; for with it the gentle suavity cultivated by the masters of the 18th century died out to make room for the dazzling brilliance of a later period. When, in 1816,

Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...

set a revised version of the libretto to music, under the title of ''Almaviva ossia la inutil precauzione'' the fans of Paisiello stormed the stage. Rossini's opera, now known as ''

'', is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced—a strange instance of poetical vengeance, since Paisiello himself had many years previously endeavoured to eclipse the fame of

Giovanni Battista Pergolesi Giovanni Battista Draghi (; 4 January 1710 – 16 or 17 March 1736), often referred to as Giovanni Battista Pergolesi (), was an Italian Baroque composer, violinist, and organist. His best-known works include his Stabat Mater and the opera ''L ...

by resetting the libretto of his famous intermezzo, ''

La serva padrona ''La serva padrona'', or ''The Maid Turned Mistress'', is a 1733 intermezzo by Giovanni Battista Pergolesi (1710–1736) to a libretto by Gennaro Federico, after the play by Jacopo Angello Nelli. It is some 40 minutes long, in two parts without o ...

''. Paisiello left Russia in 1784, and, after producing ''Il Re Teodoro'' at Vienna, entered the service of

Ferdinand IV of Naples Ferdinand I (12 January 1751 – 4 January 1825) was the King of the Two Sicilies from 1816, after his restoration following victory in the Napoleonic Wars. Before that he had been, since 1759, Ferdinand IV of the Kingdom of Naples and Ferdinand ...

, where he composed many of his best operas, including ''Nina'' and ''La Molinara''. The Irish tenor Michael Kelly witnessed another meeting between Paisiello and Mozart when he visited Vienna later that year. Mozart had just finished a string of piano concertos, K. 449 and 453, written for his pupil

Barbara Ployer Maria Anna Barbara or Babette Ployer (2 September 1765 – before April 1811) was an Austrian piano and composition pupil of Wolfgang Amadeus Mozart, for whom he wrote two piano concertos in 1784, No. 14 KV. 449 and No. 17, KV. 453, which we ...

. When Ployer’s father arranged a performance at his summer estate in Döbling, Mozart wrote to his father, “Fräulein Babette will play her new concerto in G and I shall play the Quintet and then we’ll perform together the grand sonata for two pianos. I shall fetch Paisiello with my carriage for I want him to hear my compositions as well as my pupil.” After many vicissitudes, resulting from political and dynastic changes, he was invited to Paris (1802) by

Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...

, whose favor he had won five years previously by composing a march for the funeral of

General Hoche Louis Lazare Hoche (; 24 June 1768 – 19 September 1797) was a French military leader of the French Revolutionary Wars. He won a victory over Royalist forces in Brittany. His surname is one of the names inscribed under the Arc de Triomphe, on ...

. Napoleon treated him munificently, while cruelly neglecting two more famous composers,

Luigi Cherubini Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the gre ...

and

Étienne Méhul Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He wa ...

, to whom the new favorite transferred the hatred he had formerly borne to Cimarosa, Guglielmi and Piccinni. Paisiello is known to have composed 94 operas, which are known for their gracefully beautiful melodies. Perhaps the best-known tune he ever wrote is "

Nel cor più non mi sento "" is a duet from Giovanni Paisiello's 1788 opera ''L'amor contrastato, ossia La molinara'', usually known as ' (The Miller-Woman). The duet is sung twice in the opera's second act, first by the miller-woman Rachelina ( soprano) and Calloandro (ten ...

" from ''La Molinara'', immortalized when

Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...

composed piano variations based on it. Paganini also wrote violin variations based on the same tune. Another favourite vocal piece is "Chi vuol la zingarella" from ''I zingari in fiera'', that vividly portrays the scene of an attractive gypsy girl with its dramatic music. Paisiello also wrote a great deal of church music, including eight masses; as well as fifty-one instrumental compositions and many stand-alone songs. He also composed the Inno al Re, the national anthem of the Kingdom of the Two Sicilies. Manuscript scores of many of his operas were presented to the library of the

British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...

Domenico Dragonetti Domenico Carlo Maria Dragonetti (7 April 1763 – 16 April 1846) was an Italian double bass virtuoso and composer with a 3 string double bass. He stayed for thirty years in his hometown of Venice, Italy and worked at the Opera Buffa, at the Chap ...

