Carol Neblett
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Carol Neblett
Carol Lee Neblett (February 1, 1946 – November 23, 2017) was an American operatic soprano. Life and career Neblett was born in Modesto, California and raised in Redondo Beach. She studied at the University of California, Los Angeles. In 1969 she made her operatic debut with the New York City Opera, playing the part of Musetta in Puccini's ''La bohème''. With that company, she continued to sing many leading roles, in ''Mefistofele'' (with Norman Treigle), ''Prince Igor'' (conducted by Julius Rudel), ''Faust'', ''Manon'', ''Louise'' (opposite John Alexander, later Harry Theyard), '' La traviata'', ''Le coq d'or'', ''Carmen'' (as Micaëla, with Joy Davidson, staged by Tito Capobianco), '' The Marriage of Figaro'' (as the Contessa Almaviva, with Michael Devlin and Susanne Marsee), '' Don Giovanni'' (as Donna Elvira), ''L'incoronazione di Poppea'' (with Alan Titus as Nerone), ''Ariadne auf Naxos'' (directed by Sarah Caldwell), and Erich Wolfgang Korngold's ''Die tote Stadt'' ...
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Modesto, California
Modesto () is the county seat and largest city of Stanislaus County, California, United States. With a population of 218,464 at the 2020 census, it is the 19th largest city in the state of California and forms part of the Sacramento-Stockton-Modesto Combined Statistical Area. Modesto is located in the Central Valley, south of Sacramento and north of Fresno. Distances from other places include: north of Merced, California, east of San Francisco, west of Yosemite National Park, and south of Stockton. The city is surrounded by rich farmland. Stanislaus County ranks sixth among California counties in farm production. It is home to Gallo Family Winery, the largest family-owned winery in the United States. Led by milk, almonds, chickens, walnuts, and corn silage, the county grossed nearly $3.1 billion in agricultural production in 2011. The farm-to-table movement plays a central role in Modesto living as in the Central Valley. Modesto has been honored as a Tree Ci ...
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Michael Devlin (bass-baritone)
Michael Devlin (born November 27, 1942, in Chicago, Illinois) is an American opera singer who is internationally known as a bass-baritone and singing-actor. New Orleans Opera The protégé of the great Norman Treigle, Devlin began his career with the New Orleans Opera Association, where he debuted in a small role in ''La bohème'' (with Audrey Schuh as Mimì), in 1963. His next appearance was as Spalanzani in ''Les contes d'Hoffmann'' (a performance now available on Compact Discs, from VAI), with Beverly Sills and Treigle, in 1964. He was subsequently seen in ''Werther'' (opposite Giuseppe di Stefano), ''Carmen'', ''Ariadne auf Naxos'', ''Aïda'' (as Amonasro, with Marisa Galvany) and, in 1999, returned for ''The Ballad of Baby Doe'' (as William Jennings Bryan). New York City Opera At the New York City Opera, Devlin first sang the Ermitaño Ciego in the North American premiere of Ginastera's ''Don Rodrigo'', conducted by Julius Rudel and staged by Tito Capobianco, in 1966. ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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New Orleans Opera
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to theaters hosting traveling performers and companies. Earlier opera houses Operas were staged at a variety of theaters in the city, the first documented was André Grétry's ''Sylvain'' at the Theatre de la Rue Saint Pierre on 22 May 1796. On 30 January 1808, the Théâtre St. Philippe was opened with the U.S. premiere of Étienne Méhul's ''Une folie''. The U.S. premiere of Luigi Cherubini's ''Les deux journées'' took place at this theater on 12 March 1811. The city's most famous opera venue between 1819 and 1859 was the Théâtre d'Orléans. That theater was succeeded in 1859 by the French Opera House, located on Bourbon Street in the French Quarter. Living in a cosmopolitan city, New Orleans' inhabitants, whether high in sta ...
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Thaïs (opera)
''Thaïs'' () is an opera, a ''comédie lyrique'' in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel ''Thaïs'' by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898. The work was first performed in Italy at the Teatro Lirico Internazionale in Milan on 17 October 1903 with Lina Cavalieri in the title role and Francesco Maria Bonini as Athanaël. In 1907, the role served as Mary Garden's American debut in New York in the U.S. premiere performance. ''Thaïs'' takes place in Egypt under the rule of ...
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Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ...
