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CCIR 601
ITU-R Recommendation BT.601, more commonly known by the abbreviations Rec. 601 or BT.601 (or its former name CCIR 601), is a standard originally issued in 1982 by the Comité consultatif international pour la radio, CCIR (an organization, which has since been renamed as the ITU-R, International Telecommunication Union Radiocommunication sector) for encoding Interlaced video, interlaced analog video signals in digital video form. It includes methods of encoding 525-line 60 Hertz, Hz and 625-line 50 Hz signals, both with an active region covering 720 Luma (video), luminance samples and 360 chrominance samples per line. The color encoding system is known as chroma subsampling#4:2:2, YCbCr 4:2:2. The Rec. 601 video raster format has been re-used in a number of later standards, including the ISO/IEC Moving Picture Experts Group, MPEG and ITU-T Video Coding Experts Group, H.26x compressed formats, although compressed formats for consumer applications usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticity
Chromaticity is an objective specification of the quality of a color regardless of its luminance. Chromaticity consists of two independent parameters, often specified as '' hue'' (''h'') and ''colorfulness'' (''s''), where the latter is alternatively called ''saturation'', ''chroma'', ''intensity'', or '' excitation purity''. This number of parameters follows from trichromacy of vision of most humans, which is assumed by most models in color science. Quantitative description In color science, the white point of an illuminant or of a display is a neutral reference characterized by a chromaticity; all other chromaticities may be defined in relation to this reference using polar coordinates. The ''hue'' is the angular component, and the ''purity'' is the radial component, normalized by the maximum radius for that hue. ''Purity'' is roughly equivalent to the term '' saturation'' in the HSV color model. The property '' hue'' is as used in general color theory and in specific c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Green (telecommunication)
Dr. Richard R. “Dick” Green is best known for his work heading up Cable Television Laboratories (CableLabs), the research arm of the cable industry, and for his work with international television standards organizations. After a more than 50-year career in telecommunications and television Green was honored with a Prime Time Emmy for lifetime achievement from the National Academy of Television Arts and Sciences, and was inducted into the Cable Hall of Fame. Career Green was President and CEO of CableLabs from 1988 through 2009. He guided the cable industry through the transition from its analog roots to the broadband architectures of today, stressing interoperability and standardization across a broad range of operators and suppliers. Under Green’s leadership, CableLabs managed key technology developments that helped the cable industry expand services to include broadband internet service and telephony. The development of the Data over Cable Services Interface Specification ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonlinear System
In mathematics and science, a nonlinear system (or a non-linear system) is a system in which the change of the output is not proportional to the change of the input. Nonlinear problems are of interest to engineers, biologists, physicists, mathematicians, and many other scientists since most systems are inherently nonlinear in nature. Nonlinear dynamical systems, describing changes in variables over time, may appear chaotic, unpredictable, or counterintuitive, contrasting with much simpler linear systems. Typically, the behavior of a nonlinear system is described in mathematics by a nonlinear system of equations, which is a set of simultaneous equations in which the unknowns (or the unknown functions in the case of differential equations) appear as variables of a polynomial of degree higher than one or in the argument of a function which is not a polynomial of degree one. In other words, in a nonlinear system of equations, the equation(s) to be solved cannot be written as a lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primary Color
Primary colors are colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive, subtractive) that uses the physics of how light interacts with physical media, and ultimately the retina to be able to accurately display the intended colors. The most common color mixing models are the additive primary colors (red, green, blue) and the subtractive primary colors (cyan, magenta, yellow). Red, yellow and blue are also commonly taught as primary colors (usually in the context of subtractive color mixing as opposed to additive color mixing), despite some criticism due to its lack of scientific basis. Primary colors can also be conceptual (not necessarily real), either as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard Illuminant
A standard illuminant is a theoretical source of visible light with a spectral power distribution that is published. Standard illuminants provide a basis for comparing images or colors recorded under different lighting. CIE illuminants The International Commission on Illumination (usually abbreviated CIE for its French name) is the body responsible for publishing all of the well-known standard illuminants. Each of these is known by a letter or by a letter-number combination. Illuminants A, B, and C were introduced in 1931, with the intention of respectively representing average incandescent light, direct sunlight, and average daylight. Illuminants D (1967) represent variations of daylight, illuminant E is the equal-energy illuminant, while illuminants F (2004) represent fluorescent lamps of various composition. There are instructions on how to experimentally produce light sources ("standard sources") corresponding to the older illuminants. For the relatively newer ones (such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Point
