''Demofoonte'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

in three acts by the Czech composer

Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant com ...

. It was the composer's second setting of this popular libretto by

Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...

first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts dozens of times over). It was typical for subsequent setting of Metastasian dramas to incorporate significant alterations, and this setting retains the augmentation of the role of Timante that is found in the composer's first setting of this text. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria.

Performance history

The opera was first performed at the

Teatro San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent ...

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...

on 20 January 1775, the birthday of king Charles III of Spain, the former ruler of the Kingdom of Naples whose birthday and nameday were still celebrated with operatic productions under the rule of his son

Ferdinand Ferdinand is a Germanic name composed of the elements "protection", "peace" (PIE "to love, to make peace") or alternatively "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "co ...

. It was very successful at its premiere, to the point that the ''

prima donna In opera or commedia dell'arte, a prima donna (; Italian for "first lady"; plural: ''prime donne'') is the leading female singer in the company, the person to whom the prime roles would be given. ''Prime donne'' often had grand off-stage per ...

'' for the production, Antonia Bernasconi, specially brought arias from it with her to her next engagement in

London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...

Roles

Synopsis

The

Thracian The Thracians (; grc, Θρᾷκες ''Thrāikes''; la, Thraci) were an Indo-European speaking people who inhabited large parts of Eastern and Southeastern Europe in ancient history.. "The Thracians were an Indo-European people who occupied ...

king Demofoonte asks the oracle of Apollo how long the practice of the annual sacrifice of a virgin will continue. The answer is puzzling: "as long as the innocent usurper sits on the throne". The nobleman Matusio tries to protect his daughter Dircea from being sacrificed. He and Demofoonte are unaware that Dircea is secretly married to Timante, the son of Demofoonte and the heir to the throne. Demofoonte wants Timante to marry Creusa, a princess of Phrygia. Timante's younger brother Cherinto is accompanying her to the kingdom of Thrace, however he falls in love with her. Meeting Creusa, Timante admits that he cannot marry her, but does not explain why. Dircea has been caught while trying to flee the country and imprisoned, and Demofoonte orders the immediate sacrifice of Dircea. Timante tries to release her but with no success. He is also imprisoned. Creusa asks Demofoonte for mercy. The king releases Timante and Dircea, and Timante decides to give up the throne in favour of Cherinto. Suddenly they find a letter revealing that Dircea is the daughter of Demofoonte, which makes Timante and Dircea brother and sister. Timante is in despair, and tries to avoid Dircea. However another letter reveals that Timante is the son of Matusio. Everybody is happy. The marriage of Timante and Dircea becomes legal, and Cherinto is the real crown prince and can marry Creusa. No more virgins are sacrificed, since Timante is no longer the "innocent usurper of the throne".

Vocal set pieces

Act I, scene 1 - Aria of Matusio, "O più non tremar non voglio"
Act I, scene 2 - Aria of Dircea, "In te spero o sposo amato"
Act I, scene 3 - Aria of Demofoonte, "Per lei fra l'armi"
Act I, scene 4 - Aria of Timante, "Sperai vicino al lido"
Act I, scene 5 - Aria of Cherinto, "T'intendo ingrata" non-Metastasian text
Act I, scene 7 - Aria of Creusa, "Non curo l'affetto"
Act I, scene 8 - Aria of Cherinto, "Balena in quel sembiante" non-Metastasian text
Act I, scene 12 - Aria of Dircea, "Padre, perdona, o pene"
Act I, scene 14 - Accompanied recitative for Timante, "Sposa mio ben"
Act I, scene 14 - Aria of Timante, "La dolce compagna vedersi rapire" non-Metastasian text Act II, scene 1 - Aria of Creusa, "Tu sai chi son tu sai"
Act II, scene 2 - Aria of Timante, "Prudente mi chiedi?"
Act II, scene 4 - Aria of Matusio, "E soccorso d'incognita mano"
Act II, scene 6 - Aria of Dircea, "Se tutti i mali miei"
Act II, scene 7 - Aria of Cherinto, "No, non chiedo amate stelle"
Act II, scene 9 - Aria of Demofoonte, "Perfidi, già che in vita"
Act II, Scene 10 - Accompanied recitative for Timante and Dircea, "Sposa. Timante"
Act II, scene 10 - Duet for Dircea and Timante, "La destra ti chiedo" Act III, scene 1 - Aria of Adrasto, "Se ti bramassi estinto" non-Metastasian text
Act III, scene 4 - Accompanied recitative for Timante, "Misero me"
Act III, scene 5 - Aria of Timante, "Misero pargoletto"
Act III, scene 6 - Aria of Demofoonte, "Odo il suono de' queruli accenti"
Act III, scene 7 - Aria of Dircea, "Che mai risponderti"

Score

The complete score of Mysliveček's ''Demofoonte'' of 1775 is available for study online on the Italian website Internet Culturale in the form of a reproduction of a manuscript once in the possession of the Teatro San Carlo of Naples.

References

* Freeman, Daniel E. ''Josef Mysliveček, "Il Boemo"''. Sterling Heights, Mich.: Harmonie Park Press, 2009.

External links

Complete score in manuscript available for viewing and downloading at http://www.internetculturale.it (Subcategory: Digital Contents) {{DEFAULTSORT:Demofoonte Myslivecek 1775 Operas Italian-language operas Opera seria Operas by Josef Mysliveček 1775 operas Opera world premieres at the Teatro San Carlo