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Casa-Museu Medeiros E Almeida
The Casa-Museu Medeiros e Almeida is one of the most important Portuguese private decorative arts collections, gathered by the businessman, collector, and benefactor António de Medeiros e Almeida, António Medeiros e Almeida (1895–1986). The museum, housed in Almeida's former residence, a late 19th-century manor located in the centre of Lisbon, is divided into two distinct areas: the residential area that was kept as it was during the collector's lifetime, and a purpose-built museum on the site of the former garden – the new wing – recreates 18th-century French style interiors. The museum's most striking quality lies in how different decorative elements have been harmoniously blended, from Chinese ceramics to Portuguese and French furniture, Dutch and Flemish paintings, watches and jewellery to textiles, silversmith, and fans. The collection The museum has twenty-seven rooms and around two thousand works of art. Including furniture, painting, sculpture, textiles, jewel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisbon
Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Grande Lisboa, Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the List of urban areas of the European Union, 11th-most populous urban area in the European Union.Demographia: World Urban Areas - demographia.com, 06.2021 About 3 million people live in the Lisbon metropolitan area, making it the third largest metropolitan area in the Iberian Peninsula, after Madrid and Barcelona. It represents approximately 27% of the country's population. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Roussel
Pierre Roussel (1723 - 7 June 1782) was a successful but somewhat pedestrian cabinetmaker (''ébéniste'') of Paris. He was joined in his extensive business by his two sons, Pierre-Michel (master in 1766) and Pierre le jeune (master in 1771). Roussel's stamp, with its fleur-de-lis between the P and ROUSSEL, is often seen, but such quantities of goods made by others, both new and old, passed through the shop, and so much cabinetwork from Roussel's workshop was sold and stamped by other ''marchands-ébénistes'', that it is not easy to recognize any consistent sequence of characteristic styles, characteristic constructions, gilt-bronze mounts unique to his shop or marquetry. Consequently Roussel is often credited with a wide-ranging stylistic approach. The elder Roussel's father was a simple ''compagnon'', a journeyman cabinetmaker working for a master ''ébéniste''. Four of Roussel's brothers were '' menuisiers'', working on carved seat furniture and room paneling. He married Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Lisbon
Lisbon is one of the most popular city destinations in Europe. The city of Lisbon and the Lisbon metropolitan area attracts a significant number of tourists each year, drawn to its historical and cultural heritage, good transportation connections and good touristic infrastructure. City layout and touristic neighbourhoods The city is crossed by historical boulevards and monuments along the main thoroughfares, particularly in the upper districts; notable among these are the ''Avenida da Liberdade'' (Avenue of Liberty), ''Avenida Fontes Pereira de Melo'', ''Avenida Almirante Reis'' and ''Avenida da República'' (Avenue of the Republic). Pombaline Lower Town The Pombaline Lower Town area covers about of central Lisbon. It comprises the grid of streets north of the Praça do Comércio, roughly between the Cais do Sodré and the Alfama district beneath the Lisbon Castle, and extends northwards towards the Rossio and Figueira squares and the Avenida da Liberdade, a tree-lined boule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calouste Gulbenkian Foundation
The Calouste Gulbenkian Foundation ( pt, Fundação Calouste Gulbenkian), commonly referred to simply as the Gulbenkian Foundation, is a Portuguese institution dedicated to the promotion of the arts, philanthropy, science, and education. One of the wealthiest charitable foundations in the world, the Gulbenkian Foundation was founded on 18 July 1956 according to the last will and testament of Calouste Sarkis Gulbenkian, a Portugal-based oil magnate who bequeathed his assets to the country in the form of a foundation. Gulbenkian the Armenian oil magnate had one of the largest private art collections in Europe, which is housed in the foundation's Calouste Gulbenkian Museum in Lisbon. The foundation hosts numerous institutions and initiatives including the Gulbenkian Orchestra, Gulbenkian Science Institute, Gulbenkian Prizes and the Gulbenkian Commission. Organization Located in Lisbon (civil parish of Avenidas Novas), the Foundation's premises opened in 1969 and were design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hoppner
John Hoppner (4 April 175823 January 1810) was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist. Early life Hoppner was born in Whitechapel, London, the son of German parents – his mother was one of the German attendants at the royal palace. King George showed a fatherly interest and patronage of the young boy that gave rise to rumours, quite unfounded, that he may have been his illegitimate son. Hoppner became a chorister at the royal chapel, but, showing strong inclination for art, in 1775 he entered the Royal Academy. In 1778 he took a silver medal for drawing from life, and in 1782 the Academy's highest award, the gold medal for historical painting, his subject being King Lear. Career Hoppner first exhibited at the Royal Academy in 1780. His earliest love was for landscape, but necessity obliged him to turn to the more lucrative business of portrait painting. At once successful, he had throughout life the most fashi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. Life A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 June 2016 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Riley (painter)
John Riley, or Ryley, (1646 – March 1691) was an English portrait painter. He painted portraits of Charles II and James II, and was court painter to William III and Mary II. One of his pupils was Jonathan Richardson. Life and work Riley was born in London, one of the sons of William Ryley, Lancaster Herald and keeper of the records in the Tower of London, who was created Norroy king-at-arms under the Commonwealth, but reverted to his herald's office at the Restoration. Another son, Thomas Riley, was an actor. Riley studied painting under Isaac Fuller and Gerard Soest, and from the latter learnt a forcible, straightforward style of portraiture which rendered his portraits noteworthy. Riley did not attain much eminence until the death of Sir Peter Lely, when courtier and royal official Thomas Chiffinch sat for him, and was so much pleased with his portrait that he showed it to the king. Charles II gave Riley some commissions, and eventually himself sat for him, apparentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Davidsz
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * '' Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Domenico Tiepolo
Giovanni Domenico Tiepolo (August 30, 1727March 3, 1804) was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo. Life history Domenico was born in Venice, studied under his father, and by the age of 13 was the elder Tiepolo's chief assistant. He was one of the many assistants, including his brother Lorenzo, who transferred the designs of his father (often executed in 'oil sketches). By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751–3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana Ai Nani in 1757, and in Madrid at the palace of Charles III from 1762 to 1770. Works His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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