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Francesco Provenzale (25 September 1632 – 6 September 1704) was an Italian Baroque composer and teacher. He is considered the founder of the
Neapolitan school In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy,Don Michael Randel (2003). ''The Harvard Dictionary of Music'', p. 549. . the best known of whom ...
of opera. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi (detto Nicolini)'.


Biography

Before the year 1658, there is virtually no record of Provenzale's existence, although it is thought that he studied at the Conservatorio della Pietà dei Turchini in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
. The year of his entry into history is 1654, the year his
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
''Teseo'' was performed in Naples.Grace O'Brien The golden age of Italian music 1980 p139 "This new influence bore fruit a few years later in the first Neapolitan music drama, Francesco Provenzale's Teseo. Like Stradella, Provenzale had a natural gift for melody, and the chief interest in his operas centres in the arias which, by their ..." In his life, he mainly focused his energies on teaching, but he has a place in history as the first Neapolitan composer to embrace opera. Before ''Teseo'', he seems to have composed at least two other operas. That same year, an opera called ''Il Ciro'', no doubt by Provenzale, was performed in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isla ...
at the Teatro Santi Giovanni e Paolo. What was remarkable about the opera was that part of the music was by Francesco Cavalli; no other collaborative opera is known of in Venice before this date and Provenzale's ''Xerse'' and ''Artemisia'' may both have been arrangements of original works by Cavalli. Between composing opera and teaching, Provenzale managed to live a comfortable life. In 1660, he was married to Chiara Basile and by spring 1663, he became ''maestro'' of the Conservatorio di S Maria di Loreto, where he had been working for at least two years. In 1665 his son Giuseppe was born; he and his wife also had two daughters. From this point on, until age began to take a toll, his life was a fairly enviable success story. His works were frequently performed in Naples. As his reputation grew, commissions began to pour in and his body of students grew. And although he served as ''maestro'' in numerous institutions, the top position of chief ''maestro'' at any of these eluded him. Late in life, when removed from some of his posts due to his age, he became deputy to Alessandro Scarlatti. In 1704, he was at last made chief ''maestro'' at the royal chapel, but it was only days before his death. The post was inherited by Gaetano Veneziano, his star student. Provenzale's surviving works, only a fraction of what he composed, are the operas ''Il schiavo di sua moglie'' and ''La Stellidaura vendicante'', the sacred melodrama ''La colomba ferita'' (considered his best piece, about the life of
Saint Rosalia Rosalia (1130–1166), also called La Santuzza or "''The Little Saint''", and in Sicilian as "Rusulia", is the patron saint of Palermo in Italy, Camargo, Chihuahua, and three towns in Venezuela: El Hatillo, Zuata, and El Playon. She is es ...
), and numerous sacred works. Qualities of Italian vocal styles that strongly express sadness and pain are nowhere better exemplified than in the long melodic lines and expressive chromatic harmonies of the
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
"Lasciatemi morir" ("Let me die"), from his opera ''Il schiavo di sua moglie'' (''His Wife's Slave'').


Selected recordings

* Cantatas, I Turchini Florio. Symphonia; reissue on Il Canto della Sirena 3CD Glossa 2011 * Missa defunctorum with
Cristofaro Caresana Cristofaro or Cristoforo Caresana (ca. 1640–1709) was an Italian Baroque music, Baroque composer, organist and tenor. He was an early representative of the Neapolitan operatic school. Born in Venice, his precise birthday is not known. After stu ...
: Dixit Dominus Cappella della Pieta de' Turchini Florio (2007) * Provenzale: Passione (1996) * Provenzale: Vespro * La Bella Devozione * Motetti * ''La colomba ferita'' 2CD * ''Lo schiavo di sua moglie'' 1672 * '' La Stellidaura vendicante'' 1674 - Stellidaura: Jennifer Rivera (mezzo-soprano), Armillo: Hagen Matzeit (countertenor), Armidoro: Bogdan Mihai (tenor), Orismondo: Carlo Allemano (tenor), Giampetro: Enzo Capuano (bass). Academia Montis Regalis dir. Alessandro de Marchi, DHM Classics, 2013


References


Sources

*


External links

* {{DEFAULTSORT:Provenzale, Francesco 1632 births 1704 deaths Classical composers of church music Neapolitan school composers Italian Baroque composers Italian male classical composers Italian opera composers Male opera composers