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Carnival Story
''Carnival Story'' is a 1954 drama film directed by Kurt Neumann, produced by Frank King and Maurice King, starring Anne Baxter and Steve Cochran, and released by RKO Radio Pictures. It was made as a co-production between West Germany and the United States. Sometimes this film is credited as a 3D feature, although it wasn't filmed or exhibited in a three-dimensional process. This idea in many sources may be based on a wrong note from ''Variety'' in 1953. Neumann simultaneously directed a German language version ''Circus of Love'' with Bernhard Wicki, Eva Bartok, and Curd Jürgens. The melodrama set in a circus was filmed at the Bavaria Studios in Munich and on location in the city. The sets were designed by the art directors Hans Kuhnert and Theo Zwierski. The film was shot in Agfacolor with prints by Technicolor. Plot Grayson's traveling carnival comes to Munich with acts that include high-dive artist Frank Collini (Lyle Bettger) and silent strongman Groppo (Ady Berber). ...
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Kurt Neumann (director)
Kurt Neumann (5 April 1908 – 21 August 1958) was a German Hollywood (film industry), Hollywood film director who specialized in science fiction movies in his later career. Biography Born in Nuremberg, the son of a manufacturer of tin stamps studied music in several German cities, including Berlin. In 1926 he directed his first short movie. Neumann came to the U.S. in the early talkie era, hired to direct German language versions of Hollywood films. Once he mastered English and established himself as technically proficient in filmmaking, Neumann directed such low-budget programmers as ''The Big Cage'' (1932), ''Secret of the Blue Room'' (1933) with Paul Lukas and Gloria Stuart, ''Hold 'Em Navy'' (1936), ''It Happened in New Orleans (1936 film), It Happened in New Orleans'' (1936) with child star Bobby Breen, ''Wide Open Faces'' (1937) with Joe E. Brown, ''Island of Lost Men'' and ''Ellery Queen: Master Detective'' in 1939. Neumann was signed by producer Hal Roach in 1941 to di ...
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3D Film
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney-themed venues. 3D films became increasingly successful throughout the 2000s, peaking with the success of 3D presentations of ''Avatar'' in December 2009, after which 3D films again decreased in popularity. Certain directors have also taken more experimental approaches to 3D filmmaking, most notably celebrated auteur Jean-Luc Godard in his film ''Goodbye to Language''. ...
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Theo Zwierski
Theo Zwierski (1911–1989) was a German art director who designed the sets on a number of West German films and television productions.Meier p.336 Selected filmography * ''Uncle Kruger'' (1941) * ''After the Rain Comes Sunshine'' (1949) * ''The Girl from the South Seas'' (1950) * ''Das gestohlene Jahr'' (1951) * ''Falschmünzer am Werk'' (1951) * '' Salto Mortale'' (1953) * ''Man on a Tightrope'' (1953) * ''Carnival Story'' (1954) * ''Ten on Every Finger'' (1954) * '' The Phantom of the Big Tent'' (1954) * ''Operation Edelweiss'' (1954) * '' Night People'' (1954) * ''Circus of Love ''Circus of Love'' (german: link=no, Rummelplatz der Liebe) is a 1954 drama film directed by Kurt Neumann (director), Kurt Neumann and starring Eva Bartok, Curd Jürgens and Bernhard Wicki.Hayes p.152 It was made as a co-production (film), co-prod ...'' (1954) * '' Love's Carnival'' (1955) * ''Von der Liebe besiegt'' (1956) * '' The Legs of Dolores'' (1957) * ''Mein ganzes Herz ist voll Musik'' (1959 ...
