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Demofoonte
''Demofonte'' (also ''Demofoonte''; ''Il Demofoonte''; ''Demofoonte, ré di Tracia'' ing of Thrace ''Démophon''; ''Demophontes''; or ''Dirce, L'usurpatore innocente'' irce, the Innocent Usurper is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times. General information *Title and title abbreviation: ''Demofoonte'' (Demof.) dramma per musica – dm *Volume and page number in the Brunelli edition of Metastasio's works: I, 635 *Text incipit of the first line of the work: ircea:"Credimi, o padre: ol tuo soverchio affetto" *Composer of first setting: Antonio Caldara *Place and date of first performance (or of completion): Vienna, Hoftheater, November 4, 1733 *Occasion for the first performance: Name-day of the Emperor Charles VI Other settings The libretto, written in 1731 or 1733, became immensely popular. By 1800 it had inspired at least 73 operas (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Mysliveček, 1769)
''Demofoonte'' is an opera in three acts by the Czech composer Josef Mysliveček. It was the composer's first setting of this popular libretto by Metastasio first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts two or more times over). This setting stays remarkably close to the original drama for its day (it was customary to alter Metastasian texts considerably so long after their original performances), but the role of Timante was augmented in order to highlight the talents of its interpreter, the distinguished male soprano Gaetano Guadagni. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Performance history The opera was first performed at the Teatro San Benedetto in Venice on 17 January 1769. It was very successful when it appeared. Indeed, the composer's first biographer, František Martin Pelcl, claimed that Venetian nobles stood in line outside of the theater to app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Mysliveček, 1775)
''Demofoonte'' is an opera in three acts by the Czech composer Josef Mysliveček. It was the composer's second setting of this popular libretto by Metastasio first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts dozens of times over). It was typical for subsequent setting of Metastasian dramas to incorporate significant alterations, and this setting retains the augmentation of the role of Timante that is found in the composer's first setting of this text. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Performance history The opera was first performed at the Teatro San Carlo in Naples on 20 January 1775, the birthday of king Charles III of Spain, the former ruler of the Kingdom of Naples whose birthday and nameday were still celebrated with operatic productions under the rule of his son Ferdinand. It was very successful at its premiere, to the point that the ''prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davide Perez
Davide Perez (1711 – 30 October 1778) was an Italian opera composer born in Naples of Italian parents, and later resident court composer at Lisbon from 1752. He staged three operas on librettos of Metastasio at Lisbon with huge success in 1753, 1754, and 1755. Following the 1755 Lisbon earthquake, Perez turned from opera mostly to church music. Early years Perez was born in Naples, the son of Giovanni Perez and Rosalina Serrari, both Neapolitans. At the age of 11 he became a student at the Conservatorio di S Maria di Loreto in Naples, where he remained until 1733, studying counterpoint with Francesco Mancini, singing and keyboard playing with Giovanni Veneziano, and violin with Francesco Barbella. On completion of his studies, Perez immediately entered the service of the Sicilian Prince d’Aragona, Naselli. From 1734 date his first known pieces, the Latin cantatas ''Ilium Palladio astu Subducto Expugnatum'' and ''Palladium'' performed in Palermo's Collegio della Societ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Gluck)
''Demofoonte'' is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducale in Milan. Roles Revivals The first modern performance of the opera took place at the Theater an der Wien in Vienna, Austria on November 23, 2014. The opera was conducted by Alan Curtis (harpsichordist) Alan Curtis (November 17, 1934July 15, 2015) was an American harpsichordist, musicologist, and conductor of baroque opera. Born in Mason, Michigan, Curtis graduated from studies at the University of Illinois, and received his PhD in 1960 with a ..., featured his Il Complesso Barocco as well as Aryeh Nussbaum Cohen in the primo uomo role of Timante. References {{Authority control Operas 1743 operas Italian-language operas Operas by Christoph Willibald Gluck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Boroni
Antonio Boroni (Rome, 1738 - Rome, 21 December 1792) was an Italian composer.The New Grove Dictionary of Music and Musicians - Volume 3 - Page 63 Stanley Sadie - 1980 In 1761 he had his first comic opera, La moda, performed at Turin (revived Venice, 1769) and in Carnival 1762 Demofoonte, his first opera seria, was staged at Treviso. After producing six operas at Venice (1763–6) he went to Prague with the ... Operas *''Demofoonte'' (dramma per musica, libretto di Pietro Metastasio, 1761, Senigallia) *''La moda'' (dramma giocoso, libretto di Pietro Cipretti, 1761, Torino) *''L'amore in musica'' (dramma giocoso, libretto di Carlo Goldoni da una commedia di F. Griselini, 1763, Venezia) - revisione del materiale a cura di Ciro Roberto Passilongo *''La pupilla rapita'' (dramma giocoso, 1763, Venezia) *''Sofonisba'' (dramma per musica, libretto di Mattia Verazi, 1764, Venezia) *''Siroe (Metastasio), Siroe, re di Persia'' (dramma per musica, libretto di Pietro Metastasio, 1764, Venez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egidio Duni
Egidio Romualdo Duni (or ''Egide Romuald Duny''; 11 February 1708 – 11 June 1775) was an Italian composer who studied in Naples and worked in Italy, France and London, writing both Italian and French operas. Biography Born in Matera, Duni was taught music by his father, Francesco Duni, and two sisters. At the age of nine, he was accepted at the ''Conservatorio di Santa Maria di Loreto'', near Naples. There he worked with Giovanni Battista Pergolesi, Giovanni Paisiello, and other masters of Italian opera. His first success was with the opera ''Nerone'' presented at the Rome Carnival in 1735. Thereafter he was in London (''Demofoonte'', 1737), returning to Italy where he eventually became ''maestro di cappella'' in Parma in 1749. The latter part of his career was spent in France where he played a key role in the development of the ''comédie mêlée d'ariettes'' (an early form of opéra comique), with such works as ''Le peintre amoureux de son modèle'' (Paris, 1757), ''La fée ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Galuppi
Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments. In his early career Galuppi made a modest success in ''opera seria'', but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new ''dramma giocoso'' style. To the succeeding generation of composers, he was known as "the father of comic opera". Some of his mature ''opere serie'', for which his librettists included the poet and dramatist Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofonte (Berezovsky)
''Il Demofonte'', also: ''Demofonte'', ''Demofoonte'' or ''Demofont'' (Russian and Ukrainian: ''Демофонт'' or ''Демофон'') is an opera seria by the Ukrainian composer Maksym Berezovsky (1745–1777) composed in 1773 to an Italian libretto by Pietro Metastasio. The opera libretto ''Il Demofonte'' was written by Metastasio in 1731 (or 1733) and became immensely popular. By 1800 it had inspired at least 73 operas (according to the Encyclopaedia ''Musical St. Petersburg: The 18th Century'') The version by Maksym Berezovsky is especially important for music history as the first opera by a Russian as well as a Ukrainian composer. Creation and performance history Berezovsky worked on the opera during his 4-year stay in Italy. It was for a winter carnival in Livorno, where a Russian flotilla was anchored, written at the request of his patron, count Alexei Grigoryevich Orlov, the commander-in-chief of the Russian fleet. The opera was premiered in February 1773 and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