. The library of the Gerolamini at Naples possesses an interesting manuscript compilation recording Paisiello's opinions on contemporary composers, and exhibiting him as a somewhat severe critic, especially of the work of Pergolesi. The ''Grove Concise Dictionary of Music'' notes that "Paisiello was one of the most successful and influential opera composers of his time. Most of his over 80 operas are comic and use a simple, direct and spirited style, latterly with sharper characterization, more colorful scoring and warmer melodies (features that influenced

). His serious operas have less than the conventional amount of virtuoso vocal writing; those for Russia are the closest to Gluck's 'reform' approach."

Works

Operas

* R 1.00 ''La moglie in calzoni'' (18.2.1764, Modena) * R 1.01 ''Il ciarlone'' (12.5.1764, Bologna) – lost * R 1.02 ''I francesi brillanti'' (24.6.1764, Bologna) * R 1.03 ''Madama l'umorista, o Gli stravaganti'' (26.1.1765, Modena) – lost * R 1.04 ''L'amore in ballo'' (carnival 1765, Venice S Moisè) * R 1.05 ''La mascherata delle nozze di Bacco e d'Arianna'' (11.2.1765, Modena) * ''I bagni d'Abano'' (spring 1765, Parma) * ''Il negligente'' (1765, Parma) * ''Pulcinella vendicato nel ritorno di marechiaro'' (1765, Naples, Teatro Bellini) * R 1.05a ''Le virtuose ridicole'' (1765, Parma) * R 1.06 ''Le nozze disturbate'' (carnival 1776, Venice S Moisè) * R 1.07 ''Le finte contesse'' (2.1766, Rome Valle) l Marchese di Tulissano?* R 1.08 ''La vedova di bel genio'' (spring 1766, Naples, Teatro Nuovo) * R 1.09 ''Le 'mbroglie de le Bajasse'' (carnival 1767, Naples) – lost * R 1.09a ''La serva fatta padrona'' (summer 1769, Naples) 2nd version of ''Le 'mbroglie de le Bajasse'' * R 1.10 ''L'idolo cinese'' (spring 1767, Naples, Teatro Nuovo) * R 1.11 Licenza to ''L'idolo cinese'' * R 1.12 ''Lucio Papirio dittatore'' (summer 1767, Naples, Teatro di S Carlo) * R 1.13 ''Il furbo malaccorto'' (winter 1767, Naples, Teatro Nuovo) * R 1.14 ''Alceste in Ebuda, ovvero Olimpia'' (20.1.1768, Naples, Teatro di S Carlo) * R 1.15 ''Le nozze di Peleo e Tetide'' (31.5.1768, Naples PR) esta teatrale in musica* R 1.16 Licenza to ''Peleo'' * R 1.17 ''La luna abitata'' (summer 1768, Naples, Teatro Nuovo) * R 1.18 ''La finta maga per vendetta'' (autumn? 1768, Naples,

Teatro dei Fiorentini Theatres for diverse musical and dramatic presentations began to open in Naples, Italy, in the mid-16th century as part of the general Spanish cultural and political expansion into the kingdom of Naples, which had just become a vicerealm of Spain. ...

) * R 1.19 ''L'osteria di Marechiaro'' (winter 1768, Naples, Teatro dei Fiorentini) * R 1.20 ''La Claudia vendicata'' (performed as act III of ''L'osteria'' 1770, Naples) * R 1.21 ''Don Chisciotte della Mancia'' (summer 1769, Naples, Teatro dei Fiorentini) * R 1.22 ''L'arabo cortese'' (winter 1769 Naples, Teatro Nuovo) * R 1.23 ''La Zelmira, o sia La marina del Granatello'' (summer 1770 Naples, Teatro Nuovo) * R 1.24 ''Le trame per amore'' (7.10.1770 Naples, Teatro Nuovo) * R 1.25 ''Demetrio'' (Lent 1771, Modena) * R 1.26 ''Annibale in Torino'' (16.1.1771 Turin,

Teatro Regio di Torino The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several bu ...

) * R 1.27 ''La somiglianza de' nomi'' (spring 1771 Naples, Teatro Nuovo) * R 1.28 and 1.29 ''I scherzi d'amore e di fortuna'' (summer 1771 Naples, Teatro Nuovo) * R 1.30 ''Artaserse'' (26.12.1771 Modena) * R 1.31 ''Semiramide in villa'' (carnival 1772 Rome,

Teatro Capranica The Teatro Capranica is a theatre situated at 101 Piazza Capranica in the Colonna district of Rome. Originally constructed in 1679 by the Capranica family and housed in the early Renaissance Palazzo Capranica, it was the second public theatre to o ...