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Hans Kuhnert
Hans Kuhnert (4 January 1901 – 29 July 1974) was a German actor, art director and production designer. Kuhnert began his career as an actor during the silent era. He played the lead alongside Olga Tschechowa in ''Violet''.Hardt p.225 From the mid-1930s Kuhnert switched to working on the visual design of film sets. He worked frequently at this into the 1960s. He was sometimes credited as ''Hanns H. Kuhnert''. Selected filmography Actor * ''The Feast of Rosella'' (1919) * ''The Peruvian'' (1919) * ''Intrigue'' (1920) * ''Violet'' (1921) * '' Der falsche Prinz'' (1922) * ''Tragedy of Love'' (1923) * ''Dreiklang der Nacht'' (1924) * '' The Third Watch'' (1924) Art Director * '' Holiday From Myself'' (1934) * '' The Monastery's Hunter'' (1935) * ''The Saint and Her Fool'' (1935) * ''Frau Sixta'' (1938) * '' Storms in May'' (1938) * '' The Rothschilds'' (1940) * '' Left of the Isar, Right of the Spree'' (1940) * '' The Lost Face'' (1948) * ''Man on a Tightrope'' (1953) * '' Salto Mor ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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Location Shooting
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. The location may be interior or exterior. The filming location may be the same in which the story is set (for example, scenes in the film ''The Interpreter'' were set and shot inside the United Nations Headquarters in Manhattan), or it may stand in for a different locale (the films ''Amadeus'' and '' The Illusionist'' were primarily set in Vienna, but were filmed in Prague). Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot. Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce. Pros and cons Location shooting has several advantages over filming on a studio set. First and foremost, the expense can often ...
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Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ...
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Bavaria Studios
Bavaria Studios are film production studios located in Munich, the capital of the region of Bavaria in Germany, and a subsidiary of Bavaria Film. History The studios were constructed in the suburb of Geiselgasteig in 1919 shortly after the First World War. During their early years they were known as the Emelka Studios, while Geiselgasteig has also often been used to refer to them. They provided a provincial rival to the emerging dominance of Berlin studios, particularly the UFA conglomerate. Bavaria Film took over the studios, and became the dominant non-Berlin production company. During the Nazi era, Bavaria was one of the four major companies that dominated the German film industry alongside UFA, Terra and Tobis. In 1942 the companies were merged into a single administrative UFI. When the Cold War began in the 1940s, many of the former Berlin studios were now in East Berlin on the other side of the Iron Curtain and the Bavaria Studios assumed major importance in the West Ger ...
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Circus
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term ''circus'' also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'Penny Hatch on the south side of the Thames River, England. In 1770, he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a "circus". Performances developed significantly over the next fifty years, with large-scale theat ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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Curd Jürgens
Curd Gustav Andreas Gottlieb Franz Jürgens (13 December 191518 June 1982) was a German-Austrian stage and film actor. He was usually billed in English-speaking films as Curt Jurgens. He was well known for playing Ernst Udet in ''Des Teufels General''. His English-language roles include ''James Bond'' villain Karl Stromberg in '' The Spy Who Loved Me'' (1977), Éric Carradine in '' And God Created Woman'' (1956), and Professor Immanuel Rath in ''The Blue Angel'' (1959). Early life Jürgens was born on 13 December 1915 in the Munich borough of Solln, Kingdom of Bavaria, German Empire. His father, Kurt, was a trader from Hamburg, and his mother, Marie-Albertine, was a French teacher. He had two elder twin sisters, Jeanette and Marguerite. He began his working career as a journalist before becoming an actor at the urging of his actress wife, Louise Basler. He spent much of his early acting career on the stage in Vienna. Due to serious injuries that he sustained in a car accident in t ...
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Eva Bartok
Éva Márta Szőke Ivanovics (18 June 19271 August 1998), known professionally as Eva Bartok, was a Hungarian-British actress. She began acting in films in 1950 and her last credited appearance was in 1966. She acted in more than 40 American, British, German, Hungarian, French and Israeli films. She is best known for appearances in ''Blood and Black Lace'', '' The Crimson Pirate'', ''Operation Amsterdam'', and '' Ten Thousand Bedrooms''. Early life Bartok was born Éva Márta Szőke in Kecskemét, Hungary, to a Jewish journalist father and a Catholic mother. As a young child she performed in school productions from the age of six, and later in charity events and for wounded soldiers during the Second World War. Following the outbreak of the war her father stayed in Budapest. Bartok and her mother moved to live in Kecskemét, to the south of the city, where her mother had relatives. Her father would visit them on Sundays, but later disappeared without a trace during the Nazi p ...
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