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Camilla (mythology)
In Virgil's ''Aeneid'', Camilla of the Volsci is the daughter of King Metabus and Casmilla. Driven from his throne, Metabus is chased into the wilderness by armed Volsci, his infant daughter in his hands. The river Amasenus blocked his path, and, fearing for the child's welfare, Metabus bound her to a spear. He promised Diana that Camilla would be her servant, a warrior virgin. He then safely threw her to the other side, and swam across to retrieve her. The baby Camilla was suckled by a mare, and once her "first firm steps had eentaken, the small palms were armed with a keen javelin; her sire a bow and quiver from her shoulder slung." She was raised in her childhood to be a huntress and kept the companionship of her father and the shepherds in the hills and woods. Modern scholars are unsure if Camilla was entirely an original invention of Virgil, or represents some actual Roman myth. In his book ''Virgil's Aeneid: Semantic Relations and Proper Names'', Michael Paschalis s ...
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Woodcut Illustration Of Camilla And Metabus Escaping Into Exile - Penn Provenance Project
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Pallas And The Centaur
''Pallas and the Centaur'' is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his '' Primavera'', though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.Legouix, 113 The life-size figures are from classical mythology and probably form an allegory. There is a centaur on the left, and a female figure holding a very elaborate halberd on the right. She is clutching the centaur's hair, and he seems submissive to her. The female figure was called Camilla in the earliest record of the painting, an inventory of 1499, but then in an inventory of 1516 she is called Minerva, the Roman equivalent of Pallas Athene, which remains her usual identification in recent times, although Camilla has supporters. Arthur Frothingham suggested that ...
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Ronald Lightbown
Ronald Lightbown (1932–2021) was a noted British art historian and curator, specializing in Renaissance art. He wrote large monographs on the painters Sandro Botticelli and Carlo Crivelli. After a degree from the University of Cambridge, between 1958 and his retirement in 1989 he worked at the Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ... in London, rising to be the Keeper of its library and then as Keeper of Metalwork. Selected publications * Lightbown, R. W. (2004). Carlo Crivelli. Yale University Press. * Lightbown, R. W. (1978). Sandro Botticelli. 2 vols. Berkeley: University of California PressWilkins, D. G. (1980). eview of Sandro Botticelli., by R. Lightbown Renaissance Quarterly, 33(1), 100–102. https://doi.org/10.2307/2861554 References ...
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107 Camilla
Camilla ( minor planet designation: 107 Camilla) is one of the largest asteroids from the outermost edge of the asteroid belt, approximately in diameter. It is a member of the Sylvia family and located within the Cybele group. It was discovered on 17 November 1868, by English astronomer Norman Pogson at Madras Observatory, India, and named after Camilla, Queen of the Volsci in Roman mythology. The X-type asteroid is a rare trinary asteroid with two minor-planet moons discovered in 2001 and 2016, respectively. It is elongated in shape and has a short rotation period of 4.8 hours. Physical characteristics Camilla has a very dark surface and primitive carbonaceous composition. A large number of rotational lightcurves of have been obtained from photometric observations since the 1980s. Best rated results gave a short rotation period of 4.844 hours with a brightness amplitude between 0.32 and 0.53 magnitude. Lightcurve analysis indicates that Camilla's pole most likely poin ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Penthesilea
Penthesilea ( el, Πενθεσίλεια, Penthesíleia) was an Amazonian queen in Greek mythology, the daughter of Ares and Otrera and the sister of Hippolyta, Antiope and Melanippe. She assisted Troy in the Trojan War, during which she was killed by Achilles. The asteroid 271 Penthesilea, discovered in 1887, was named in her honor. In the Epic Cycle In the five book epic ''Aethiopis'', which was part of the Epic Cycle (or Cycle of Troy) on the Trojan War, the coming to Troy of Penthesilea and Memnon was described in detail. The ''Aethiopis'' was published in the 8th century BC and is attributed to Arctinus of Miletus. The main character of the epic is Achilles, who fights Penthesilea and Memnon before he is himself killed. Although ''Aethiopis'' has been lost, the Epic Cycle has been adapted and recycled in different periods of the classical age. The tradition of retelling the epic fall of Troy is indebted to Homer's ''Iliad'' and ''Odyssey'', which were grounded in ora ...
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Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. Biography Early years Bononcini was born in Modena, Italy, the oldest of three sons. His father, Giovanni Maria Bononcini (1642–1678), was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published further collections of instru ...
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Camilla (Bononcini)
''Camilla'' was an opera first performed at Drury Lane in London on 30 April 1706. The libretto was based on ''Il Trionfo di Camilla, regina de' Volsci'' by Silvio Stampiglia, translated into English verse by Owen Swiny, Peter Motteux, or others. Authorship of the music for the original is attributed variously to Giovanni Bononcini and to his brother Marc Antonio. Music for the London version was adapted by Nicola Haym. The opera was the first to be sung in a mixture of English and Italian, and it was one of the first London operas in which the castrato Nicolò Grimaldi (known as Nicolini) performed. There were three separate productions of ''Camilla'' in London which together had 111 or 112 performances from 1706 to 1728, making it the most popular and successful work of its period, after ''The Beggar's Opera''. Roles and plot The story is based very loosely on the mythological figure of Camilla in Virgil's ''Aeneid''. The characters are: Camilla, heiress to the throne of t ...
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Minerva
Minerva (; ett, Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena.''Larousse Desk Reference Encyclopedia'', Book People, Haydock, 1995, p. 215. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno. She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts. She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected. Marcus Teren ...
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Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ...
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Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ...
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De Mulieribus Claris
''De Mulieribus Claris'' or ''De Claris Mulieribus'' (Latin for "Concerning Famous Women") is a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in Latin prose in 1361–1362. It is notable as the first collection devoted exclusively to biographies of women in post-ancient Western literature. At the same time as he was writing ''On Famous Women'', Boccaccio also compiled a collection of biographies of famous men,'' De Casibus Virorum Illustrium'' (''On the Fates of Famous Men''). Purpose Boccaccio claimed to have written the 106 biographies for the posterity of the women who were considered renowned, whether good or bad. He believed that recounting the deeds of certain women who may have been wicked would be offset by the exhortations to virtue by the deeds of good women. He writes in his presentation of this combination of all types of women that he hoped it would encourage virtue and curb vice. Overview The ...
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