A white point (often referred to as reference white or target white in technical documents) is a set of tristimulus values or chromaticity coordinates that serve to define the color "white" in image capture, encoding, or reproduction. Depending on the application, different definitions of white are needed to give acceptable results. For example, photographs taken indoors may be lit by incandescent lights, which are relatively orange compared to daylight. Defining "white" as daylight will give unacceptable results when attempting to color-correct a photograph taken with incandescent lighting. Illuminants An illuminant is characterized by its relative spectral power distribution (SPD). The white point of an illuminant is the chromaticity of a white object under the illuminant, and can be specified by chromaticity coordinates, such as the ''x'', ''y'' coordinates on the CIE 1931 chromaticity diagram (hence the use of the relative SPD and not the absolute SPD, because the white ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Space
A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of colorwhether such representation entails an analog or a digital representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical color swatches with corresponding assigned color names (including discrete numbers infor examplethe Pantone collection), or structured with mathematical rigor (as with the NCS System, Adobe RGB and sRGB). A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised. A "color model" is an abstract mathematical model describing the way colors can be represented as tuples of numbers (e. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PAL SECAM RGB Color Cube
Phase Alternating Line (PAL) is a color encoding system for analog television. It was one of three major analogue colour television standards, the others being NTSC and SECAM. In most countries it was broadcast at 625 lines, 50 fields (25 frames) per second, and associated with CCIR analogue broadcast television systems CCIR System B, B, CCIR System D, D, CCIR System G, G, CCIR System H, H, CCIR System I, I or CCIR System K, K. The articles on analog broadcast television systems further describe frame rates, image resolution, and audio modulation. PAL video is composite video because Luma (video), luminance (luma, monochrome image) and chrominance (chroma, colour applied to the monochrome image) are transmitted together as one signal. A latter evolution of the standard, PALplus, added support for widescreen broadcasts with no loss of vertical image resolution, while retaining compatibility with existing sets. Almost all of the countries using PAL are currently in the D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SMPTE-C RGB Color Cube
NTSC (from National Television System Committee) is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. ''NTSC color'' is usually associated with the System M; this combination is sometimes called NTSC II. The only other broadcast television system to use NTSC color was the System J. Brazil used System M with PAL color. Vietnam, Cambodia and Laos used System M with SECAM color – Vietnam later started using PAL in the early 1990s. The NTSC/System M standard was used in most of the Americas (except Argentina, Brazil, Paraguay, and Uruguay), Myanmar, South Korea, Taiwan, Philippines, Japan, and some Pacific Islands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offset Binary
Offset binary, also referred to as excess-K, excess-''N'', excess-e, excess code or biased representation, is a method for signed number representation where a signed number n is represented by the bit pattern corresponding to the unsigned number n+K, K being the ''biasing value'' or ''offset''. There is no standard for offset binary, but most often the ''K'' for an ''n''-bit binary word is ''K'' = 2''n''−1 (for example, the offset for a four-digit binary number would be 23=8). This has the consequence that the minimal negative value is represented by all-zeros, the "zero" value is represented by a 1 in the most significant bit and zero in all other bits, and the maximal positive value is represented by all-ones (conveniently, this is the same as using two's complement but with the most significant bit inverted). It also has the consequence that in a logical comparison operation, one gets the same result as with a true form numerical comparison operation, whereas, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ringing Artifacts
In signal processing, particularly digital image processing, ringing artifacts are Artifact (error), artifacts that appear as spurious signals near sharp transitions in a signal. Visually, they appear as bands or "ghosts" near edges; audibly, they appear as "echos" near Transient (acoustics), transients, particularly sounds from percussion instruments; most noticeable are the pre-echos. The term "ringing" is because the output signal oscillates at a fading rate around a sharp transition in the input, similar to a Bell (instrument), bell after being struck. As with other artifacts, their minimization is a criterion in filter design. Introduction The main cause of ringing artifacts is due to a signal being bandlimited (specifically, not having high frequencies) or passed through a low-pass filter; this is the frequency domain description. In terms of the time domain, the cause of this type of ringing is the ripples in the sinc function,, section I.6, Enhancement: Frequency Doma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
YCbCr
YCbCr, Y′CbCr, also written as YCBCR or Y′CBCR, is a family of color spaces used as a part of the color image pipeline in digital video and digital photography, photography systems. Like YPbPr, YPBPR, it is based on RGB primaries; the two are generally equivalent, but YCBCR is intended for digital video, while YPBPR is designed for use in Analogue electronics, analog systems. Y′ is the Luma (video), luma component, and CB and CR are the B-Y, blue-difference and R-Y, red-difference chrominance, chroma components. Luma Y′ (with Prime (symbol), prime) is distinguished from relative luminance, luminance Y, meaning that light intensity is nonlinearly encoded based on gamma corrected RGB primaries. Y′CbCr color spaces are defined by a mathematical coordinate transformation from an associated RGB primaries and white point. If the underlying RGB color spaces, RGB color space is absolute, the Y′CbCr color space is an absolute color space as well; conversely, if the RGB spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