) * R 1.32 ''Motezuma'' (1.1772 Rome, Dame) * R 1.33 ''La Dardanè'' (spring 1772 Naples, Teatro Nuovo) * R 1.34 ''Gli amante comici'' (autumn 1772 Naples, Teatro Nuovo) * ''Don Anchise Campanone'' (1773 Venice) ev. Gli amante comici* R 1.35 ''L'innocente fortunata'' (carnival 1773 Venice S Moisè) * R 1.36 ''Sismano nel Mogol'' (carnival 1773 Milan,

Teatro Regio Ducale The Teatro Regio Ducale (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, i ...

) * R 1.37 ''Il tamburo'' (spring 1773 Naples, Teatro Nuovo) l tamburo notturno* R 1.38 ''La semplice fortunata'' (summer 1773, Naples) * R 1.39 ''

Alessandro nell'Indie ''Alessandro nelle Indie'' (''Alexander in India'') is an opera seria in two acts by Giovanni Pacini to a libretto by Andrea Leone Tottola and Giovanni Schmidt, based on '' Alessandro nell'Indie'' by Pietro Metastasio. It was premiered at the Te ...

'' (26.12.1773 Modena) – fragment * R 1.40 ''Andromeda'' (carnival 1774 Milan, Teatro Regio Ducale) * R 1.41 ''Il duello'' (spring 1774 Naples, Teatro Nuovo) * R 1.42 ''Il credulo deluso'' (autumn 1774 Naples, Teatro Nuovo) * R 1.43 ''La frascatana'' (autumn 1774 Venice, S Samuele) 'infante de Zamora* R 1.44 ''Il divertimento dei numi'' (4.12.1774 Naples, Reale) * R 1.45 ''

Demofoonte ''Demofonte'' (also ''Demofoonte''; ''Il Demofoonte''; ''Demofoonte, ré di Tracia'' ing of Thrace ''Démophon''; ''Demophontes''; or ''Dirce, L'usurpatore innocente'' irce, the Innocent Usurper is an opera seria libretto by Metastasio. The lib ...

'' (carnival 1775 Venice, S Benedetto) * R 1.46 ''La discordia fortunata'' (carnival 1775 Venice, S Samuele) 'avaro deluso* R 1.47 ''Le astuzie amorose'' (spring 1775 Naples, Teatro Nuovo) * R 1.48 ''Socrate immaginario'' (autumn 1775 Naples, Teatro Nuovo) * R 1.49 ''Il gran Cid'' (3.11.1775 Florence, Teatro La Pergola) * R 1.50 ''Le due contesse'' (3.1.1776 Rome, Teatro Capranica in Palazzo alla Valle) * R 1.51 ''La disfatta di Dario'' (carnival 1776 Rome, Teatro Argentina) * R 1.52 ''Dal finto il vero'' (spring 1776 Naples, Teatro Nuovo) * R 1.53 ''Il finto spettro'' (26.12.1776, Mannheim) * R 1.54 ''Nitteti'' (28.1.1777 St. Petersburg) * R 1.55 ''Lucinda e Armidoro'' (autumn1777 St. Petersburg) * R 1.56 ''Achille in Sciro'' (6.2.1778 St. Petersburg) * R 1.57 ''Lo sposo burlato'' (24.7.1778 St. Petersburg) * R 1.58 ''Gli astrologi immaginari'' (14.2.1779 St. Petersburg, Hermitage) filosofi immaginari e philosophe imaginaire* R 1.59 ''Demetrio'' (13.6.1779, Tsarskoye Selo) * R 1.60 ''Il matrimonio inaspettato'' (1779 Kammenïy Ostrov)

a contadina di spirito A, or a, is the first Letter (alphabet), letter and the first vowel of the Latin alphabet, Latin alphabet, used in the English alphabet, modern English alphabet, the alphabets of other western European languages and others worldwide. Its name ...

