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Qubais Reed Ghazala (born 1953), an American author, photographer, composer,
musician A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who wri ...
and experimental instrument builder, is recognized as the "father of
circuit bending Circuit bending is the creative, chance-based customization of the circuits within electronic devices such as low-voltage, battery-powered guitar effects, children's toys and digital synthesizers to create new musical or visual instruments and ...
," having discovered the technique in 1966, pioneered it, named it, and taught it ever since. Ghazala, who is from
Cincinnati Cincinnati ( ) is a city in the U.S. state of Ohio and the county seat of Hamilton County. Settled in 1788, the city is located at the northern side of the confluence of the Licking and Ohio rivers, the latter of which marks the state line wit ...
,
Ohio Ohio () is a state in the Midwestern region of the United States. Of the fifty U.S. states, it is the 34th-largest by area, and with a population of nearly 11.8 million, is the seventh-most populous and tenth-most densely populated. The sta ...
, has built experimental instruments and/or consulted for many prominent musicians including
Tom Waits Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during ...
,
Peter Gabriel Peter Brian Gabriel (born 13 February 1950) is an English musician, singer, songwriter, record producer, and activist. He rose to fame as the original lead singer of the progressive rock band Genesis. After leaving Genesis in 1975, he launched ...
,
King Crimson King Crimson are a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experime ...
, and
the Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically d ...
. Ghazala's work has been covered globally in the press including the ''
New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
s declaration of circuit-bending as part of the fine arts movement (April 8, 2004, Technology Section, Matthew Mirapaul), and can be found being taught world-wide. Ghazala's work is held in various galleries internationally including the permanent collections of New York City's
Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of ...
, the Guggenheim and the
Whitney Museum of American Art The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), ...
as part of the Fusion Arts compendium. Ghazala's influence upon creative electronic design is global, having originated the planet's first "grassroots electronic art movement" (while Ghazala has noted that he was not the lone, or first, experimenter in the field, it should be recognized that his contemporaries’ work, regardless of date, did not spawn an international and specific art movement replete with original terminology, processes and an ever-increasing fellowship). Ghazala's practice with chance art (the root of circuit-bending) also involves studies in dye migration material

and Japanese suminagash

as well as liquid, gel and smoke chambers, mobiles and pyrotechnics.


History

Ghazala accidentally discovered the technique of circuit bending in the 1960s when he left a toy amplifier in his desk and heard it start to emit sounds comparable to those produced by expensive synthesizers of the day. The amplifier's casing had been opened, exposing its inner circuitry and allowing it to short circuit when placed against the metal desk. It is this chance aspect of bending that serves as the foundation of circuit-bending. Since discovering circuit bending, Ghazala has built countless instruments. These mostly consist of electronic toys modified with the circuit bending technique and customized until they barely resemble the original product. He has produced numerous audio compositions with these instruments which have been featured on many albums. He has also written a series of works relating to and teaching the circuit bending process, including his book, published by Wiley & Sons, titled ''Circuit-Bending: Build Your Own Alien Instruments''. Ghazala coined the term "immediate canvas" in his work with circuit bending, which is the concept that through circuit bending the hurdles of electronic design are avoided. Anyone can step up to an open circuit and create, without needing to know electronic theory or daunting equations. Another term coined by Ghazala is BEAsape which means BioElectronicAudiosapien. When body contacts are used, the body of the performer is used as a variable resistor – there is a fusion between man and machine into one purpose which Ghazala says is something new zoologically and musically.


