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C. Sivaramamurti
Calambur Sivaramamurti, (1909–1983) was an Indian museologist, art historian and epigraphist who is primarily known for his work as curator in the Government Museum, Chennai. and Sanskrit scholar. His entire life has been devoted to the study and exposition of various aspects of Indian art. Apart from authoring several monographs, guide books on Indian art, he also wrote a seminal work on South Indian epigraphy. Career After a brilliant academic career, C. Sivaramamurti entered the museum profession as curator for Archaeology in the Madras Museum. He then joined the Archaeological Survey of India as Superintendent, Archaeological Section, Indian Museum, Calcutta, whence he came over to the National Museum as Keeper and rose as Assistant Director and finally became the Director. Closely associated with the International Council of Museums he was on its executive committee and was Chairman of the Indian National Committee of ICOM. He conducted pioneering research and wrote ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museologist
Museology or museum studies is the study of museums. It explores the history of museums and their role in society, as well as the activities they engage in, including curating, preservation, public programming, and education. Terminology The words that are used to describe the study of museums vary depending on language and geography. For example, while “museology” is becoming more prevalent in English, it is most commonly used to refer to the study of museums in French (muséologie), Spanish (museología), German (Museologie), Italian (museologia), and Portuguese (museologia) – while English speakers more often use the term “museum studies” to refer to that same field of study. When referring to the day-to-day operations of museums, other European languages typically use derivatives of the Greek “museographia” (French: muséographie, Spanish: museografía, German: Museographie, Italian: museografia, Portuguese: museografia), while English speakers typically use th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Art
Industrial design is a process of design applied to physical products that are to be manufactured by mass production. It is the creative act of determining and defining a product's form and features, which takes place in advance of the manufacture or production of the product. It consists purely of repeated, often automated, replication, while craft-based design is a process or approach in which the form of the product is determined by the product's creator largely concurrent with the act of its production. All manufactured products are the result of a design process, but the nature of this process can vary. It can be conducted by an individual or a team, and such a team could include people with varied expertise (e.g. designers, engineers, business experts, etc.). It can emphasize intuitive creativity or calculated scientific decision-making, and often emphasizes a mix of both. It can be influenced by factors as varied as materials, production processes, business strategy, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paruthiyur Krishna Sastri
Parithiyur is a village on the northern banks of Kudamuruti River, near Sengalipuram, in Thiruvarur District of Tamil Nadu Tamil Nadu (; , TN) is a state in southern India. It is the tenth largest Indian state by area and the sixth largest by population. Its capital and largest city is Chennai. Tamil Nadu is the home of the Tamil people, whose Tamil language .... It was originally called Kodandarama Puram. Buses from Kumbakonam, Nannilam, Kodavasal pass through Paruthiyur Village. Local legend Due to the poisonous flames of Raghu, Surya, the Sun God had once lost His facial beauty. It occurred on a solar eclipse day. The Sun God prayed to Lord Siva from this place and regained His charm and brightness. 'Sun' in Tamil is called Parithi. As Parithi Worshipped here, this place came to be called Paruthiyur. In colloquial usage it has become Paruthiyur. Rama Lakshmana is believed to have performed the Veda-Yogic Surya Namaskara, or Paruthi Vanakkam in this place. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilak
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibhuti
In Hinduism, ''vibhuti'' ( sa, विभूति, vibhūti), also called ''bhasma'' or ''thiruneeru'', is sacred ash made of burnt dried wood, burnt cow dung and/or cremated bodies used in Agamic rituals. Hindu devotees apply ''vibhuti'' traditionally as three horizontal lines across the forehead and other parts of the body to honour Shiva. ''Vibhuti'' smeared across the forehead to the end of both eyebrows is called ''tripundra''. According to the ''Shiva Purana'', the particles of ash which cling to the skin when ''tripundra'' is applied are to be considered to be individual lingams. The scriptures further state that ''bhasma'' purifies the soul and elevates the devotee of Shiva, and that works done without wearing ''bhasma'' are fruitless. There are various methods for the application of the ashes, according to the ''Shiva Purana'', and various mantras to be recited during application. Other uses Another meaning of ''vibhuti'' is a 'glorious form', in contrast with ava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jawaharlal Nehru Fellowship
The Jawaharlal Nehru Trust Scholarship U.K. was founded by Admiral Lord Mountbatten of Burma in 1966 as a tribute to the India's first Prime Minister – Jawaharlal Nehru – after his death in 1964. The scholarship was funded by the Nehru Memorial Trust in London, U.K. and was mostly for one year period for studies in the U.K. In 1970, the Scholarship was awarded to Dr. Vinod Kumar Chopra (Ph.D. from Indian Institute of Technology, Kanpur) for Low Temperature Physics works with Dr. Kurt Mendelssohn, at the Clarendon Laboratory of Oxford University. The tenure of his scholarship was extended to 3-years from September 1970 to October 1973. The Chairperson of the Scholarship from India was then-Prime Minister Mrs Indira Gandhi, who personally interviewed the candidate after selection by the Education Ministry appointed Experts Committee headed by the UK Dy. High Commissioner. The Scholarship was most prestigious and the scholars were honored by presenting them to the Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karana Dance
Karanas are the 108 key transitions in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. ''Karana'' is a Sanskrit verbal noun, meaning "doing". Description Natya Shastra states that Karanas are the framework for the "margi" (pan-Indian classical) productions which are supposed to spiritually enlighten the spectators, as opposed to the "desi" (regional folk or pop dance) productions which can only entertain the spectators. "One who performs well this Karana dance created by Maheswara will go free from all sins to the abode of this deity," states Natya ShastraNatya Shastra translated by Manmohan Ghosh 2002 Chowkhamba Press, Varanasi - Page 75. Some of the well-known interpretations of karanas are by Dr.Padma Subramanyam that were based on 108 brief movement phrases describing specific leg, hip, body, and arm movements accompanied by hasta mudras described in the Natya shastra and other scriptures, and from depictions of the moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