* R 1.61 ''La finta amante'' (5.6.1780 Mogilev) amiletta* R 1.62 ''Alcide al bivio'' (6.12.1780 St. Petersburg, Hermitage) * R 1.63 ''La serva padrona'' (10?.9.1781

Tsarskoye Selo Tsarskoye Selo ( rus, Ца́рское Село́, p=ˈtsarskəɪ sʲɪˈlo, a=Ru_Tsarskoye_Selo.ogg, "Tsar's Village") was the town containing a former residence of the Russian imperial family and visiting nobility, located south from the cen ...

) * ''Il duello comico'' (1782 Tsarskoye Selo) ev. Il duello* R 1.64 '' Il barbiere di Siviglia, ovvero La precauzione inutile'' (26.9.1782 St. Petersburg) * R 1.65 ''Il mondo della luna'' (1782 Kammenïy Ostrov) * R 1.66 ''

Il re Teodoro in Venezia ''Il re Teodoro in Venezia'' is a 1784 comic opera by Giovanni Paisiello to a libretto Giovanni Battista Casti. Premiered at the Burgtheater Vienna, it was revived for Carnival in Parma in 1788.Gilles Bertrand Histoire du carnaval de Venise: XIe-XX ...

'' (23.8.1784 Vienna, Burg) * R 1.67 ''Antigono'' (12.10.1785 Naples, Teatro di S Carlo) * R 1.68 ''L'amor ingegnoso, o sia La giovane scaltra'' (carnival 1785 Padua) * R 1.69 ''La grotta di Trofonio'' (12.1785 Naples, Teatro dei Fiorentini) * R 1.70 ''

Olimpiade ''L'Olimpiade'' is an opera libretto in three acts by Metastasio originally written for an operatic setting by Antonio Caldara of 1733. Metastasio’s plot vaguely draws upon the narrative of "The Trial of the Suitors" provided from Book 6 of ' ...

'' (20.1.1786 Naples, Teatro di S Carlo) * R 1.71 ''Le gare generose'' (spring 1786 Naples, Teatro dei Fiorentini) li schiavi per amore; Le bon maître, ou L'esclave par amour* R 1.72 ''Pirro'' (12.1.1787 Naples, Teatro di S Carlo) * ''Il barbiere di Siviglia, ovvero La precauzione inutile'' ev(1787 Naples, Teatro dei Fiorentini) * R 1.73 ''Giunone e Lucina'' (8.9.1787 Naples, Teatro di S Carlo) * R 1.74 ''La modista raggiratrice'' (autumn 1787 Naples, Teatro dei Fiorentini) a scuffiara amante, o sia Il maestro di scuola napolitano; La scuffiara raggiratrice* R 1.75 ''Fedra'' (1.1.1788 Naples, Teatro di S Carlo) * R 1.76 ''L'amor contrastato'' (carnival 1789 Naples, Teatro dei Fiorentini) 'amor contrastato o sia La molinarella* R 1.77 ''Catone in Utica'' (5.2.1789 Naples, Teatro di S Carlo) * R 1.78 '' Nina, o sia La pazza per amore'' (25.6.1789 Caserta) * R 1.79 ''I zingari in fiera'' (21.11.1789 Naples, Teatro dei Fiorentini) * R 1.80 ''Le vane gelosie'' (spring 1790 Naples, Teatro dei Fiorentini) * R 1.81 ''Zenobia in Palmira'' (30.5.1790 Naples, Teatro di S Carlo) * ''La molinara'' (1790 Vienna) ev. L'amor contrastato* ''Nina, o sia La pazza per amore'' ev(1790 Naples, Teatro dei Fiorentini) * R 1.82 ''Ipermestra'' (6.1791 Padua) * R 1.83 ''La locanda'' (16.6.1791 London Pantheon)

a locanda di falcone; Lo stambo in Berlina A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes'' ...

