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Casio SK-1
The Casio SK-1 is a small sampling keyboard made by Casio in 1985. It has 32 small sized piano keys, four-note polyphony, with a sampling bit depth of 8 bit PCM and a sample rate of 9.38 kHz for 1.4 seconds, a built-in microphone and line level and microphone inputs for sampling, and an internal speaker and line out. It also features a small number of four-note polyphonic preset analog and digital instrument voices, and a simple additive voice. All voices may be shaped by 13 preset envelopes, portamento, and vibrato. It also includes a rudimentary sequence recorder, preset rhythms and chord accompaniment. The SK-1 was thus an unusually full-featured synth in the sub-US$100 (equivalent to $ today) home keyboard market of the time. The SK-1 includes one pre-arranged piece of music, the Toy Symphony, which is played when the "Demo" button is pressed. The Radio Shack version of the Casio SK-1 is called the Realistic Concertmate 500. The SK line continued throughout the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casio
is a Japanese multinational electronics manufacturing corporation headquartered in Shibuya, Tokyo, Japan. Its products include calculators, mobile phones, digital cameras, electronic musical instruments, and analogue and digital watches. It was founded in 1946, and in 1957 introduced the world's first entirely compact electronic calculator. It was an early digital camera innovator, and during the 1980s and 1990s, the company developed numerous affordable home electronic keyboards for musicians along with introducing the world's first mass-produced digital watches. History Casio was established as Kashio Seisakujo in April 1946 by Tadao Kashio ( 樫尾忠雄 1917–1993), an engineer specializing in fabrication technology. Kashio's first major product was the yubiwa pipe, a finger ring that would hold a cigarette, allowing the wearer to smoke the cigarette down to its nub while also leaving the wearer's hands free. Japan was impoverished immediately following World War II, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Hype
Kevin Ford (born 1968), better known as DJ Hype, is a British jungle and drum and bass producer and DJ. Biography Hype first became involved in music as a teenager in 1982, assisting PJ and Smiley with their sound system Heatwave in East London, which evolved into Shut Up and Dance. Hype began producing in 1989, engineering and co-producing tracks (including "Exorcist" and "The Bee") for Kickin'Records, Strictly Underground and Suburban Base. UK garage producer Wookie remembers that Hype worked with The Scientist on "The Bee" to create one of the first jungle tunes to hit big, following "£10 to Get In" by Shut Up and Dance in 1989. Around this time, Hype hosted a show on the London pirate radio station Fantasy FM, and he was famed for his mixing and scratching skills. Suburban Base released Hype's track "Shot in the Dark" that made the UK Singles Chart in 1993. By 1994, he had become a big name in the breakbeat hardcore and jungle raves - landing awards for Best Male DJ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldschool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Me And You And Everyone We Know
''Me and You and Everyone We Know'' is a 2005 American romantic comedy-drama film written and directed by Miranda July. She also acts in the starring role, opposite John Hawkes. The film was the first major studio production for July, who had been known previously for her self-produced short films and performance art. Plot The structure of the film consists of several subplots which all revolve around an intertwined cast of characters. The film begins by introducing Richard ( John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife Pam (JoNell Kennedy), he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she takes her client to shop for shoes, and the two develop a fledgling romantic relationship. Robby, six years old, and his 14-year-old brother, Peter, have a joint online chat, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Andrews (musician)
Michael Andrews, also known as Elgin Park, is an American multi-instrumental musician, producer, and film score composer. He is best known for a cover version of the Tears for Fears song "Mad World", which he recorded with Gary Jules for the ''Donnie Darko'' soundtrack, and which became the 2003 UK Christmas number one. He is a founding member of the San Diego soul-jazz band The Greyboy Allstars, where he goes by the moniker Elgin Park. Soundtrack production After joining The Greyboy Allstars following the dissolution of his band The Origin, Andrews fell into film score composition by chance in 1998 when The Greyboy Allstars were asked to score Jake Kasdan's first feature ''Zero Effect'' and worked on the music for the highly regarded (though short-lived) TV series, ''Freaks and Geeks''. In 2000, Richard Kelly commissioned him to do the soundtrack for the film ''Donnie Darko''. Its original score album went on to sell over 100,000 copies (in part because of Andrews's remake o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autechre
Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut ''Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence. Influenced by styles such as 1980s electro and hip hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Magazine
''Keyboard'' is a magazine that originally covered electronic keyboard instruments and keyboardists, though with the advent of computer-based recording and audio technology, they have added digital music technology to their regular coverage, including those not strictly pertaining to the keyboard-related instruments. The magazine has its headquarters in San Bruno, California. History and profile Future is the owner of ''Keyboard'' which was launched in 1975. During the initial years the magazine was named ''Contemporary Keyboard''. Over the years, the print and online editions of the magazine have moved into discussions on anything related to gear. The editors and writers of the magazine have covered historical information and stories on the development of keyboards from their inception with pioneers such as Moog Music. At times, editorial and guest articles in the magazine have covered subjects including music philosophy, keyboarding instruction, music theory, and harmonics. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Musical Instruments (magazine)
''Experimental Musical Instruments'' was a periodical edited and published by Bart Hopkin, an instrument builder and writer about 20th century experimental music design and custom made instrument construction. Though no longer in print, back issues are still available. The material and approach of EMI can now be found electronically on their site hosted by Bart Hopkin. This site is, together with www.oddmusic.com the main source on the internet for experimental musical instrumentalism.https://www.google.com/search?hl=en&client=safari&rls=nl-nl&q=experimental+musical+instrument&btnG=Zoeken&lr= Although only old editions of the magazine are still available and no newer editions appear, the name is still in use as the publisher for many of the book written by Bart Hopkin and co-writers. Publications *''Experimental Musical Instruments'', magazine, 70 issues appeared as a printed publication between 1985 and 1999, later on re-issued as well on CD-ROM. It was first headquartered in Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed Ghazala
Qubais Reed Ghazala (born 1953), an American author, photographer, composer, musician and experimental instrument builder, is recognized as the "father of circuit bending," having discovered the technique in 1966, pioneered it, named it, and taught it ever since. Ghazala, who is from Cincinnati, Ohio, has built experimental instruments and/or consulted for many prominent musicians including Tom Waits, Peter Gabriel, King Crimson, and the Rolling Stones. Ghazala's work has been covered globally in the press including the ''New York Timess declaration of circuit-bending as part of the fine arts movement (April 8, 2004, Technology Section, Matthew Mirapaul), and can be found being taught world-wide. Ghazala's work is held in various galleries internationally including the permanent collections of New York City's Museum of Modern Art, the Guggenheim and the Whitney Museum of American Art The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circuit Bending
Circuit bending is the creative, chance-based customization of the circuits within electronic devices such as low-voltage, battery-powered guitar effects, children's toys and digital synthesizers to create new musical or visual instruments and sound generators. Emphasizing spontaneity and randomness, the techniques of circuit bending have been commonly associated with noise music, though many more conventional contemporary musicians and musical groups have been known to experiment with "bent" instruments. Circuit bending usually involves dismantling the machine and adding components such as switches and potentiometers that alter the circuit. Experimental process The process of circuit bending involves experimenting with inexpensive second-hand electronics that produce sounds, such as keyboards, drum machines, and electronic learning products. According to ''Electronic Musician'', innovators should only experiment with battery-powered devices, because there is a danger of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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