Bibliography

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Discography

* A Watch in the Sea, Sound Theater (Cassette) 1982 * Sound Theater One: Music and Event, Sound Theater (Cassette) 1982 * Mind Over Matter, Sound Theater (Cassette) 1983 * Sound Theater Two: Visions, Sound Theater (Cassette) 1983 * Bring Your Room, Sound Theater (Cassette) 1985 * The Dreams that Insects Dream, Sound Theater (Cassette) 1985 * Requiem for a Radio, Sound Theater (Cassette) 1985 * The Sound Theater Radio Special Sound Theater (Cassette) 1985 * Suite for a Radio and Turntable: Outdoor Operations, Sound Theater (Cassette) 1985 * Posters in the Underground, Sound Theater and Sound of Pig (Cassette) 1986 * Vinegar versus Cats, Sound Theater (Cassette) 1986 * Go Mad Xmas, Sound Theater (Cassette) 1987 * Natural Science, Sound Theater (Cassette) 1987 * Spzz Tapes, Sound Theater (Cassette) 1987 * Artifacts, Sound Theater (Cassette) 1988 * Behind the Emotional Mask, Sound Theater (Cassette) 1989 * Cassette Mythos: Feast of Hearing, CM (Cassette) 1989 * Schematic, Mike Hovancsek, Pointless Music (cassette) 199? * Three Rings on the Ground, Pointless Music (Cassette) 199? * Clones and Friends, EJAZ (Cassette) 199? * Assemblage 1990, Realization Records (Cassette) 1990 * Anti White Bastards, PBK-USA (Cassette) 1991 * Cassette Mythos: Audio Alchemy, What's Next? Records (Cassette, CD) 1991 * Electricity, Pointless Music (Cassette) 1992 * From the pages of EMI, No. 7, Experimental Musical Instruments (Cassette) 1992 * 4 X 4, Ladd/Frith (CD) 1993 * Burning Suns of Shadow Worlds, Ladd/Frith (Cassette) 1993 * Drum, Spilling Audio (Cassette) 1993 * Gawk: Lore of the Ox Owl, Sacrifice (Cassette) 1993 * A Darker Solvent/EnTerres, Edicion, Spain (LP) 1993 * Postal Sound Surgery, Pointless Music (Cassette) 1993 * There is a Secret Garden, Sound Theater (Cassette) 1993 * From the pages of EMI, No. 8, Experimental Musical Instruments (Cassette) 1993 * Blacklight Braille: Sleep Not Yet, Vetco (CD) 1994 * Gawk: Marc Sloan, Reed Ghazala, Askance (Cassette) 1994 * No Dub, Spilling Audio (Cassette) 1994 * Objekt 5.5, Ladd/Frith (Cassette) 1994 * Objekt 5, Ladd/Frith (CD) 1994 * Objekt 666 (double cassette), Ladd/Frith (Cassette) 1994 * Redrum, Spilling Audio (Cassette) 1994 * Smells like 7, Spilling Audio (Cassette) 1994 * State of the Union, MR (CD) 1994 * The Little Fiddles in the Grass, Epitapes (Cassette) 1994 * From the pages of EMI, No. 9, Experimental Musical Instruments (Cassette) 1994 * Blacklight Braille: Songs for the Longhaired Son, Vetco (CD) 1995 * Better Things are Electric. M&M 1995 * Gawk-Gawd, Askance (CD) 1995 * Requiem for a Radio, Realization Records (CD) 1995 * Threnody to the New Victims of Hiroshima. Realization Records (CD) 1995 * From the pages of EMI, No. 10, Experimental Musical Instruments (Cassette) 199? * Gravikords Whirlies and Pyrophones, Ellipsis Arts (CD/Book) 1996 * Blacklight Braille: Songs from Moonlight Snow (CD) 1996 * State of the Union, Atavistic (CD) 1996 * From the pages of EMI, No.11, Experimental Musical Instruments (Cassette) 1996 * Blacklight Braille: Into the world of the Gods, Vetco (CD) 1997 * The ReR Quarterly; v.4 #2; ReR (CD) 1997 * From the pages of EMI, No. 12, Experimental Musical Instruments (Cassette) 1997 * Blacklight Braille: Black Moon Selection, Vetco (CD) 1998 * Mad Art River; Askance (CD) 1998 * HOPE; Audio Research Editions (CD) 1998 * Blacklight Braille: Dietles Tavern; Vetco; (CD) 1999. * Blacklight Braille: Sailing Away; Razzle 1999 * Blacklight Braille: Old Bones and Sacred Stones; Razzle; (CD) 1999 * Blacklight Braille; The castle of the Northern Crown; Razzle; (CD) 1999


Notes


External links


Ghazala's home page



Short Vice documentary on Reed Ghazala, the Father of Circuit Bending
{{DEFAULTSORT:Ghazala, Reed American electronic musicians Living people 1953 births American musical instrument makers People from Cincinnati