* R 1.84 ''I giuochi d'Agrigento'' (16.5.1792 Venice, Fenice) * ''Il fanatico in Berlina'' (1792 Naples, Teatro dei Fiorentini) ev. La locanda* R 1.85 ''Il ritorno d'Idomeneo in Creta'' (autumn 1792 Perugia) – lost * R 1.86 ''Elfrida'' (4.11.1792 Naples, Teatro di S Carlo) devolto* R 1.87 ''Elvira'' (12.1.1794 Naples, Teatro di S Carlo) * R 1.88 ''Didone abbandonata'' (4.11.1794 Naples, Teatro di S Carlo) * ''Nina, o sia La pazza per amore'' ev 2(1795 Naples, Teatro dei Fiorentini) * ''Chi la dura la vince'' (9.6.1797 Milan S) * R 1.89 ''La Daunia felice'' (26.6.1797 Foggia, Palazzo Dogana) * R 1.90 ''Andromaca'' (4.11.1797 Naples, Teatro di S Carlo) * R 1.91 ''L'inganno felice'' (1798 Naples, Teatro dei Fiorentini) * R 1.92 ''L'isola disabitata'' (3.7.1799, Lisbon) – lost * R 1.93 ''La Pace'' * R 1.94 '' Proserpine'' (28.3.1803 Paris, Opéra) * R 1.95 ''Elisa'' (19.3.1807 Naples, Teatro di S Carlo) Mayr* R 1.96 ''I pittagorici'' (19.3.1808 Naples, Teatro di S Carlo)

Secular cantatas

* R 2.01 – L'Ebone (lost) * R 2.02 – La sorpresa delli Dei (lost) * R 2.03 – 2 Notturni * R 2.04 – La Partenza * R 2.05 – La Libertà e Palinodia a Nice * R 2.06 – Il Ritorno di Perseo * R 2.07 – Amor vendicato * R 2.08 – Il Genio Poetico Appagato * R 2.09 – Cantata epitalamica (lost) * R 2.10 – Canone a 4 voci * R 2.11 – Le nozze di Silvio e Clori * R 2.12 – La Volontaria * R 2.13 – Il mio bene, il mio tesoro * R 2.14 – Birthday Cantata for Prince Felice of Lucca * R 2.15 – Tirsi a Fille * R 2.16 – Fille a Tirsi * R 2.17 – La Lontananza di Tirsi * R 2.18 – La scusa * R 2.19 – Riede omai la nuova aurora * R 2.20 – 3 Notturni for 2 sopranos

Oratorios, passions and sacred cantatas

* R 3.01 – Jephte sacrificium (lost) * R 3.02 – La Passione di Nostro Signor Gesù Cristo * R 3.03 – Passio secundum Mattheum * R 3.04 – Passio di San Giovanni * R 3.05 – Il transito di San Luigi Gansaga * R 3.06 – Cantata fatta in occasione della transalazione del sangue di S. Gennaro * R 3.07 – Baldassare * R 3.08 – Cantata per la Sollenit‡ del SS. Corpo di Cristo * R 3.09 – Cantata per la transalazione del sangue del glorioso martire S. Gennaro * R 3.10 – Il fonte prodigioso di Orebre (lost) * R 3.11 – Passio per la domenica delle Palme * R 3.12 – Passio per il venerdi Santo

Sacred music for rulers' chapels

Works composed for Napoleon's or King Joseph's chapels. * R 4.01 – Virgam virtutis tuae in F major * R 4.02 – Mass in F major * R 4.03 – Absit sonitus tubae in D major * R 4.04 – Mass in A major * R 4.05 – Veni ferox, veni in G minor * R 4.06 – Mass in C major * R 4.07 – Splendete o coeli in G major * R 4.08 – Mass in G major * R 4.09 – Coeli stella amica in E-flat major * R 4.10 – Mass in F major * R 4.11 – Non est in vita amara in C major * R 4.12 – Mass in B-flat major * R 4.13 – Messa in Pastorale per il Natale in G major * R 4.14 – Mass for Passion and Palm Sundays in F major * R 4.15 – Veni sancte spiritus in E-flat major * R 4.16 – Mass for the coronation of Napoleon I in B-flat major * R 4.17 – Deh resplende o clara stella in D major * R 4.18 – Gratiae sint Deo devotae in E-flat major * R 4.19 – Splendete o coeli in G major * R 4.20 – Sitibundi desolati in D minor * R 4.21 – Alma fax et casti in E-flat major * R 4.22 – Mass in D major * R 4.23 – Ne lucem Bene in B-flat major * R 4.24 – Altas Olympi fores in A major * R 4.25 – Rosae lux e coelo in A major * R 4.26 – Mass in F major * R 4.27 – Vivat Deus in C major * R 4.28 – Si mare ferox murmurat in F major * R 4.29 – Coeli stella amica in E-flat major * R 4.30 – Non est in vita amara in C major * R 4.31 – Heu nos jam velum in E-flat major * R 4.32 – Quis est? in C major * R 4.33 – Mass in C major * R 4.34 – Absit sonitus tubae in D major * R 4.35 – In tuo beato ardore in G major * R 4.36 – O mortales summo ardore in D major * R 4.37 – Mass in D major * R 4.38 – Mass for the Assumption of the Blessed Virgin Mary in G major (1809) * R 4.39 – Sagro trattenimento musicale in B-flat major * R 4.40 – Sagro componimento musicale in C major * R 4.41 – Sagro componimento musicale in G major * R 4.42 – Mass for the Assumption of the Blessed Virgin Mary in G major (1811) * R 4.43 – Mass in E-flat major * R 4.44 – Mass for the Assumption of the Blessed Virgin Mary in C major * R 4.45 – Mass in B-flat major * R 4.46 – Te Deum breve in G major * R 4.47 – Laudate pueri in E minor * R 4.48 – Salvum fac Domine in B-flat major