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Frank Corsaro
Frank Corsaro (December 22, 1924, New York City, New York – November 11, 2017, Suwanee, GeorgiaRobert ViagasNight of the Iguana Director Frank Corsaro Is Dead at 92/ref>) was one of America's foremost stage directors of opera and theatre. His Broadway productions include ''The Night of the Iguana'' (1961). Career A graduate of De Witt Clinton High School, he made his operatic directing debut at the New York City Opera in 1958 with a staging of Carlisle Floyd's ''Susannah''. It was this production that the company took to the Brussels World's Fair that year, starring Phyllis Curtin, Norman Treigle and Richard Cassilly. He became one of the City Opera's leading directors, creating such important productions as Prokofiev's '' The Fiery Angel'', Verdi's ''La traviata'' (with Patricia Brooks and Plácido Domingo), Puccini's ''Madama Butterfly'', Robert Ward's ''The Crucible'' (featuring Chester Ludgin), Gounod's ''Faust'' (with Beverly Sills and Treigle), Borodin's ''Prince Igor'', ...
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Die Tote Stadt
' (German for ''The Dead City''), Op. 12, is an opera in three acts by Erich Wolfgang Korngold set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It is based on the 1892 novel '' Bruges-la-Morte'' by Georges Rodenbach. Origins Rodenbach's novel ' had already been adapted by the author into a play. The play was translated into German by Siegfried Trebitsch under the title ' (''The Silent City''), which he later changed to ' (''The Mirage''). Trebitsch was a friend of Korngold's father, Julius. The two met in the street one day and got into a conversation about a possible operatic adaptation. Trebitsch later met Erich, who was enthusiastic about the project. Trebitsch recalled " met the young master Erich Wolfgang Korngold in search of a scenario or, even better, a mood or operatic background that could be dramatically elaborated. I urged him to take up '."Carroll, Brendan G.; Pauly, Reinhard G., ''The Last Prodigy: A Biography ...
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Erich Wolfgang Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores., video, 9 min. When he was 11, his ballet ''Der Schneemann'' (The Snowman), became a sensation in Vienna, followed by his Second Piano Sonata, which he wrote at age 13, played throughout Europe by Artur Schnabel. His one-act operas ''Violanta'' and Der Ring des Polykrates (opera), ''Der Ring des Polykrates'' were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera ''Die tote Stadt'' (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera.Michael Kennedy (music critic), Kennedy, Michael. ''The Oxford Dictionary of Music'', Oxford Univ. Press (2013) p. 4 ...
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Sarah Caldwell
Sarah Caldwell (March 6, 1924March 23, 2006) was an American opera conducting, conductor, impresario, and stage director. Early life Caldwell was born in Maryville, Missouri, and grew up in Fayetteville, Arkansas. She was a child prodigy and gave public performances on the violin by the time she was ten years old. She graduated from Fayetteville High School (Arkansas), Fayetteville High School at the age of 14. Caldwell graduated from Hendrix College in 1944 and attended the University of Arkansas as well as the New England Conservatory of Music. She won a scholarship as a viola player at the Berkshire Music Center in 1946. In 1947, she staged Ralph Vaughan Williams, Vaughan Williams's ''Riders to the Sea''. For 11 years she served as the chief assistant to Boris Goldovsky. Career Caldwell moved to Boston, Massachusetts, in 1952 and became head of the Boston University opera workshop. In 1957 she started the Boston Opera Group with $5,000. This became the Opera Company of B ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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Alan Titus
Alan Titus (born in New York City, on October 28, 1945) is an internationally celebrated baritone. Life and career Titus studied under Aksel Schiøtz at the Colorado School of Music, and Hans Heinz at The Juilliard School. His official debut was as Marcello in ''La bohème'' in Washington, D.C., in 1969. He came to prominence, however, in Leonard Bernstein's theatre piece ''MASS'', creating the role of the Celebrant. ''MASS'' was commissioned by former First Lady Jacqueline Kennedy for the September 1971 opening of the Kennedy Center in Washington, D.C. Titus created the role of Archie Kramer in Lee Hoiby's ''Summer and Smoke'' (after Tennessee Williams) in St. Paul in 1971, and repeated the role in his New York City Opera debut that same year. He found a home at the New York City Opera, where he was a leading baritone for many seasons. He participated in nationally televised performances of ''Il barbiere di Siviglia'' (with Beverly Sills, 1976), ''Il turco in Italia'' (1978) ...
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