Masses (other than those for rulers' chapels)

* R 5.01 – Missa Defunctorum in C minor * R 5.02 – Mass in G major * R 5.03 – Mass in D major * R 5.04 – Mass in F major * R 5.05 – Mass in D major * R 5.06 – Mass in B-flat major * R 5.07 – Agnus Dei in G major * R 5.08 – Mass in F major * R 5.09 – Mass in C major * R 5.10 – Mass in F major * R 5.11 – Mass in C major (doubtful)

Pieces for the Mass Ordinary

* R 5.51 – Introit, offertory and communion for the mass in F major * R 5.52 – Introit, kyrie and offertory * R 5.53 – Introit, gradual, offertory, post-communion and responsory * R 5.54 – Gradual: Omnes de Saba venient in G major * R 5.55 – Offertory: Te gloriosus chorus in D major

Psalms, hymns or antiphons used during Mass

* R 5.56 – Veni sancte spiritus in D major * R 5.57 – Exsulta jam cor meum in D major * R 5.58 – Stabat Mater del Pergolese in C minor * R 5.59 – Libera me Domine in D minor * R 5.60 – Caro mea vere est cibus in B-flat major * R 5.61 – Benedictus Rex in B-flat major

Psalms, canticles, hymns or antiphons

* R 6.01 – Te Deum in B-flat major * R 6.02 – Te Deum in C major * R 6.03 – Hymn: O salutaris hostia in A major * R 6.04 – Dixit Dominus in A major * R 6.05 – Antiphon: Domine ad adjuvandum in F major * R 6.06 – Dixit Dominus in F major * R 6.07 – Antiphon: Domine ad adjuvandum in G major * R 6.08 – Dixit Dominus in C major * R 6.09 – Dixit Dominus in D major * R 6.10 – Dixit Dominus in G major * R 6.11 – Dixit Dominus in D major * R 6.12 – Dixit Dominus in G major * R 6.13 – Psalm: Confitebor tibi in A major * R 6.14 – Psalm: Laudate pueri in E-flat major * R 6.15 – Psalm: Laudate pueri in C major * R 6.16 – Psalm: Laudate pueri in C major * R 6.17 – Psalm: Laetatus sum in D minor * R 6.18 – Psalm: Magnificat in C major * R 6.19 – Psalm: Magnificat in G major * R 6.20 – Litany in G major * R 6.21 – Responsoria Nativitatis Domini in E minor * R 6.22 – Responsori per la settimana santa * R 6.23 – Responsori per Giovedi Santo * R 6.24 – Responsori per Venerdi Santo * R 6.25 – Lamentazione prima in C major * R 6.26 – Lamentazione seconda in G major * R 6.26 – Lamentazione terza in F major * R 6.28 – Lezione per la sera del Giovedi Santo * R 6.29 – Christus factus est in A minor * R 6.30 – Miserere a 5 in D minor * R 6.31 – Hymn: Pange lingua in C minor * R 6.32 – Hymn: Tantum ergo in A major * R 6.33 – 3 Tantum ergo for soprano * R 6.34 – Hymn: Tantum ergo in C major * R 6.35 – Antiphon: Benedicat in F major * R 6.36 – Antiphon: Regina coeli in B-flat major * R 6.37 – Antiphon: Salve Regina in E-flat major * R 6.38 – Antiphon: Ave maris stella in F major

Motets

(to be completed) * R 7.01 – Motet: Astra coeli in C major * R 7.02 – Motet: O luminosa aurora in G major * R 7.03 – Motet: In corde intrepido in C major * R 7.04 – Motet: Mille furis in C major * R 7.05 – Motet: Absit sonitus in D major

Instrumental works

* R 8.01 – String Quartet No.1 in C major * R 8.02 – String Quartet No.2 in A major * R 8.03 – String Quartet No.3 in D major * R 8.04 – String Quartet No.4 in E-flat major * R 8.05 – String Quartet No.5 in E flat major * R 8.06 – String Quartet No.6 in C major * R 8.07 – String Quartet No.7 in E-flat major * R 8.08 – String Quartet No.8 in G major * R 8.09 – String Quartet No.9 in A major * R 8.10 – Keyboard Concerto No.1 in C major * R 8.11 – Keyboard Concerto No.2 in F major * R 8.12 – 4 Divertimenti for winds in E-flat major * R 8.13 – 12 Divertimenti for winds * R 8.14 – Collection of rondos and capriccios for keyboard * R 8.15 – Keyboard Concerto No.3 in A major * R 8.16 – Keyboard Concerto No.4 in G minor * R 8.17 – Keyboard Concerto No.5 in D major * R 8.18 – Keyboard Concerto No.6 in B-flat major * R 8.19 – Keyboard Concerto No.7 in A major * R 8.20 – Keyboard Concerto No.8 in C major * R 8.21 – Violin Sonata in E major * R 8.22 – Marche funèbre pour le Général Hoche in C minor * R 8.23 – Andante for horn and harp in C major * R 8.24 – 3 Pieces for Military Band * R 8.25 – Symphony in C major

Works of doubtful authenticity

* R E.02 – Sinfonia in E-flat major * R E.06 – Flute Quartet Op. 23 No.2 in D major * R E.07 – Flute Quartet Op. 23 No.5 in G major * R E.08 – Flute Quartet Op. 23 No.4 in G major * R E.09 – Flute Quartet Op. 23 No.1 in C major * R E.10 – Flute Quartet Op. 23 No.3 in E minor * R E.11 – Flute Quartet Op. 23 No.6 in G major * R E.13 – Marche du Premier Consul in B-flat major * R 8.14 – Mandolin concerto in E-flat major * R 8.15 – Mandolin concerto in C major * R 8.16 – Mandolin concerto in G major

Educational treatises

* ''Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il Cembalo''Giovanni Paisiello: ''Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il Cembalo''. raxis und Theorie des Partimentospiels vol. 1, ed. by

Ludwig Holtmeier Ludwig Holtmeier (born in 1964) is a German music theorist and piano player. Life Holtmeier studied piano at the Hochschule für Musik Detmold and at the Conservatoire de musique de Genève and Conservatoire de musique de Neuchâtel and passed ...

Johannes Menke Johannes Menke (born in 1972) is a German music theorist, University lecturer and composer. Life Born in Nuremberg, Menke studied oboe, school music and German language and literature in Freiburg im Breisgau, then music theory with Eckehard Kie ...

and Felix Diergarten, Florian Noetzel Verlag, Wilhelmshaven 2008, * 298 Disposizione over partimenti by Giovanni Paisiello, in two large handwritten volumes. Presumably written by his student in composition Auguste Louis de Talleyrand. The name 'Taleyrand' appears on the inside of the cover of volume 2. Besides the 45 partimenti from Paisiello's ''Regole per bene accompagnare'', the Taleyrand dispositions contain 41 partimenti that had not been previously known. These volumes are preserved in the Bibliothèque Nationale de France (F-Pn Rés Vmb Ms. 10/1 and 10/2).

Editions

* Stefano Faglia, Franca Saini (ed.): ''Il Mondo della Luna'', Saint Petersburg, 1783. Monza, Accademia Musicale IAMR, 2006. Parma, L'oca del Cairo Edizioni Musicali, 2006.

References

External links

* * *
Score manuscripts and publications by Giovanni Paisiello
on archive.org {{DEFAULTSORT:Paisiello, Giovanni 1740 births 1816 deaths 18th-century Italian musicians 18th-century Italian male musicians 19th-century Italian musicians 19th-century Italian male musicians Italian Classical-period composers Neapolitan school composers Italian male classical composers Italian opera composers Male opera composers People from Taranto